Television series
Farzar
Farzar is a rapid-fire adult animated comedy that pivots its premise constantly, treating absurdity as permission to go anywhere. It's aggressively silly, brutally crude, and packed with jokes that land three per minute. If you loved shows that treat plot as scaffolding for chaos rather than gospel, and you can tolerate genuinely vile humour in service of nothing but laughs, this is your speed.
If you liked this
Invincible2021
Superhero action meets genuine character drama and shocking violence. It takes the premise seriously even when it's ridiculous, balancing spectacle with real emotional stakes and complex family dynamics.
But The animation style is a bit inconsistent, and the pacing can drag between action sequences. Also extremely grim—this isn't fun escapism.

Big Mouth2017
Unhinged animated comedy about puberty with the same willingness to be gross and shocking in the name of laughs. Features voice acting talent and emotional truth buried under the chaos and filth.
But The humour is extremely crude and touches on sexuality constantly. Some people find it mean-spirited rather than playful, and it really hasn't aged well in places.

F is for Family2015
Mean-spirited '70s workplace comedy with voice performances from a powerhouse cast. Finds genuine character and heart while never backing away from cringe and profanity. Consistently inventive storytelling.
But It's deliberately unpleasant and hostile. The protagonist is genuinely hard to like, and the show doesn't try to soften that. Can feel claustrophobic.

Not sure tonight? Get a pick in a minute, starting from Farzar
The wildcard
Something you would not have found on your own.
Human Resources2022
Same crude, chaos-driven comedy DNA from a team that understands when to pivot a joke and when to commit. Both treat plot as permission rather than obligation.
Spin-off of Big Mouth that jettisons the high school setting and follows workplace demons in HR. Same comedy engine but refined, with actual narrative momentum and better character development. Feels like the show's creators learned from mistakes.
But Still relies on shock value and crude humour. If Big Mouth's grossness exhausted you, this won't convince you otherwise. It's meaner than funny in stretches.

More like this (8)
Clone High2002
Teen comedy that plays like a hyperactive joke machine with genuine affection for its characters. Smart references, rapid-fire gags, and the voice cast (Phil Lord, Christopher Miller) brings real warmth underneath the stupidity.
But It's aggressively 2000s in a way that hasn't aged gracefully. Some jokes feel dated and the animation is deliberately cheap-looking, which isn't for everyone.

Harley Quinn2019
Chaotic adult superhero comedy that loves its characters while treating plot as optional. Sharp writing, excellent voice acting, and genuinely inventive action sequences between the jokes. Surprisingly heartfelt.
But DC fans might hate how it treats canon. The humour is deliberately juvenile and raunchy, and the animation quality is inconsistent across seasons.

Tuca & Bertie2019
Surreal comedy variety show that feels like channelling pure creative chaos into a script. Whimsical and deeply weird, with sketches that range from beautiful to horrifying. A showcase for bizarre invention.
But It has almost no narrative throughline and demands active attention. Long stretches are genuinely uncomfortable or just plain confusing. Not a show to half-watch.

BoJack Horseman2014
The gold standard of adult animation that starts as absurdist comedy and builds into genuine tragedy. Character work is pristine, writing is sharp, and it earns every shift in tone. Visually inventive throughout.
But Depression, addiction, and self-harm are the core of the show. It's a commitment—thirteen hours of watching someone make everything worse. Heavy stuff beneath the jokes.

Daria1997
Deadpan comedy about high school misfits with actual intelligence built into the script. Witty without being try-hard, touching without being sappy. The voice performances are perfection and it respects its audience.
But MTV animation from 1997 looks like MTV animation from 1997. The humour is more gentle than edgy, which might feel tame after modern comedies. Slow burn in places.

Paradise PD2018
Crude animated police comedy with genuine commitment to its characters despite constant vulgarity. Voice cast is stellar and the show finds sweetness in the most unlikely moments between catastrophic failures.
But It's aggressively offensive to almost everyone and the offensive jokes aren't always funny. Cancelled after one season for a reason. Tone-deaf in ways that sting rather than sting productively.

Arcane: League of Legends2021
Both understand that animation lets you do weird genre shifts—Farzar jumps between comedy registers, Arcane shifts between indie magic-system storytelling and steampunk tragedy. Both use form to liberate story.
Animated series that proves the medium can deliver genuine visual spectacle and emotional devastation. League of Legends adaptation that works because it doesn't assume you know League. Soundtrack, voice acting, and animation are all operating at peak.
But It's a video game adaptation and looks/feels like prestige television. If you want jokes-per-minute, this prioritizes mood and character over laughs. Slow pacing by design.

Inside Job2021
Both treat bureaucracy and hierarchical villainy as comedy settings. Both find humour in the collision between mundane systems and total chaos. Both suggest that structure itself is the joke.
Surreal workplace comedy about a shadow government employee trying to climb the corporate ladder while the world ends. Sharp, weird, genuinely inventive. Voice cast elevates every line. Cancelled way too early.
But It's unfinished and jumps premises constantly in ways that don't always land. The humour depends on enjoying the *idea* of absurdity as much as the execution. Available in fragments.

People
Cast
Writing
- Roger BlackCreator
- Waco O'GuinCreator
- Josh GreenbargStaff Writer
- Miles WoodsStaff Writer
Production
- Alan ChowAssociate Producer
- Dan SignerCo-Executive Producer
- Jeremy SosenkoCo-Executive Producer
- Lon ZimmetCo-Executive Producer
- Rocky RussoCo-Executive Producer
- Cullen CrawfordCo-Producer
- Jeff BradfieldCo-Producer
- Nora NolanCo-Producer
- Amy PochaConsulting Producer
- Seth CohenConsulting Producer
- Joel KuwaharaExecutive Producer
- Marc ProvissieroExecutive Producer
- Roger BlackExecutive Producer
- Scott GreenbergExecutive Producer
- Waco O'GuinExecutive Producer
- Andi RaabSupervising Producer
- Josh LehrmanSupervising Producer
- Kyle SteginaSupervising Producer