Film
Analyze This
Robert De Niro spends the whole film gleefully undercutting every mob-boss role he's ever played, dissolving into panic attacks and tears while Billy Crystal's harried therapist tries to keep him functional before a gang war erupts. It's a broad, high-concept comedy that runs almost entirely on the pleasure of watching De Niro be vulnerable instead of terrifying — gangster-movie iconography turned gently, cleverly inside out.
If you liked this
Grosse Pointe Blank1997
John Cusack's assassin books emergency sessions with a rattled therapist while dodging rival killers at his high school reunion — the same deadpan collision of ordinary anxiety and organised violence, set to a killer soundtrack.
But The tone swings from black comedy to genuine romance and back, which some viewers find slippery rather than charming.

Mickey Blue Eyes1999no page yet
Hugh Grant's hapless art dealer gets engaged into a mob family and has to fake his way through wiseguy customs — the fish-out-of-water panic that fuels Analyze This, from the other side of the desk.
But Grant's bumbling-Englishman routine is doing a lot of the work, and it's a well he'd already dug deep by 1999.
Get Shorty1995
A loan shark discovers Hollywood is basically organised crime with better catering, and pivots from breaking legs to producing movies. Sharp, cynical, quotable, and full of actors clearly enjoying themselves.
But The satire is aimed squarely at the film industry, which can feel inside-baseball if that's not your target.

The wildcard
Something you would not have found on your own.
Ordinary People1980
Same engine as Analyze This — a man who can't admit he's falling apart, forced into a room with a therapist he resents — but played entirely straight, as grief instead of gangster panic.
A quietly devastating family drama where the therapy scenes carry real weight instead of punchlines, showing what Ben and Paul's dynamic looks like with all the comedy stripped away.
But It's slow, sad, and deliberately airless — nothing about it wants to make you laugh, ever.

More like this (8)
Midnight Run1988
De Niro, years before Vitti, doing bounty-hunter-versus-accountant screwball opposite Charles Grodin — proof he always had this comic gear, buried under decades of Method seriousness.
But It's a road movie at heart, so the plot ambles rather than escalates and takes a while to warm up.

The Whole Nine Yards2000no page yet
A meek dentist discovers his new neighbour is a hitman on the run and gets pulled into a scheme he's laughably unqualified for. Broad, silly, and cheerfully violent in the same key.
But The jokes are big and obvious rather than character-driven, and the plot mechanics creak louder than the gags land.
My Blue Heaven1990no page yet
Steve Martin plays a flashy wiseguy dumped into suburban witness protection, teaching straight-arrow neighbours how to properly stuff a cannoli. A gentler, sillier cousin to Vitti's fish-out-of-water panic.
But It's slighter and more dated than Analyze This, with a sitcom-y plot that never quite finds its edge.
Married to the Mob1988no page yet
Michelle Pfeiffer tries to escape mob life entirely, only to find the FBI and her late husband's associates equally unwilling to let her go. Punchy, stylish, very New York, funnier than its premise suggests.
But It hasn't aged as gracefully as the genre's biggest names, and some jokes land as more dated than daring.
GoodFellas1990
The film Analyze This is quietly making fun of — the swagger, the paranoia, the sudden violence Vitti is trying to therapy his way out of. Essential, and it recontextualises every joke in the comedy.
But It's the real thing, not the joke — brutal and morally unmoored, with none of the comfort of a punchline at the end.

The Sopranos1999
Started the same year as Analyze This and asked the identical question completely straight: what happens when a mob boss actually goes to therapy? Six seasons of devastating, funny, brilliant television.
But It's a serious, long-haul drama commitment — eighty-plus hours of moral rot, not a couple of hours of laughs.

Johnny Stecchino1991no page yet
An Italian mistaken-identity mob comedy from just before Analyze This, built on the same joke — ordinary man entangled in organised crime he doesn't understand — but broader, more physical, and in another language entirely.
Roberto Benigni plays a hapless bus driver mistaken for a mafia informant, triggering a farce that's sillier and looser than Hollywood mob comedy usually risks.
But Subtitles and a very Italian comic rhythm may feel like a big tonal jump from Crystal and De Niro's New York patter.
Some Like It Hot1959
Four decades earlier, Billy Wilder proved gangsters and comedy mix beautifully — two musicians on the run from the mob, played purely for laughs, the same DNA that lets Vitti's panic attacks be funny instead of frightening.
One of the funniest films ever made, and proof that 'ordinary guy hiding from the mob' is a comic engine that's been running since black and white.
But It's a black-and-white farce built on 1959 gender comedy that plays very differently to modern eyes.

People
Cast
Robert De NiroPaul Vitti
Billy CrystalDr. Ben Sobel
Lisa KudrowLaura MacNamara Sobel
Chazz PalminteriPrimo Sidone
Kresh Novakovic'50s Gangster
Bart TangrediYoung Vitti, Sr.
Michael StrakaYoung Dominic Manetta
Joseph RiganoDominic Manetta
Joe ViterelliJelly
Richard C. CastellanoJimmy Boots
Molly ShannonCaroline
Max CasellaNicky Shivers
Directing
- Helen RellaAssistant Director Trainee
- Harold RamisDirector
- Michael HaleyFirst Assistant Director
- Robert C. AlbertellSecond Assistant Director
- Joan G. BostwickSecond Second Assistant Director
- Kellie JoTackettSecond Second Assistant Director
Writing
- Harold RamisScreenplay
- Kenneth LonerganScreenplay
- Peter TolanScreenplay
- Kenneth LonerganStory
- Peter TolanStory
Production
- Suzanne HerringtonAssociate Producer
- Ellen ChenowethCasting
- Laura RosenthalCasting
- Len AmatoCo-Producer
- Billy CrystalExecutive Producer
- Bruce BermanExecutive Producer
- Chris BrighamExecutive Producer
- Jane RosenthalProducer
- Paula WeinsteinProducer