Film
Titanic II
A 2010 disaster film that reimagines the Titanic tragedy for the modern era, swapping icebergs for tsunamis and adding romance and action heroics to the mix. It's earnest B-movie entertainment—the kind of thing that knows exactly what it is and commits fully to the bit. For viewers who love disaster spectacle without pretension.
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The Poseidon Adventure1972
A disaster-film classic that defined the genre's template: ordinary people trapped in extraordinary circumstances, forced to work together against a capsizing ship. Pure, propulsive entertainment with real stakes and memorable set pieces.
But The pacing occasionally drags, and some of the character work feels quaint by modern standards. It's a 1970s film entirely, for better and worse.

Deep Blue Sea1999
Genetically modified sharks terrorize a research facility in the ocean. It's a high-concept thriller that commits to its premise with genuine style, inventive kills, and characters you actually care about watching die.
But The dialogue occasionally tips into self-parody. Some will find it derivative or silly rather than thrillingly silly.

The Last Ship2014
A military thriller about one of the last destroyers on Earth after a plague wipes out most of humanity. It builds tension steadily, balances action with character work, and genuinely surprises you with who lives and dies.
But Five seasons is a commitment. By the end, it runs out of narrative ideas and starts repeating itself.

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Something you would not have found on your own.
Alive1993
Both films ask what happens when ordinary people face catastrophic circumstances at sea or in nature. But where Titanic II adds action and romance, Alive strips everything away and just watches people survive.
True story of a plane crash in the Andes where survivors face impossible choices to stay alive. It's a disaster film grounded entirely in real human behavior and moral complexity—no action heroics, just people breaking and enduring.
But It's genuinely grim and disturbing in ways a fun disaster movie isn't. The pacing is deliberate rather than propulsive.

More like this (8)
San Andreas2015
A father races across a devastated California to rescue his family after a massive earthquake. It's spectacle-driven disaster filmmaking that doesn't pretend to be anything else—just relentless, well-shot action and destruction.
But The plot is thin and the emotional beats feel obligatory. You're really just there for the CGI and Dwayne Johnson's biceps.

The Meg2018
Jason Statham fights a prehistoric megalodon shark. It's disaster-adjacent action that understands the assignment: be fun, be dumb, be comfortable with both. Entertaining summer blockbuster hokum.
But The script is thin and the creature effects look cheap in places. It never quite finds the tone between serious and absurd.

Dante's Peak1997
Pierce Brosnan as a volcanologist racing to save a small town from an imminent eruption. It's a disaster film that actually invests in character and stakes, with impressive practical effects and genuine tension.
But The romance subplot slows the momentum in the second act. Some of the disaster sequences feel dated now.

Into the Storm2014
Found-footage disaster film following multiple perspectives as a series of catastrophic tornadoes devastate a small town. The action is genuinely exhilarating and the scale feels impressively apocalyptic for the budget.
But Found-footage can feel gimmicky, and some characters are thinly sketched. The emotional beats don't always land.

Pompeii2014
A gladiator-turned-slave must save his love before Mount Vesuvius erupts. It's a romance wrapped in a disaster film, with impressive production design and genuine spectacle in the final act.
But The historical accuracy is selective, and the dialogue can be overwrought. It's more sword-and-sandals melodrama than rigorous disaster film.

Geostorm2017
A space station controls Earth's weather, then goes rogue, causing global disasters. It's bonkers high-concept sci-fi disaster filmmaking that never quite works but commits fully to its own absurdity.
But The plot is overstuffed and confusing. It tries to be too many things at once and lands none of them cleanly.

The Impossible2012
Both dramatize real disasters that inspired their scripts, but The Impossible uses that realness to break you emotionally rather than to enable thrills. Same catastrophe, opposite register.
A family separated by the 2004 Indian Ocean tsunami fights to reunite. Shot as intimate, visceral drama rather than spectacle—you're in the chaos with the family, not watching it from outside. Extraordinarily moving without being manipulative.
But It's emotionally exhausting. The film doesn't offer entertainment so much as catharsis, and some will find that demanding rather than pleasurable.

The Wave2015
Like Titanic II, it features a tsunami as the disaster, but treats it as tragedy rather than backdrop for heroics. It's what happens when a low-budget film outthinks a high-budget one.
A Norwegian disaster film about a massive tsunami hitting a fjord town. It's a taut, genuinely tense thriller that builds dread methodically and uses its modest budget with extraordinary intelligence. Nail-bitingly good.
But It's a slow-burn character study as much as a disaster film. There's less action spectacle than you might expect and more quiet human consequence.

People
Cast
Shane van DykeHayden Walsh
Marie WestbrookAmy Maine
Bruce DavisonJames Maine
Brooke BurnsDr. Kim Patterson
Michelle GlavanKelly Wade- Carey van DykeElmer Coolidge
D. C. DouglasCaptain Will Howard
Dylan VoxDwayne Stevens- Wittly JourdanElijia Stacks
Myles CranfordAdmiral Wes Hadley- Josh RomanElliot Snipes
- Matt WiseEric
Directing
- Shane van DykeDirector
- Glenn MillerFirst Assistant Director
- Ashley CarrSecond Assistant Director
- Mathew CalicaSecond Second Assistant Director
Writing
- Shane van DykeWriter
Production
- David RimawiExecutive Producer
- David Michael LattProducer