Television series
MobLand
MobLand is a glossy, brutal British crime drama about the man who cleans up messes for London's most powerful criminal family. Tom Hardy is coiled menace as the fixer caught between loyalty and self-preservation, while Brosnan and Mirren play the aristocratic monsters at the top. Slick, violent, unashamedly entertaining pulp for grown-ups.
If you liked this
Ray Donovan2013
Same job, different postcode: a professional fixer for the rich and untouchable, drowning in family obligation and violence he can't escape. If you want more Harry, this is his Hollywood cousin.
But Seven seasons deep, it gets repetitive - every year another crisis, another betrayal, same emotional beats recycled.

Gangs of London2020
British crime at its most operatic and violent, with fight choreography that will genuinely wind you. Power vacuum in London's underworld, alliances shifting hourly - MobLand's spiritual sibling in scale and swagger.
But The violence is extreme, sometimes to the point of feeling gratuitous rather than earned; not for the squeamish.

Peaky Blinders2013
The gold standard for British gangster family sagas: style, swagger, a soundtrack that shouldn't work but does, and a family business built on menace and loyalty in equal measure.
But Style occasionally outruns substance, and later seasons stretch plausibility past breaking point.

The wildcard
Something you would not have found on your own.
The Long Good Friday1980
This is where the modern British gangster film starts: a London crime boss trying to hold his empire together while the ground shifts beneath him, decades before Harrigan ever picked up a phone.
Bob Hoskins gives one of the great performances of British cinema as a gangster trying to go legitimate just as his world burns down around him - tense, unpredictable, brilliant.
But Dated fashions and a slower, talkier build than modern crime thrillers; patience required before the tension detonates.

More like this (8)
Succession2018
Swap the guns for boardrooms and you've got the same rot: an ageing patriarch, a matriarch playing her own game, and children scheming for the throne. Cruelty as a love language.
But No crime, no violence, just people in expensive suits being awful to each other - some viewers miss the danger.

The Sopranos1999
The foundational text for every prestige crime family drama since, including this one. Watch it for the therapy-session psychology beneath the murders and see where the genre learned to breathe.
But Slow by modern standards, and the shadow it casts means some of its best tricks now feel familiar.

Animal Kingdom2016
A ruthless matriarch running a crime family through charm and fear alone - Mirren fans will recognise the type instantly. Sun-bleached Californian crime instead of London rain, same rotten warmth.
But Younger, scrappier cast and lower budget means it never quite matches MobLand's polish or star power.

Boardwalk Empire2010
Gorgeous, unhurried, and stacked with actors having the time of their lives playing monsters in good suits. If you like watching organised crime metabolise a whole era, this is patient, handsome viewing.
But The pace is glacial compared to MobLand's propulsion - this rewards patience more than adrenaline.

Sons of Anarchy2008
Trade the boardrooms for a clubhouse and you get the same tribal loyalty, blood debts, and men who love each other while destroying everything around them.
But Leather and motorcycles instead of tailoring; the tone is pulpier and less controlled than MobLand's cool menace.

The Departed2006
Two hours instead of ten - a tight, ferocious blast of Irish-American gangster paranoia and betrayal, with a cast at the absolute top of their game.
But It's a film, not a world you get to live in for a season - over almost as soon as it starts.

A Prophet2009
Same question MobLand keeps asking of Harry - how does an outsider become indispensable to a criminal hierarchy - answered in French, in a prison, with none of the gloss.
A young Arab prisoner rises through a Corsican gang from the inside, in a masterclass of quiet, patient tension. Subtitled, unglamorous, and unforgettable.
But Slow, subtitled, and grim in a way that offers none of MobLand's stylish comfort - a real commitment.

Empire2015
Take the Harrigans' family business, the ailing patriarch, the warring heirs, the ruthless matriarch, and inject it with pure prime-time soap opera excess - same bones, entirely different clothes.
A dying music mogul pits his children against each other for control of his empire - trashy, addictive, gloriously over the top in a way MobLand never quite allows itself to be.
But Melodrama over menace - if you want grit and violence rather than musical numbers and soap theatrics, this isn't it.

People
Cast
Writing
- Ronan BennettCreator
Production
- Max KeeneAssociate Producer
- Michelle CampCo-Producer
- Anthony ByrneExecutive Producer
- Bob YariExecutive Producer
- David C. GlasserExecutive Producer
- David HutkinExecutive Producer
- Dean BakerExecutive Producer
- Guy RitchieExecutive Producer
- Ivan AtkinsonExecutive Producer
- Jez ButterworthExecutive Producer
- Kris ThykierExecutive Producer
- Ron BurkleExecutive Producer
- Ronan BennettExecutive Producer
- Tom HardyExecutive Producer
- Peter HeslopProducer