Film
Vampires Suck
- Comedy
- Light-hearted
A Twilight parody that swings for the fences with vampire jokes, absurdist humor, and a genuine affection for skewering romantic melodrama. It's silly, fast-paced, and unafraid to go broad. Perfect if you want your comedy dumb in the best way and don't mind that the film's logic exists mainly to serve the next joke.
Should you watch it?
Watch it if you find Twilight's earnest moodiness funny enough to want it skewered, and you enjoy spoof films that land a joke every few seconds, even the groaners.
Skip it if the hit rate is uneven, and rapid-fire pop-culture gags can feel repetitive if you need a story to hold you between jokes.
What it asks of you: Brisk and light, it runs eighty-two minutes and wants only your attention on the next gag, with no slow build to sit through.
Not sure? Find tonight's pick in a minute.
If you liked this
Scary Movie 22001
The template for modern horror-comedy spoofery. Fast jokes, game cast, zero pretense. It finds the absurdity in genre conventions and mines it ruthlessly for laughs.
But The humor is very much of its era and relies heavily on references that have dated. Some of it lands softer now than it did then.

Not Another Teen Movie2001
Same DNA as Vampires Suck: a teen movie parody that actually loves the thing it's making fun of. Smart enough to be sharp, dumb enough to be joyful.
But It traffics in '00s body humor and sex jokes that might feel basic. The pacing can feel slack in stretches.

Popstar: Never Stop Never Stopping2016
Proof that parody can still work when made with real filmmaking skill and comic precision. The Lonely Island film is packed tight with jokes and genuine affection for music docs.
But The humor is very inside-baseball about pop music. If you don't care about the genre, the film loses a lot of its ammunition.

Not sure tonight? Get a pick in a minute, starting from Vampires Suck
The wildcard
Something you would not have found on your own.
Dracula: Dead and Loving It1995
Both films find their humor in the gap between romantic vampire mythology and the absurd reality of living with a bloodsucker. But Brooks trusts his audience to appreciate the craft; Vampires Suck just swings.
Mel Brooks' vampire comedy is a masterclass in parody that actually respects its source. It's smart enough to be witty but broad enough to be wildly enjoyable. Leslie Nielsen is perfect.
But It's a period film that moves at a deliberately theatrical pace. If you want quick-cut modern comedy, this will feel slow and mannered.

More like this (8)
Walk Hard: The Dewey Cox Story2007
A music-biopic parody that somehow became a better movie than many actual biopics. Hilarious and weirdly moving, with a game lead performance and joke density that rewards repeat watching.
But It's uneven in tone. The emotional beats can undercut the comedy and vice versa, which works for some people and frustrates others.

Tropic Thunder2008
A war-movie satire with A-list commitment and enough layers that it works as both a dumb comedy and a sharp industry critique. Robert Downey Jr. is extraordinary.
But It's aggressive in its satire and some of the targets feel dated. The tone can be hard to read—it's unclear sometimes what the film thinks is actually funny.

I'm Gonna Git You Sucka1988
Keenen Ivory Wayans' blaxploitation parody is genuinely clever and affectionate toward its source material. Smart enough to work as satire but silly enough to just be fun.
But It's been nearly forty years and cultural references have shifted. Some of the comedy is locked into its moment in ways that require context to land.

The Comebacks2007
A sports-movie parody that understands the formulas it's deconstructing. It's not trying to be smart; it just wants you to laugh at how predictable the genre is.
But The humor is broad and obvious. If you don't find the setup itself funny, there's not much complexity to sustain you through it.

Disaster Movie2008
From the same team as Scary Movie, this is parody as pure chaos. It's not elegant, but there's something freeing about a film that throws everything at the wall.
But Most of it doesn't stick. The joke-to-landing ratio is brutal, and the film's energy can feel exhausting rather than entertaining.

Superhero Movie2008
A superhero-parody with enough good gags to justify the runtime and a likable enough lead to carry the weaker stretches. It's not sharp, but it doesn't need to be.
But The humor is very much a product of 2008 superhero-movie conventions. It feels quaint now, and the jokes don't have much bite without that context.

What We Do in the Shadows2014
Both love vampire romance as their target, but this one understands that character and timing matter more than references. It proves the premise can work if you're willing to commit to the bit.
A mockumentary about flatmate vampires that is endlessly inventive and genuinely hilarious. It's smarter than it needs to be and funnier than it sounds. Cult classic for a reason.
But The humor is character-driven and relies on sustained performance. If you prefer joke-forward comedy over observational comedy, it won't click for you.

Jennifer's Body2009
Both came out at the peak of Twilight satire and both target that specific moment in teen-movie culture. But this one used the satire to say something about gender and friendship, while Vampires Suck just wanted the laugh.
A horror-comedy about possession and female friendship that is genuinely unsettling and genuinely funny. It loves its female characters and doesn't condescend to them. Diablo Cody's script is sharp.
But It takes itself seriously in ways pure parody doesn't. If you want laughs without any genuine stakes or scares, this hybrid approach might feel muddled.

People
Cast
Jenn ProskeBecca Crane
Matt LanterEdward
Chris RiggiJacob White
Diedrich BaderFrank Crane
Anneliese Van Der PolJennifer
Ken JeongDaro
Arielle KebbelRachel
Kelsey LedginIris Sullen
Emily BrobstJune
Crista FlanaganEden
Dave FoleyPrincipal Smith
Mike MayhallNicholas
Directing
- Aaron SeltzerDirector
- Jason FriedbergDirector
Writing
- Aaron SeltzerWriter
- Jason FriedbergWriter
Production
- Nancy FoyCasting
- Hal OlofssonCo-Producer
- Jerry P. JacobsCo-Producer
- Arnon MilchanExecutive Producer
- Aaron SeltzerProducer
- Jason FriedbergProducer
- Peter SafranProducer