Film

Ayan

A slick Tamil action film about a smuggler's enforcer who switches sides when his best friend dies. It's a glossy, high-octane ride with genuine romance, cracking humour, and the kind of technical polish that made Suriya a star. Pure blockbuster entertainment: betrayal, loyalty, and spectacular set pieces. For anyone who loves action cinema done with style and swagger.

TMDb rating3.5

If you liked this

Dhoom 22006

Heist action with glamorous leads, international locations, and that same blend of style-over-substance appeal. Supremely watchable nonsense with excellent chemistry and a genuinely inventive train sequence.

But The plot dissolves if you think about it for thirty seconds. Some of the comedy lands awkwardly. It's mostly empty calories.

Dhoom 2 poster

Wanted2008

Also from 2009, also about a wronged man climbing into the criminal underworld. Raw, visceral action with a real sense of danger and a charismatic lead performance that elevates the revenge fantasy.

But Brutally violent and grim in a way that makes it feel dated now. The sentiment can tip into self-pity. Some will find it punishingly bleak.

Wanted poster

Enthiran2010

Rajinikanth in a sci-fi action romance with similarly lavish production values and that same willingness to swing between high emotion and pure spectacle. Unashamed blockbuster ambition done with real craft.

But The English-language portions are painfully stilted. The gender politics haven't aged well. At 154 minutes, it demands real patience and goodwill.

Enthiran poster

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The wildcard

Something you would not have found on your own.

Andhadhun2018

Both are stylish action-adjacent films about men playing games with powerful forces, but *Andhadhun* is a rigged game where nothing is what it seems.

A Hindi thriller that uses genre conventions—crime, betrayal, a beautiful woman—and completely subverts them. Brilliant, funny, genuinely surprising, and made with real craft. It's *Ayan*'s DNA rearranged into something smarter.

But The genre shifts can feel manipulative. Some viewers find the tonality exhausting. It's a twist box and if the first twist doesn't catch you, the rest won't either.

Andhadhun poster
More like this (6)

Singham2011

A cop action film with a similar visual language and that same uncomplicated moral clarity. Ajay Devgn commands the screen, and the action sequences have genuine impact and invention.

But The script is perfunctory. Character motivation is thin. It coasts on star power and action rather than anything deeper.

Singham poster

Jism2003

Early Emraan Hashmi thriller with sexual tension, action, and a morally compromised protagonist. Stylish, sexy, and genuinely unpredictable—it doesn't telegraph where it's going.

But Some of the eroticism reads as exploitative now. The logic falls apart badly in the third act. It can feel more interested in spectacle than character.

Jism poster

Dabangg2010

Salman Khan as a cocky, corrupt cop in a mass-appeal action comedy. It has swagger, spectacle, and a willingness to be stupid in an endearing way. The title track is iconic.

But Aggressively macho to the point of offensiveness. The romance subplot is treated with contempt. The plot is nonsense, and not always in a fun way.

Dabangg poster

Ra.One2011

SRK in a sci-fi action film with similar technical ambition and that same eagerness to be a crowd-pleasing spectacle. Genuinely inventive in its visual approach, even when it wobbles.

But It's almost three hours and it shows. The romance is saccharine. Some of the effects work hasn't aged gracefully, and the tone whiplash is severe.

Ra.One poster

Vettai2012

A Tamil action film with similar energy and a lead performance from Madhavan that crackles with charm. It's lighter and breezier than *Ayan*, but that same appetite for spectacle and wit.

But The female characters are window-dressing. The plot is forgettable. It's essentially a series of action set pieces connected by premise rather than story.

Vettai poster

Siddharth2013

Both have father-son or mentor-mentee bonds at their core, but where *Ayan* turns that into spectacle, *Siddharth* proves how much we feel when we abandon it.

A Marathi film about a father searching for his missing son—small, intimate, and utterly devastating. Vishal Bhardwaj's direction is restrained and precise. It's the anti-blockbuster: grief without music, without ornament.

But There is no catharsis. Nothing is resolved. It's a film about helplessness and it sustains that feeling unflinchingly. Some will find it too punishing to watch.

Siddharth poster

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