Film
The Polka King
Jack Black plays Jan Lewan, a real-life polka musician who built a devoted following in Pennsylvania, then committed investment fraud. It's a comedy about delusion, ambition, and small-town stardom, mixing affection for its characters with the wreckage they create. Warm but never soft.
Should you watch it?
Watch it if you like comedy built on a sincere, oblivious small-town showman whose self-belief outruns his judgment, and Jack Black playing that man's big-hearted vanity without winking.
Skip it if you need fast, tightly plotted comedy, since this drifts through its polka-hall setting at an easygoing pace and leans on awkward, cringe-heavy humour.
What it asks of you: It asks for patience with a loose, meandering shape and a tone that stays deadpan even as the characters make poor choices, across about ninety-five minutes.
Not sure? Find tonight's pick in a minute.
If you liked this
Fyre2019
Documents a similar con—ambitious dreamer promises the impossible, dupes believers, crashes spectacularly. Same mix of charm and recklessness, but with higher stakes and more money.
But It's a documentary, so it's observed rather than performed. Less funny, more depressing in the final act.

The Wolf of Wall Street2013
Leo DiCaprio as another charismatic fraudster who seduces people into schemes. Scorsese treats it as dark comedy—the con is the engine, the pleasure is watching it unwind.
But Nearly three hours of excess and cocaine. Brutally cynical about everyone involved, including the audience.

The Happiness of the Katakuris2002
Takashi Miike's bizarre comedy about a family running a failed business and their desperate schemes. Musical numbers, corpses, deadpan absurdity—the tone is completely unhinged in a liberating way.
But Genuinely strange. The tonal whiplash from comedy to horror to song-and-dance is intentional, which doesn't mean it lands.

Not sure tonight? Get a pick in a minute, starting from The Polka King
The wildcard
Something you would not have found on your own.
Synecdoche, New York2008
Both are about men whose sense of self-importance becomes indistinguishable from fraud—not because they're conscious liars, but because they've made the lie real in their own minds.
Charlie Kaufman's film about a theater director whose ambitions consume everything around him. Like Jan Lewan, he's a small-time operator who believes he deserves to be huge, and it destroys him.
But Deliberately obscure and formally difficult. Metaphorical rather than clear. Will frustrate you if you want straightforward storytelling.

More like this (7)
The Righteous Gemstones2019
Danny McBride's series about a televangelist dynasty hiding massive crimes. Loud, furious, funny—it's about people who believe their own hype until reality crashes in.
But Very long (seasons are 10+ hours). McBride's style is abrasive and won't soften as you go deeper.

American Hustle2013
Con artists dressed as respectable people. David O. Russell makes the deception glitzy and fun, and the cast (Bale, Adams, Cooper) commits to the bit completely.
But Style over substance—the plot is secondary to the costumes and music. Some find it shallow.

The Dropout2022
Amanda Seyfried as Elizabeth Holmes, founder of a fraudulent blood-testing company. Meticulous about how ambition plus delusion produces disaster. Respectful without being soft.
But Very grim by the end. The con is less funny than tragic once you see the human cost.

Roald Dahl's Matilda the Musical2022
Not a con, but a film musical about outsiders beating the system through wit and tenacity. Same underdog energy, same warmth, totally different register. Rhyle choreography, genuine joy.
But It's a kids' movie, and if that's not your door, nothing here will change your mind.

The Ballad of Little Jo1993
Maggie Sinclair lived as a man in the Old West to survive. It's a true-crime biography about reinvention and small-town mythology. Oddly tender about deception.
But Very quiet, very slow. The stakes don't feel as immediate as in flashier films.

The Inventor: Out for Blood in Silicon Valley2019
HBO documentary about Elizabeth Holmes again, but from the other angle—focused on the psychology of the lie, the architecture of the scam. Furious and precise.
But If you've seen The Dropout, this covers much the same ground with less emotional investment.

Glengarry Glen Ross1992
Both explore how people rationalize fraud as ambition. But where Jan Lewan is small and almost sympathetic, these men are already poisoned by the system.
Mamet's play (performed here with the full cast) about salesmen destroying each other. It's about the con as a way of life, the performative self as survival. Brutal and hypnotic.
But Claustrophobic, all dialogue, no mercy. The realism is grinding rather than comic.

People
Cast
Jack BlackJan Lewan
Jenny SlateMarla Lewan
Jason SchwartzmanMickey Pizzazz
Jacki WeaverBarb
JB SmooveRon Edwards
Robert CapronDavid Lewan
Willie GarsonLonny
Vanessa BayerBitsy Bear- Robert MacauxChristopher
- Mary KlugAnita Krzyewski
Wallace WolodarskyVince
Lew SchneiderLou Laroue
Directing
- Maya ForbesDirector
Writing
- Maya ForbesWriter
- Wallace WolodarskyWriter
Production
- Connor FlanaganAssociate Producer
- Joey PoachAssociate Producer
- Jeanne McCarthyCasting
- John MikulakCo-Executive Producer
- Joshua BrownCo-Executive Producer
- Chris ManganoExecutive Producer
- Deborah LieblingExecutive Producer
- Erika HampsonExecutive Producer
- David PermutProducer
- Jack BlackProducer
- Monica LevinsonProducer
- Priyanka MattooProducer
- Shivani RawatProducer
- Stuart CornfeldProducer
- Wallace WolodarskyProducer