Television series

Road to Avonlea

Name: Road to Avonlea
Genre: Drama, Family, History
Released: 1990
Cast: Mag Ruffman, Jackie Burroughs, Zachary Bennett, Patricia Hamilton, Sarah Polley

A warm, slow-building ensemble drama set in turn-of-the-century Prince Edward Island, spun off from Anne of Green Gables's world but with its own cast of eccentrics, feuds, and heartbreaks. Episodic and gentle on the surface, it doesn't shy from grief, loss or hard choices. Best for anyone who wants comfort telly with actual teeth.

If you liked this

Anne of Green Gables1985

The miniseries that started it all, made by the same producer, same island, same aching nostalgia. Megan Follows is extraordinary, and it's the gold standard for this whole genre of prairie-and-porch storytelling.

But It's a two-part miniseries rather than an ongoing series, so the ensemble comfort of returning weekly to Avonlea isn't quite there.

Anne with an E2017

A tougher, more modern retelling of the same source material, unafraid to dig into trauma, class and identity in ways the 90s version never did. Great if you want the sweetness with sharper edges.

But Some purists find it too revisionist or heavy-handed compared to the gentler original tone.

Little House on the Prairie1974

American frontier family life, episodic and moralistic in the best way, with a similar mix of hardship, community and quiet tenderness across generations.

But It leans more sentimental and preachy at times, and the pacing is slower even by Avonlea standards.

The wildcard

Something you would not have found on your own.

Pollyanna1960no page yet

Same structural engine — a displaced child softens a hard household and reshapes a closed-off community — done as a single feature decades before Avonlea, in a brighter, more uncomplicated key.

A Disney classic about a relentlessly optimistic orphaned girl sent to live with a rigid, wealthy aunt in a stuffy small town — practically Sara Stanley's American cousin, three decades earlier.

But Its sunniness is far less shaded by grief than Avonlea's; this is comfort without much complication.

The Waltons1972

A big, warm Depression-era family saga full of squabbling siblings and small-town wisdom. If you love the King family dynamics, this scratches the same itch with an American twang.

But Its earnestness is turned up even higher, and the narration can feel syrupy to modern viewers.

Cranford2007

A brilliant British ensemble piece about gossip, grief and social change in a small town, with a cast of formidable older women who'd give Aunt Hetty a run for her money.

But Only two short seasons, and the humour is drier and more understated than Avonlea's.

Lark Rise to Candleford2008

English village life rendered with the same patchwork-quilt structure — lots of characters, seasonal rhythms, small dramas that matter enormously to the people living them.

But Some viewers find it meandering, with less narrative urgency than Avonlea's more plotted seasons.

Downton Abbey2010

Bigger budget, grander houses, same basic pleasure of watching a community's fortunes rise and fall over years, with plenty of intergenerational clashes and buried secrets.

But It's far more concerned with class and spectacle than Avonlea's homelier, more domestic focus.

Ballykissangel1996

An Irish village comedy-drama built entirely on eccentric locals and slow-burn relationships, with the same gentle rhythm of a place that changes almost imperceptibly.

But It's more comedic and romance-driven, with less of the historical weight Avonlea carries.

Wind at My Back1996no page yet

A lesser-known CBC sibling show from the same creative stable, set in Depression-era Ontario, with the same knack for blending hardship and hominess in a small community.

But Much harder to find outside Canada, and the production polish is a notch below Avonlea's.

Twin Peaks1990

Both run on ensemble small-town storytelling where an idyllic facade hides real darkness underneath; Twin Peaks just wears that structure as horror instead of heritage drama.

A small town full of quirky, interconnected families, secrets simmering under a picturesque surface, and an outsider's arrival disturbing the peace — just filtered through surreal mystery instead of period sweetness.

But It's deliberately strange, unsettling and often disturbing — nothing like the cosy world you're used to.