Television series
We're Here
- Comedy
- Light-hearted
We're Here sends drag queens into small towns across America to teach locals to perform, celebrate their stories, and leave them transformed. It's a documentary-adjacent feel-good show that swaps judgment for joy. For anyone who's ever felt like an outsider, or who believes art can heal.
Should you watch it?
Watch it if you are drawn to quiet, human exchanges, where a single visit to a small town can turn a skeptical local into someone who laughs along with the performers.
Skip it if you want a tightly plotted series with sharp stakes, since this is more an ambling, feel-good visit than a story driven by conflict, and its heart can feel repetitive.
What it asks of you: Twenty-six hour-long episodes across four seasons, so it rewards settling in over many evenings, and it moves at an easy pace with a warm, gently comic tone.
Not sure? Find tonight's pick in a minute.
If you liked this
Queer Eye2018
Five experts transform people's lives and homes while celebrating their authentic selves. Deeply moving, funny, and structured around genuine human connection rather than mockery.
But The format can feel repetitive across episodes, and the emotional beats are deliberately engineered. Some people find the sentimentality exhausting.

The Great British Bake Off2010
Strangers compete without cruelty or manufactured drama. It trusts kindness and genuine craft to sustain interest. Extraordinarily soothing and genuinely moving.
But Very slow and gentle. If you need high stakes or conflict, this will feel like watching paint dry—albeit paint that's nice to you.

Pose2018
Celebrates ballroom culture with warmth and historical weight. Features the largest cast of transgender actors in television history. Deeply felt and visually stunning.
But Some later seasons lose narrative focus, and the pacing can feel uneven. Heavy subject matter about loss and illness in the final season.

Not sure tonight? Get a pick in a minute, starting from We're Here
The wildcard
Something you would not have found on your own.
The Death and Life of Marsha P. Johnson2017
Both honor queer and trans people's radical capacity for community care and joy in the face of erasure. Both ask: what does it mean to show up for someone?
Documentary about the trans activist and Stonewall pioneer who spent her life in service to others. Essential, devastating, and a direct ancestor to what We're Here is trying to do.
But Heavy trauma and systemic violence throughout. Not a comfort watch. Requires you to sit with difficult history and your own complicity in ongoing injustice.

More like this (6)
RuPaul's Drag Race2009
The obvious predecessor: pure performance, wit, and artistry under pressure. Launched the queens you'll see on We're Here and set the template for modern drag on television.
But Competition format means there are clear winners and losers. The earlier seasons are extremely catty; some people find that dated now.

Nailed It!2018
Amateur bakers attempt elaborate desserts and fail spectacularly. The show loves them anyway. Funny and weirdly touching about trying your best at something impossible.
But The humor relies heavily on mocking the results. If you don't enjoy that flavor of comedy, the whole premise falls apart.

Legendary2020
Ballroom houses compete in a voguing competition. Celebrates Black and Latinx LGBTQ+ culture with real stakes and genuine artistry. Supportive and visually extraordinary.
But The competition format is intense and high-pressure. Some elimination episodes are genuinely upsetting, and not everyone finds that entertaining.

Making It2018
Crafters and artists compete in a genuinely supportive environment. Winners are decided by ability and heart, not cruelty. Wholesome competition is its own rare thing.
But The challenges can feel arbitrary, and the show never quite decides what it wants to be tonally. Some episodes drag.

The Red Tent2014
Both use intimate performance and storytelling as a form of healing and transformation. Both say: your story matters, and hearing it changes things.
Miniseries about women gathering to tell their stories and reclaim their narratives. Intimate, exploratory, focused on connection and female kinship across difference.
But The writing is uneven and the production design feels stagey. Also very earnest in ways that don't always land. Long for what it accomplishes.

Midnight in Paris2011
Both are about ordinary people encountering art and artists who show them who they actually are. Both believe transformation happens in small, quiet moments of recognition.
A writer's fantasy of escaping to a golden era becomes a meditation on how we romanticize the past and miss the present. Visually gorgeous, funny, and quietly wise about longing and connection.
But Woody Allen's sensibility is all over it—some find his worldview precious or self-indulgent. Also quite melancholic despite the whimsy, which surprises people.

People
Cast
Writing
- Johnnie IngramCreator
- Stephen WarrenCreator
Production
- Tanner JarmanAssociate Producer
- Erin HaglundCo-Executive Producer
- Kimberly GreenhutCo-Executive Producer
- Maureen HobanCo-Executive Producer
- Nicco ArdinCo-Executive Producer
- Sabrina MarCo-Executive Producer
- Stephanie MccanlesCo-Executive Producer
- Eric CourtneyCo-Producer
- Caldwell TidicueConsulting Producer
- D.J. PierceConsulting Producer
- EurekaConsulting Producer
- Aaron SaidmanExecutive Producer
- Eli HolzmanExecutive Producer
- Erin GambleExecutive Producer
- Johnnie IngramExecutive Producer
- Peter LoGrecoExecutive Producer
- Stephen WarrenExecutive Producer
- Julie LawrenceLine Producer
- Sterling FrymerLine Producer
- Caldwell TidicueProducer
- D.J. PierceProducer
- EurekaProducer
- Gráinne ByrneSupervising Producer