Television series
The L Word
A groundbreaking ensemble drama about a tight circle of lesbian friends navigating love, ambition, and identity in Los Angeles. It's intimate, soapy, occasionally melodramatic, and deeply invested in its characters' messy interior lives. For anyone who wants their drama character-driven and their queer representation unapologetic.
Should you watch it?
Watch it if you want a soapy, talky ensemble where friendships, gossip and messy love lives carry the weight, and you don't mind a show that is more interested in its characters' tangles than in tidy plotting.
Skip it if you want a tight, self-contained story or a show that feels modern in its pacing; at sixty-minute episodes across six seasons, it moves slowly and some of its 2004 attitudes have dated.
What it asks of you: Settle in for a long haul: seventy-one hour-long episodes that linger in conversations and relationships, with the mood shifting between warm, bitchy and earnest from scene to scene.
Not sure? Find tonight's pick in a minute.
If you liked this
Fleabag2016
A witty, formally inventive ensemble show about women supporting each other through romantic chaos and professional disappointment. The lead character's intelligence and self-awareness will feel familiar if you loved Bette's complexity.
But Much shorter seasons mean less time to settle into the world, and the comedy-first approach may feel lighter than you want after The L Word's dramatic intensity.

Transparent2014
An emotionally devastating family drama centered on queer identity, featuring rich character work and the kind of messy, loving friendships The L Word does so well. It earns every tear.
But The tone is substantially darker and more painful. There's less fun, more genuine tragedy. Some storylines are deliberately uncomfortable.

Grey's Anatomy2005
A masterclass in ensemble soap that balances professional ambition with romantic entanglement across dozens of characters. The early seasons have that same addictive 'just one more episode' quality.
But It's genuinely uneven after season five, and the medical cases can feel generic. Committing to fifteen-plus seasons is a lot.

Not sure tonight? Get a pick in a minute, starting from The L Word
The wildcard
Something you would not have found on your own.
Mulholland Drive2001
Like The L Word, it's obsessed with how desire and ambition reshape women's lives in LA. Both ask whether you can have both without losing yourself.
A fractured, dreamlike masterpiece about ambition, desire, and identity in Los Angeles. Two women's relationship is at its emotional core, and the intimacy is both tender and devastating.
But It's a David Lynch puzzle-box with no single right answer. It requires active watching and rewards multiple viewings, but some will find it pretentious or alienating.

More like this (8)
Pose2018
A vibrant, character-rich drama celebrating Black and Latinx queer and trans communities in 1980s New York. The found-family warmth and romantic intensity will resonate deeply.
But The period setting means fewer contemporary reference points, and some plotlines involving HIV/AIDS are explicitly tragic rather than hopeful.

Dickinson2019
A gender-bent, stylistically bold show about female ambition, desire, and the cost of creative passion. The lead character's intense, sometimes destructive relationships echo The L Word's emotional complexity.
But The anachronistic tone and visual style are deliberately disorienting. If you want historical realism or a straightforward narrative, this isn't it.

Killing Eve2018
Obsessive, darkly funny, and utterly gripping—two women locked in psychological combat. The writing is razor-sharp and the dynamic between leads has genuine erotic tension.
But It's a cat-and-mouse thriller, not a character study, so the relationship dynamics are less about building community than about mutual fascination. It can be sadistic.

Sense82015
A sprawling, visually inventive show about eight interconnected people who are literally bonded telepathically. It's unapologetic about queerness, sensuality, and the radical power of choosing your family.
But The plotting is occasionally convoluted, and the series was cut short. It requires patience and a tolerance for psychedelic weirdness.

Gentleman Jack2019
A sumptuous, witty period drama about a woman navigating desire and respectability in 1830s Yorkshire. Sharp writing and terrific lesbian romance without any shame.
But The pacing is deliberately slow, and the period trappings might feel distant from The L Word's contemporary urgency. Some viewers find the dialect hard to parse.

SKAM2015
A Norwegian coming-of-age ensemble that revolutionized TV storytelling. Raw, intimate, and unafraid to explore queer identity with genuine nuance among a large ensemble cast.
But It's teen-focused rather than adult drama, and you'll need to read subtitles. The format—nonlinear, told across multiple perspectives—takes adjustment.

Portrait of a Lady on Fire2019
Both center women's interior emotional lives and desire as a serious subject worthy of drama. Both treat queer love as worthy of profound artistic attention, not titillation.
A visually rapturous, quietly revolutionary film about two women's passionate love affair during portrait painting in 18th-century France. Queer, sensual, and achingly human.
But It's slow, painterly, and entirely absent of plot momentum. If you need conflict and forward motion, this will feel static. No dialogue for long stretches.

I Love You Phillip Morris2010
Both examine queer love as messy, obsessive, and worth breaking the rules for. Both refuse to apologize for desire, even when it's destructive or absurd.
A wild, darkly comic crime-of-passion story about a man's obsessive love affair with another man in prison. It's trashy, hilarious, genuinely touching, and completely unashamed.
But It's anarchic and crude. The tone whiplashes between comedy and genuine heartbreak. If you're looking for dignity or narrative restraint, you won't find it.

People
Cast
Writing
- Ilene ChaikenCreator
- Kathy GreenbergCreator
- Michele AbbottCreator
Production
- Lindsay WebsterAssociate Producer
- Louisa ReesAssociate Producer
- Angela RobinsonCo-Executive Producer
- Elizabeth ZiffCo-Executive Producer
- Rose TrocheCo-Executive Producer
- Cherien DabisCo-Producer
- Louisa ReesCo-Producer
- Ilene ChaikenExecutive Producer
- Rose LamExecutive Producer
Recommended by
Vida, Queer As Folk, Nashville, Lip Service, Shortbus, If These Walls Could Talk