Television series
Kick Buttowski: Suburban Daredevil
- Car-chase action
- Slapstick
- Light-hearted
- Relentless
A 30-minute comedy about a kid obsessed with becoming the world's greatest daredevil, pulling off increasingly absurd stunts in his suburb. It's got the anarchic energy of classic Looney Tunes meets skateboard culture—slapstick-heavy, fast-paced, and genuinely funny without talking down to kids. For anyone who loved physical comedy and watched cartoons to see what they could get away with.
Should you watch it?
Watch it if you grin at cartoon physics played for big slapstick, and you like a cocky kid whose schemes are so dumb they become charming, with a brisk half-hour that never stops to apologize.
Skip it if you want a show with a building story, since this is episodic stunt-of-the-week comedy with stakes that reset, and its loud energy can wear thin over a long binge.
What it asks of you: Each episode is a single half-hour, so it asks very little commitment per sitting, but its hyperactive cartoon pace means you need to keep up with the gags.
Not sure? Find tonight's pick in a minute.
If you liked this
Regular Show2010
Same era, same channel, same irreverent energy. A show about hanging out that becomes unexpectedly surreal and touching, with humor that works for both kids and adults watching over their shoulder.
But The later seasons get increasingly weird and plot-heavy, which some find exhausting rather than clever. Doesn't maintain the high-concept absurdity across all 265 episodes.
Gravity Falls2012
Mystery, weirdness, and genuine comedy layered so tightly it rewards rewatching. Sharp writing, wonderful voice acting, and a self-contained story that knows when to end. Modern animation at its smartest.
But Very plot-dependent—you have to watch in order and pay attention. First few episodes are slower. Not pure slapstick; it's smarter and denser than Kick.
The Looney Tunes Show2011
Returns classic characters to 11-minute episodes with modern sensibilities. Smart, affectionate, built on the assumption that comedy is technical and worth respect. Daffy is a revelation.
But It's a reboot, so some find it unnecessary or disrespectful to the originals. Less anarchic than the '40s classics—more sitcom-structured, less pure chaos.
Not sure tonight? Get a pick in a minute, starting from Kick Buttowski: Suburban Daredevil
The wildcard
Something you would not have found on your own.
Rocket Power1999
Direct lineage: Rocket Power proved you could build a show around kids doing extreme things and make it work. Kick borrowed the blueprint and cranked the absurdity.
The godparent of daredevil-kid shows: skate/surf/snowboard culture baked into narrative DNA. Pre-Kick exploration of the exact same impulse—kids pushing limits, learning through failure, legitimately cool without trying too hard.
But Late '90s animation quality and pacing. Slower than Kick, more grounded and sincere, less purely comedic—it takes the sports and characters seriously.
More like this (6)
Milo Murphy's Law2016
Chaos-theorist protagonist navigating suburban life with Zach from Saved by the Bell vibes. Genuinely clever about probability and consequence, packed with physical gags and weird tangents that feel earned.
But Takes a few episodes to find its rhythm. More character-driven than spectacle-driven, so if you want non-stop stunts, it's slower between the action beats.
Sonic Boom2014
Silly, plot-light, loaded with action and comedic voice work. Doesn't take the video game lore seriously, just has fun with absurd situations and characters bouncing off each other.
But Feels inconsequential even by cartoon standards. No stakes, no character development, just 11 minutes of goofing around each week.
Generator Rex2010
Action-adventure with genuine humor, likeable characters, and world-building that expands smartly. Good-looking animation, real stakes mixed with comedy, and a protagonist who's competent but still learning.
But Leans more heavily toward action and adventure than pure comedy. Less anarchic and absurd than Kick—more traditional superhero show DNA.
Ben 102005
Kid discovers alien watch, gets superpowers, has adventures. Early seasons mix action, humor, and surprisingly good character work. The transformation gimmick is inherently fun to draw and watch.
But Sprawls across decades of sequels and reboots that not everyone agrees improved it. The original show can feel dated in pacing compared to newer entries.
Futurama1999
Same joke density and anarchic energy as Kick, but from the adult animation side of the aisle. Proves the comedy engine works regardless of target audience—just requires different subject matter.
Sitcom energy wrapped around sci-fi spectacle. Fast jokes (visual and verbal), lovable idiots doing dangerous things, and genuine emotional moments buried under layers of gag writing. Animation that looks great because it serves the jokes.
But More cynical and adult than Kick—it drinks and smokes and has relationship drama. Gag-density can exhaust people who want narrative momentum. Cancelled multiple times because it was too weird for television.
Jackass 3D2010
Kick romanticizes daredevil stunts as comedy; Jackass shows you what that looks like unfiltered. Same obsession with injury as entertainment, but one is animated and aspirational, the other is documentary and immediate.
Real humans doing the stunts Kick animates. Genuinely hilarious, genuinely dangerous, genuinely inventive. No plot, no message—just brilliant comedians treating their bodies as the medium. The closest thing to pure physical comedy on film.
But It's real pain. People get actually hurt, sometimes badly. The premise is transgressive for transgression's sake. If watching someone get hit in the nuts for laughs makes you uncomfortable, you won't get past the premise.
