Film
The Light Bulb Conspiracy
A brisk, eye-opening history of planned obsolescence—the deliberate practice of engineering products to fail so people keep buying new ones. Combining archive footage, interviews with designers and activists, and economic analysis, it traces how this became standard practice and why it's finally being questioned. Smart, a little angry, never preachy.
Should you watch it?
Watch it if you enjoy short, pointed essays about how the stuff around you was designed, and you don't mind a bit of archive footage and a brisk argument over the economics of waste.
Skip it if you want a balanced survey or a film that tests its own claims, since this one is a persuasive case built on one side of the argument.
What it asks of you: Seventy-five minutes, a brisk pace and a clear line of argument; it stays fairly serious, with the occasional dry aside rather than sustained jokes.
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If you liked this
The True Cost2015
Follows the same investigative thread into fast fashion: how cheap clothes are made to fall apart, who pays the real price, and what systemic change might look like. Beautifully shot and genuinely disturbing.
But Heavier and slower than The Light Bulb Conspiracy; the human cost is the point, which means it lingers on suffering rather than zipping through ideas.

Broken Arrow1950
A BBC investigation into how appliances are designed to break, with repair experts and manufacturers who explain the economics. Same subject, more recent data, brilliant specificity about kettles and fridges.
But Narrower in scope—it's British television and stays focused on domestic goods. Less grand historical sweep than you might want.

The Founder2016
Michael Keaton as Ray Kroc, building McDonald's through ruthless system design and standardization. Not about obsolescence but about the same mindset: how to engineer human behavior for profit.
But It's a biopic that becomes gradually unsettling rather than outright critical. You have to read between the lines.

Not sure tonight? Get a pick in a minute, starting from The Light Bulb Conspiracy
The wildcard
Something you would not have found on your own.
Shoplifters2018
Shows the human reality of throwaway culture. The conspiracy exists because people like this family are considered acceptable collateral damage.
Hirokazu Kore-eda's film about a family that survives by stealing and repurposing discarded things. Not about systems but about the people underneath them—what happens when obsolescence meets poverty. Gentle and devastating.
But A quiet, slow character study that resists moral clarity. If you want anger or solutions, this offers neither. Entirely Japanese production with subtitles.

More like this (5)
The Corporation2003
A sprawling, meticulous examination of how corporate structures incentivize harm and deception. Planned obsolescence is one thread in a much larger tapestry of systemic corporate logic.
But Nearly two and a half hours and relentlessly comprehensive. Can feel overwhelming. Some sections drag despite the energy.

The Story of Stuff2007
A zippy 20-minute animated primer on consumption, waste, and planned obsolescence. Perfect introduction if you want the essentials without the deep dive.
But Deliberately simplified and optimistic. Some economists find its framing reductive. Too short to add much depth.

Maxed Out2006
Documents how consumer debt and planned obsolescence are yoked together—you're not just buying broken things, you're financing them. Expands the conspiracy into personal finance.
But Older data and feels slightly dated in its urgency. The credit crisis context makes some arguments feel specific to 2006.

The Century of the Self2002
Adam Curtis's four-part history of how corporations learned to manufacture desire itself. The philosophical ancestor of planned obsolescence: why you want things you don't need.
But Each episode is nearly an hour; Curtis's approach is digressive and paranoid. Some connections feel speculative. His narration style is very much an acquired taste.

The Repair Shop2017
The counter-narrative to planned obsolescence. Same objects, opposite philosophy—and you watch people who still believe in repair doing impossible work.
A British series where craftspeople repair broken heirlooms and everyday objects. Not polemical—just watches skilled people restore things designed to be unrepairable. Oddly radical in its refusal to accept disposability.
But Gentle feel-good television, the opposite of confrontational. If you want systemic critique, this is comforting rather than challenging. Can feel like aesthetic nostalgia for a pre-plastic past.

People
Cast
Molly MalcolmNarrator- Mike AnaneHimself
- Michael BraungartHimself
- Steve BunnHimself
- Nicols FoxHerself
Casey NeistatHimself
Directing
- Cosima DannoritzerDirector
Writing
- Cosima DannoritzerWriter
Production
- Joan ÚbedaExecutive Producer
- Patrice BarratExecutive Producer
- Davina BreilletProduction Manager