Television series
Dexter: New Blood
Ten years after vanishing, Dexter has reinvented himself in a small upstate town, trying to suppress his urges to kill. But when a local murder upends the community, his darker instincts resurface. A second chance at the story feels less like fan service and more like genuine reckoning with who this man has become.
Should you watch it?
Watch it if you loved the original's uneasy intimacy with a killer's inner monologue and want to see that voice tested by a small town, a fresh start and a son who is growing up.
Skip it if you want the original's fast, gleeful pulse; this revival moves slowly, lingers on brooding reflection and leans into sentiment more than some fans will forgive.
What it asks of you: Ten hour-long episodes make it a single, unhurried commitment, with long stretches of quiet character work between the crime beats.
Not sure? Find tonight's pick in a minute.
If you liked this
True Detective2014
A detective unravels a Louisiana crime while grappling with his own moral compromises. Sharp writing, compelling mystery structure, and McConaughey's performance shows what happens when a flawed investigator confronts his demons.
But The philosophical monologues can drag, and subsequent seasons drop significantly. First season only is the move.
The Fall2013
Stella Gibson hunts a meticulous serial killer in Belfast. It's a cat-and-mouse game between brilliant hunter and brilliant predator, with Spellman delivering ice-cold intensity. Claustrophobic and smartly constructed.
But Brutally bleak throughout. If you need light relief or neat resolutions, this will exhaust you.
Hannibal2013
A psychological thriller about the relationship between detective and serial killer, unfolding through gorgeously grotesque crime scenes and intimate tension. It commits fully to its darkness and visual ambition.
But Very stylized and occasionally crushingly sad. Some find the tone overwrought rather than compelling.
Not sure tonight? Get a pick in a minute, starting from Dexter: New Blood
The wildcard
Something you would not have found on your own.
I'm Thinking of Ending Things2020
Dexter is about a man performing normalcy while something else churns beneath. This film is that same tension rendered as pure nightmare.
A woman drives to meet her boyfriend's parents. Gradually, reality fractures in ways that suggest something far stranger than a simple family visit. Kaufman orchestrates mood and dread into an experience you can't quite shake.
But Intentionally frustrating and ambiguous. If you hate endings that don't explain themselves, this will enrage you.
More like this (7)
MINDHUNTER2017
FBI agents pioneer criminal profiling by interviewing serial killers in the 1970s. Methodical, tense, and deeply interested in how people rationalize horror. Fincher's direction is meticulous.
But Slow-burn procedural. There's no quick resolution, and some episodes feel like homework.
Bodyguard2018
A war veteran assigned to protect a politician uncovers a conspiracy that challenges everything he believes. Propulsive six-part thriller with genuine stakes and a moral core beneath the plot mechanics.
But The finale divides viewers sharply. Some feel it undermines the political complexity that came before.
Manhunter1986
A retired FBI profiler is pulled back to catch a ritualistic killer. Michael Mann's control of atmosphere and character work predates modern serial-killer drama. William Petersen is magnetic and wounded.
But Slower and cooler than you might expect from a crime thriller. It's meditative in a way that can read as distant.
Broadchurch2013
A child's murder tears apart a small English seaside town. Methodical investigation meets community breakdown. David Tennant's detective is damaged and obsessive. Perfectly paced whodunit with real emotional stakes.
But Australian remake exists and is well-regarded. Knowing the ending somewhat diminishes the replay value.
Killing Eve2018
An MI6 agent obsesses over a psychopathic assassin, blurring the line between hunter and hunted. Dark, witty, visually stylish, and genuinely unpredictable. Villanelle is electrifying.
But Tonal whiplash between black comedy and genuine violence can feel uneven. Final season disappointed many fans.
The Sinner2017
A woman commits a shocking act of violence, then has no memory of why. Psychological mystery exploring trauma and culpability across seasons. Bill Pullman grounds it with weathered decency.
But Anthology seasons vary wildly in quality. First is strong; later ones feel like diminishing returns.
Ozark2017
Both are about a man trying to live a second life in a small American town while his criminal past closes in. But where Dexter is a series about suppression, Ozark is about capitulation.
A financial advisor launders cartel money from a Missouri lake town and stays there—trapped, escalating, never leaving. Jason Bateman's containment and moral erosion unfolds across four seasons with intelligence and dread.
But Ending feels rushed after three seasons of setup. Some resent the compression after so much patient accumulation.
People
Cast
Writing
- Kirsa ReinExecutive Story Editor
- Alexandra FranklinStaff Writer
- Alexandra SalernoStaff Writer
- Marc MuszynskiStaff Writer
Production
- Lauren BernsteinAssociate Producer
- Megan JahodaAssociate Producer
- Veronica WestCo-Executive Producer
- David McMillanCo-Producer
- Warren Hsu LeonardConsulting Producer
- Bill CarraroExecutive Producer
- Clyde PhillipsExecutive Producer
- John GoldwynExecutive Producer
- Marcos SiegaExecutive Producer
- Michael C. HallExecutive Producer
- Sara ColletonExecutive Producer
- Scott ReynoldsExecutive Producer
- Adam BrightmanProducer
- Judson SchwartzProducer
- Tony SaltzmanSupervising Producer