Film
Amy Schumer: Growing
- Comedy
- Light-hearted
Amy Schumer's 2019 stand-up set captures her at a turning point—newly married, newly pregnant, wrestling with what it means to grow up when you've built a career on being provocative. It's loose and conversational, full of the bodily humour and relationship observations she's known for, delivered with her particular gift for making confession feel like conspiracy. For people who like their comedy unfiltered and personal.
Should you watch it?
Watch it if you enjoy confessional stand-up where a comic turns her own messy marriage and body into sharp, self-deprecating jokes that land hard and then loosen into something warmer.
Skip it if you want a tight, plotted story or a comedian who stays polished and distant, since this hour is loose, personal and occasionally rambles through its own tangents.
What it asks of you: About an hour of sitting still and listening, with no story to follow, just one woman talking straight to a room and letting the laughs come in bursts.
Not sure? Find tonight's pick in a minute.
If you liked this
Hannah Gadsby: Nanette2018
A stand-up special that deconstructs comedy itself while discussing trauma, identity and the cost of making people laugh. Raw, angry, brilliant—and fundamentally about reckoning with who you've been.
But It's deliberately punishing in places. There's not much joy here, and the comedy stops partway through deliberately, which some find frustrating rather than profound.
John Mulaney: Kid Gorgeous at Radio City2018
A masterclass in storytelling where Mulaney mines his own life—marriage, family, becoming an adult—for precise, hilarious observations. Warm without being soft, personal without oversharing.
But It's very polished and constructed. If you want ragged, spontaneous energy, this is the opposite—every bit is buffed to a shine.
Patton Oswalt: Annihilation2017
Made after his wife's sudden death, it's Oswalt processing grief through comedy with extraordinary honesty. Funny and devastating in equal measure, about how life derails you and what comes next.
But The subject matter is heavy. Watching someone work through real trauma can feel invasive, and the timing makes some jokes land differently than he intended.
Not sure tonight? Get a pick in a minute, starting from Amy Schumer: Growing
The wildcard
Something you would not have found on your own.
Unbreakable Kimmy Schmidt2015
Both Schumer and the show are about women confronting how life reshapes you—marriage, responsibility, the gap between who you thought you'd be. Both choose comedy as the tool for living through that.
A show about a woman rebuilding her life after trauma, using bright comedy to process something genuinely dark. It feels anarchic and absurd while addressing real pain—finding joy as an active choice.
But The relentless optimism will exhaust some viewers. It plays trauma for laughs, which works if you're with it and lands wrong if you're not. Also deeply silly when it wants to be serious.
More like this (5)
Maria Bamford: The Special Special Special!2012
Bamford performs her stand-up while animated versions of herself argue in the background about mental illness, medication and authenticity. Formally inventive and brutally honest about depression.
But The gimmick could feel grating—layered voices, visual chaos. Some prefer stand-up to stay still. It's also unrelentingly about mental illness, which isn't everyone's evening.
Nate Bargatze: The Greatest Average American2021
A Southern comedian finding huge laughs in mundane family stories—his relationship, his parents, mundane moments. Feels like talking to a friend who's really good at making you laugh.
But There's no edge here. If you need comedy to challenge or provoke, this is comfort food. Some find that boring.
Marc Maron: End Times Fun2020
Maron at a vulnerable moment, working through anxiety, parenting, getting older. It's funny but also clearly therapeutic—watching someone figure things out in real time.
But He can be repetitive, circling the same anxieties. Some find that circular structure makes the special feel long even at an hour.
Tig Notaro: Boyish Girl Interrupted2015
Where Schumer uses confession as permission, Notaro uses estrangement as power—both are rewriting what a woman's body and voice can do on stage, just from opposite directions.
Notaro performs while lying down, deadpan and inventive, discussing her body, sexuality and illness with radical honesty. Formally strange and emotionally real in ways most comedy isn't.
But She's lying on a couch for an hour delivering a monotone delivery. If you need energy or performance, this is the opposite. Some find it pretentious or boring.
Louis C.K.: Hilarious2010
Both are mining the material of married life with kids, finding comedy in the gap between expectation and reality. But where Schumer leans toward acceptance, Louis operates from despair—same subjects, opposite temperatures.
A stand-up set about marriage, kids and the daily disasters of adult life, filmed in a stripped-down way. It's observational comedy done so precisely it feels like autobiography, performed by someone who's genuinely furious at existence.
But His persona is deeply cynical—he hates everyone including himself. If you need warmth or hope, you won't find it. And given his subsequent exposure, some won't want to watch regardless.
People
Cast
Amy SchumerHerself
Directing
- Amy SchumerDirector
Writing
- Amy SchumerWriter
Production
- Chris FischerAssociate Producer
- Marcus PriceAssociate Producer
- Molly Alison FischerAssociate Producer
- Vinny CarameleAssociate Producer
- Amy SchumerExecutive Producer
- Bernie KaminskiExecutive Producer
- Marcus RaboyExecutive Producer
- Ryan CunninghamExecutive Producer
- Kevin KaneProducer
- Kim CarameleProducer
- Brian TischerProduction Manager