Film
Zombie Strippers!
- Science fiction
- Comedy
- Fantasy
- Strange
A fever dream of a film that crashes zombie horror into sex work, nuclear anxiety, and pure absurdist provocation. Robert Englund presides over a Nebraska strip club as the undead take over. It's genuinely funny, genuinely unsettling, and genuinely committed to its own ridiculous premise. For people who want their horror to ask uncomfortable questions while making you laugh and squirm.
If you liked this
Dawn of the Dead2004
Zack Snyder's remake uses a shopping mall as a pressure cooker for social commentary wrapped in zombie action. Sharp, propulsive, and it knows exactly what it's saying about consumption and capitalism.
But It's stylish blockbuster zombie cinema—if you want something stranger or more committed to genuine weirdness, this plays it relatively straight.

Re-Animator1985
Stuart Gordon's cult horror-comedy about a mad scientist and his reanimation serum. It's disgusting, hilarious, and treats its absurd premise with total seriousness. A spiritual ancestor to what you're about to watch.
But The gore is deliberately grotesque and the humor is pitch-black; if you prefer your horror either funny or scary but not both at once, it might feel uneven.

Showgirls1995
Paul Verhoeven's deliberately trashy, nakedly satirical take on Vegas glamour and exploitation. It understands that sometimes the only way to examine spectacle is to become spectacular trash yourself.
But It's genuinely bad in ways that feel intentional but still bad. The pacing drags and the dialogue will make you wince—which may be exactly the point, but that doesn't make it easy.

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The wildcard
Something you would not have found on your own.
Mulholland Drive2001
Both use the spectacle of female bodies as a lens to examine exploitation, conformity, and the gap between desire and survival. Both suggest the system wins no matter what choice you make.
David Lynch's fractured Hollywood nightmare about ambition, identity, and the machinery of desire turning women into commodities. It's the art-film version of what Zombie Strippers is doing in B-movie vernacular: examining how systems consume and remake bodies.
But It's three hours of dreamlogic with no plot resolution. If you need clarity or narrative payoff, it will feel like punishment rather than revelation.

More like this (8)
Cabin Fever2003
Eli Roth's visceral horror-comedy about a flesh-eating virus ravaging a group of friends. It treats body horror as both terrifying and darkly funny, never winking at the audience.
But The gore is graphic and sustained; if practical effects hitting you with unflinching disgust is your limit, this will test it.

Evil Dead II1987
Bruce Campbell fighting demons and his own dismembered hand. Sam Raimi makes horror that treats comedy and grotesquerie as equal tools. Pure, chaotic invention on a shoestring budget.
But It's deliberately shapeshifting between tones; if you want consistency or a coherent genre lane, it will frustrate you.

Teeth2008
A young woman with vagina dentata navigates desire, predation, and bodily autonomy. It's horror as feminist reclamation—visceral, angry, and blackly comic about trauma and power.
But The premise is deliberately uncomfortable and the film doesn't soften its edges. Some will find it confrontational rather than entertaining.

Planet Terror2007
Robert Rodriguez's half of Grindhouse: a maxed-out B-movie about a woman with a machine gun for a leg fighting mutant zombies. It's pure stylish mayhem, never stopping to make sense.
But It's deliberately stupid and doesn't pretend otherwise. If you want intelligence or depth, this isn't interested in providing either.

The Stuff1985
A sentient dessert slowly takes over America in Larry Cohen's paranoid B-movie satire. It's ridiculous but sincere about consumerism and conformity, and genuinely fun to watch fall apart.
But The effects are intentionally cheap and the acting is variable. It depends on whether you find low-budget charm or just find it low-budget.

Zoolander2001
Ben Stiller's fashion-world satire buried underneath a spy-comedy plot. It's smarter than it looks, absurdist without pretending to be serious, and genuinely hilarious.
But The humor is broad and the plot is a clothesline for gags. If you want narrative momentum or character depth, you're looking in the wrong place.

Under the Skin2014
Both use female bodies as the site where something monstrous happens, and both ask whether the body is the woman or just the container. Both are genuinely weird instead of playing at weirdness.
Jonathan Glazel's alien-as-predator film, shot in documentary style, where Scarlett Johansson cruises Glasgow luring men to their doom. It's horror that plays as arthouse cinema: wordless, unsettling, genuinely strange.
But It's glacial and deliberately opaque. There's almost no plot; if you need plot, or dialogue, or even faces you can see clearly, this will exhaust your patience within twenty minutes.

I've Heard the Mermaids Singing1987
Both center on female performers and the gaze that consumes them, but Rozema asks whether desire and exploitation can be separated, and whether the person being looked at can ever reclaim agency. It's gentler than Zombie Strippers but asking the same question.
Patricia Rozema's debut: a shy, queer photographer obsessed with a glamorous curator, told with a direct camera and deadpan humor. It's camp, earnest, formally playful, and doesn't judge its characters for desiring spectacle.
But It's deliberately mannered and slow. Nothing happens in a conventional sense; it's texture and feeling over plot, which can feel like nothing at all if you're not in the mood.

People
Cast


Roxy SaintLillith
John T. WoodsJock
Penny DrakeSox
Whitney AndersonGaia
Jennifer HollandJessy
Shamron MooreJeannie
Jeannette SousaBerenge- Carmit LevitéBlavatski
Johnny HawkesDavis
Brad MilneChushfeld
Directing
- Jay LeeDirector
Writing
- Jay LeeWriter
Production
- John K. RobertsCasting
- Michael J. ZampinoExecutive Producer
- Andrew GolovProducer
- Angela C. LeeProducer
- Larry SchapiroProducer