Television series

Goodnight Sweetheart

A sitcom about infidelity with a time-travel twist: a bored TV repairman discovers a portal to 1940s London and splits his life between his shrewish modern wife and a winsome barmaid in the Blitz. It's a high-concept premise grounded in painful domestic reality—funny and genuinely touching, with an edge of genuine melancholy beneath the laughs.

TVMaze rating3.7

Should you watch it?

Watch it if you like a sitcom whose time-travel premise is played for domestic comedy, with a warm, slightly wistful undertow about being torn between two lives.

Skip it if you want fast, gag-packed sitcom rhythms, because this is a gentle, character-led series that runs across six seasons of half-hour episodes at an unhurried pace.

What it asks of you: Half-hour episodes that run to six seasons, paced slowly enough to keep returning to the same two households and their small, repetitive domestic squabbles.

If you liked this

Red Dwarf1988

A British sci-fi sitcom with the same blend of silly premise and sharp character writing. The jokes land differently, the budget is lower, but the emotional core—loneliness, failure, the ways we disappoint ourselves—runs just as deep.

But Relies heavily on science-fiction jargon and in-jokes that take time to click. The early episodes look deliberately cheap in ways that can feel dated rather than charming.

Red Dwarf poster

Blackadder1983

Another British ensemble comedy where the setup—a pompous officer and his scheming subordinate—matters less than the writing. Quick, clever, and genuinely painful when it needs to be, especially by the final series.

But The first series is rough, and you have to sit through some dodgy premises to get to the brilliant stuff. It's also very male-skewing in ways that feel of its era.

Blackadder poster

Only Fools and Horses....1981

The greatest British sitcom ever made: two brothers, working-class London, romance and failure and schemes that never quite work. It's funny but it's also desperately real about money, family, and wanting better.

But Seven series across thirteen years means commitment. Some episodes feel more like character dramas than sitcoms, which can feel slow if you want constant gags.

Only Fools and Horses.... poster

Not sure tonight? Get a pick in a minute, starting from Goodnight Sweetheart

The wildcard

Something you would not have found on your own.

The Golden Compass2007

Both use a kind of entrance into another world—a portal that transforms the protagonist's life—to explore the gap between desire and reality. Both are genuinely romantic works that don't shy away from sadness.

A fantasy film about a young girl in an alternate Oxford escaping to a dangerous world. It shares that same nostalgic, slightly dark romance with the past that *Goodnight Sweetheart* trades in—beauty and peril intertwined, a world you wish you could step into.

But It's a children's fantasy, which might feel tonally distant from domestic sitcom. Also criticized for its religious allegory being muddled in adaptation. Some find the CGI dated.

The Golden Compass poster
More like this (7)

A Bit of Fry and Laurie1987

Sketch show with extraordinary range—absurdist, romantic, vicious, tender. The sketches about relationships and disappointment have a melancholy that surprises you in the middle of comedy.

But Sketch shows are uneven by design. Half the sketches won't land, and some of the references feel very specifically '90s British.

A Bit of Fry and Laurie poster

QI2003

Stephen Fry hosting a panel show about fascinating things. It's intelligent without being smug, warm without being soft. The tone is closer to sitting in a pub with clever friends than watching a quiz.

But It's a long series—if the format doesn't appeal to you, there's no plot to pull you through. Also genuinely uneven; some episodes fall flat.

QI poster

Have I Got News for You1990

British topical comedy panel show with real wit underneath the fast jokes. There's an intelligence and affection for good writing that might remind you why sitcom mattered as a form.

But Very topical, so older episodes feel dated fast. The humor is sometimes cruel in ways that don't age well. Also very dependent on the panelists clicking.

Have I Got News for You poster

The League of Gentlemen1999

Dark British sketch comedy with recurring characters and genuine narrative arcs. It pushes past where sitcom usually goes—angrier, weirder, willing to break the form.

But It's genuinely disturbing at points, and the humor comes from discomfort rather than warmth. If you want escapism, this is the opposite.

The League of Gentlemen poster

Spaced1999

Two broke strangers pretend to be a couple to get a cheap flat. It's got the romantic comedy setup but inverts everything—messy, anarchic, more interested in pop culture and awkwardness than in neat resolutions.

But The pop-culture references are so dense they can feel like noise. Also very deliberately eccentric in a way that requires patience; some people find it trying.

Spaced poster

Pennies from Heaven1978

Both explore infidelity not as a punchline but as a genuine moral and emotional trap—a character trying to live in two incompatible worlds and the cost of that attempt. Both use a sense of period romance as the lure.

A six-part BBC drama about a sheet-music salesman in Depression-era London leading a double life between respectability and desire. It's melancholic, beautifully written, and uses the period setting to explore how people fantasize about the lives they're not living.

But It's a drama, not comedy, and it's genuinely bleak in places. Also quite explicit about sex and infidelity in ways that might feel uncomfortable. The pacing is deliberate, almost novelistic.

Pennies from Heaven poster

Back to the Future Part III1990

Both center on a time portal as the gateway to romance with someone from another era, and both are ultimately asking what it means to choose between worlds—between the life you have and the life you want.

Doc Brown falls in love in the Old West. It's a romantic comedy wrapped in a time-travel adventure, genuinely funny but also genuinely touching about what you'd risk to change your life. The late-nineteenth-century saloon has that same warm nostalgia.

But It's the third film in a franchise; you absolutely need the first two. It's also a blockbuster, lighter and breezier than *Goodnight Sweetheart*, which might feel tonally jarring if you want something thoughtful.

Back to the Future Part III poster

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