Film
All the Best: Fun Begins
- Screwball comedy
- Light-hearted
A Bollywood comedy built on mistaken identity and escalating chaos, where a lie about marriage spirals into absurdity when a stepbrother arrives unannounced. It's a loose, energetic romp that trades wit for spectacle—song, stunt, pratfall, and pure mayhem. Made for audiences who want their comedies loud, their logic flexible, and their heroes endearingly silly.
Should you watch it?
Watch it if you enjoy farce built on lies piling on lies, with a cast playing it broad and committed, and you don't mind a loud Bollywood comedy that stops for songs.
Skip it if you find slapstick-heavy comedy wearing thin, or need a tight runtime, since this runs about two and a half hours and some gags overstay.
What it asks of you: Settle in for a long, busy ride: over two hours of rapid-fire misunderstandings, loud set pieces and musical interludes, asking you to keep up with who believes what.
Not sure? Find tonight's pick in a minute.
If you liked this
Hera Pheri2000
The template for modern Hindi comedy: three guys, one con, complications multiplying by the minute. Sharp writing meets physical humour, and the chemistry between leads proves comedy chemistry is timeless.
But It's older and the humour is specific to its moment—some jokes haven't aged brilliantly, and if you're not tuned to the frequency, you'll be waiting for the laughs.
Dostana2008
Mistaken identity, tropical setting, Abhishek and John Abraham playing off each other with real ease. The premise is daft but sustained with genuine charm and an infectious lightness about the whole enterprise.
But The plot is tissue-thin and doesn't thicken—it coasts on charisma and spectacle. If you need substance to go with your silliness, you will feel cheated.
Singh Is Kinng2008
Akshay Kumar in full comic mode, a fish-out-of-water story in Australia, and an earnest heart underneath the chaos. It's silly but sincere, and never condescending to its own absurdity.
But It runs long and repeats itself; the songs stop the film dead rather than propel it. Patience required, and not everyone has it for a 150-minute comedy.
Not sure tonight? Get a pick in a minute, starting from All the Best: Fun Begins
The wildcard
Something you would not have found on your own.
The Daring Young Man1942
Both are built on the same turbine: identity confusion spiralling into farcical entanglement. The DNA of All the Best runs straight back to the golden age of slapstick.
A 1940s Hollywood screwball about mistaken identity and chaos that proves the formula is ancient and durable. See where it all comes from. The pacing is machine-gun fast and Joe E. Brown is a physical comedian for the ages.
But It's in black and white, the references are locked in its moment, and the gender politics are of its era. Some will find it quaint; others will find it actively uncomfortable.
More like this (6)
Housefull2010
A proper all-star farce with bodies piling up, complications metastasizing, and no one knowing who anyone else really is. It's orchestrated chaos with real craft, and the ensemble clicks.
But The humour is relentless and broadstroke—there's no breathing room or subtlety. Some find it exhausting; others find it exhilarating. You'll know which camp you're in pretty fast.
Thank You2011
Rajinikanth and Akshay Kumar riffing off each other, Bangkok locations, and a silly premise executed with energy and style. It's a buddy comedy that actually seems to enjoy its own ridiculousness.
But The plot barely exists and serves only to move bodies and humour into new frames. If you need narrative momentum, this will feel hollow and pointless.
Double Dhamaal2011
Two con artists, double-crosses, reversals, and genuine twists. Ajay Devgn at his comedic best, and the film actually has construction beneath the gags—it builds to something.
But It's darker and more cynical than other entries here—the humour lands sharper but sometimes cuts deep. The con doesn't always resolve satisfyingly for viewers who want neat closure.
It's Entertainment2014
Akshay Kumar, Tamannaah, and a road-movie structure give this caper real momentum. It's lighter than a heist should be but heavy enough to feel like something, not just spectacle.
But The tone wavers—it can't decide if it's a comedy or an action film, and that indecision shows. Neither side is strong enough on its own to carry the film alone.
Golmaal Again2017
Rohit Shetty's signature controlled chaos applied to a haunted-house premise. The cast is game, the gags are plentiful, and it never takes itself seriously for a second.
But This is pure machinery—no surprise, no edge, no genuine wit. It's the sound of comedy being assembled rather than born, and it shows.
Kiss Kiss Bang Bang2005
Both play the same game—escalating lies and mistaken identities—but Kiss Kiss Bang Bang plays it for blood and ambiguity while All the Best plays it for pure spectacle. Different registers, same engine.
A comedy-thriller about people lying to each other and reaping chaos, but written with real intelligence and performed with actual edge. Robert Downey Jr. narrating his own confusion. It's funny without being dumb.
But It's cynical about nearly everything, including comedy itself. The violence is real in ways that clash with the laughs. It won't give you the comfort of silliness—it's too smart for that.
People
Cast
Ajay DevgnPrem Chopra
Sanjay DuttDharam Kapoor
Fardeen KhanVeer
Bipasha BasuJhanvi Chopra / Kututu
Mugdha GodseVidya
Ashwini KalsekarMary
Mukesh TiwariChauthala
AsraniVidya's father
Johny LeverTobu
Sanjay MishraRaghuvandas 'Raghu' 'RGV' Goverdhandas Vakawale
Shraddha MusaleBetty