Film

The Other Woman

The Other Woman is a glossy revenge comedy where three women, all wronged by the same lying boyfriend, trade humiliation for teamwork and cook up increasingly outlandish payback. It leans hard into slapstick — laxatives, hair dye, general chaos — carried by the easy, bickering chemistry between Cameron Diaz and Leslie Mann. Not deep, not subtle, but a satisfying comfort-watch for anyone who enjoys watching a cheater get exactly what's coming to him.

TMDb rating6.4

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The First Wives Club1996

The blueprint for this exact premise — three women scorned by husbands unite for glorious, choreographed revenge. Goldie Hawn, Bette Midler and Diane Keaton have never been funnier together, and the ending still makes you want to stand and cheer.

But Its mid-90s style and pacing feel a little dated next to the slicker, more modern gloss of The Other Woman.

The First Wives Club poster

John Tucker Must Die2006no page yet

The teenage cousin of this exact plot: three girls discover they're dating the same guy and join forces to humiliate him spectacularly. Dumber, punchier and unapologetically silly.

But It's a high-school comedy through and through — thinner characters, lower stakes, jokes aimed at a much younger crowd.

Nine to Five1980

Three women wronged by one insufferable boss fantasize, then act, then triumph — the original workplace revenge comedy, with Dolly Parton at her most delightful.

But The target here is a terrible boss rather than a cheating boyfriend, so the emotional core is different even if the mechanics rhyme.

Nine to Five poster

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The Women1939

Same engine — women uniting against a philandering man — built decades before it became a genre staple, done with verbal bite instead of slapstick.

The film that essentially invented this premise three-quarters of a century early — an entirely female cast (not one man appears onscreen) navigating divorce, betrayal and a very glamorous kind of warfare, with dialogue sharper than a stiletto heel.

But The pace and manners are pure 1930s screwball — rapid-fire, theatrical, and a world away from the broad physical comedy of modern studio comedies.

The Women poster
More like this (8)

Bridesmaids2011

If what you loved was the messy female friendship more than the revenge plot, this delivers in spades, with a career-best Kristen Wiig and endlessly quotable set pieces.

But There's no cheating scumbag to unite against here — this is about jealousy and rivalry between friends, not a shared enemy.

Bridesmaids poster

The Heat2013

Sandra Bullock and Melissa McCarthy as mismatched partners forced together, sparking off each other in exactly the way Diaz and Mann do — big, loud, genuinely funny chemistry.

But It's a buddy-cop comedy, not a revenge-on-a-man story, so the plot engine is completely different despite the vibe matching.

The Heat poster

Baby Mama2008

Tina Fey and Amy Poehler as two very different women stuck together by circumstance, mining the odd-couple friendship for constant, quick-witted laughs.

But Pregnancy and surrogacy, not infidelity, drive the plot — if it was specifically the revenge angle you wanted, this won't scratch it.

Baby Mama poster

Waiting to Exhale1995

Four women navigate men who've disappointed, cheated on or discarded them, leaning into real emotion rather than slapstick — a warmer, more soulful cousin to the revenge-comedy formula.

But It plays as heartfelt drama with comedic moments rather than an outright comedy, so don't expect the same broad laughs.

Waiting to Exhale poster

Rough Night2017no page yet

A tight-knit group of women thrown into chaos together, with the same appetite for big set pieces and go-for-broke silliness that makes The Other Woman fun.

But The plot spirals into dark, absurd territory involving a dead body rather than a cheating boyfriend — a very different kind of mess.

How to Lose a Guy in 10 Days2003no page yet

Same glossy, breezy rom-com energy and starry chemistry, if you want the lighter, flirtier register without the group-revenge plot.

But It's a will-they-won't-they romance, not a story about women banding together — a much gentler, less vengeful watch.

Promising Young Woman2020

Shares the revenge-fantasy skeleton of The Other Woman but plays it entirely straight, asking what payback actually costs instead of laughing it off.

Takes the same "man wrongs woman, woman gets even" bone and strips away every laugh, turning it into something genuinely unsettling and morally furious. Carey Mulligan is extraordinary.

But This is not a comfort watch — it's dark, upsetting, and built to leave you shaken rather than satisfied.

Promising Young Woman poster

Big Little Lies2017

Same idea of an unlikely alliance of women forming around a man's betrayal, reimagined as a seven-hour prestige mystery instead of a ninety-minute comedy.

A starry ensemble of women — Reese Witherspoon, Nicole Kidman, Shailene Woodley — bonded by secrets and betrayal, including infidelity, in a prestige drama with real teeth and gorgeous scenery.

But It's a slow-burn HBO drama built around a murder mystery, not a comedy — expect tension and dread more than laughs.

Big Little Lies poster

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