Film
The Good Guys
Other titles called The Good Guys: the 2010 series (FOX).
- Comedy
- Light-hearted
A sharp workplace comedy about a pest control boss hunting for a saboteur as his company crumbles. In thirteen minutes, it builds genuine tension and character through tight writing and committed performances. It's the kind of thing that makes you wish it were a series—funny without trying too hard, tense without losing the humor.
Should you watch it?
Watch it if you enjoy a small, tightly plotted comedy where the workplace squabbling is sharp and the characters are funny enough to carry a quick, neat story.
Skip it if you need a sprawling plot or constant big laughs; at just thirteen minutes it is a brief, slight idea that may feel too short to build much momentum.
What it asks of you: It is over in thirteen minutes, moves briskly, and asks for one short sitting with your attention on a small workplace puzzle and a cluster of office bickering.
Not sure? Find tonight's pick in a minute.
If you liked this
Office Space1999
The gold standard for workplace comedy: corporate incompetence, middle-management absurdity, and characters you recognize from your own job. Funny, furious, and still feels true.
But It's nearly twenty-five years old and its satirical targets feel quaint now. Some jokes land softer than they did in 1999.

Severance2022
A workplace mystery that balances dread and dark comedy perfectly. Every episode tightens the screw while keeping you guessing about who's trustworthy and what's really happening.
But The first season ends on a cliffhanger with no resolution yet. The tone is more unsettling than outright funny—it earns laughs from wrongness, not warmth.

Succession2018
A company in chaos, people you can't quite trust, and someone trying to figure out who's stabbing them in the back. It's funnier and meaner than you'd expect from such a dark premise.
But It's a four-season commitment and gets heavier as it goes. If you want lightness, this isn't it—it's brilliant but bleak.

Not sure tonight? Get a pick in a minute, starting from The Good Guys
The wildcard
Something you would not have found on your own.
Rubber2010
Both are compact films that build comedy from workplace/character logic rather than relying on established joke structures. They trust the setup and let absurdity emerge naturally.
A sentient tire murders people by psychic will while confused spectators watch from a distance. It's absurdist comedy with real craft behind the madness—hilarious, weird, and smarter than it sounds.
But It commits completely to its premise without winking. If you need the joke explained or want traditional narrative logic, you'll be frustrated.

More like this (8)
Workaholics2011
Three friends destroy their office from the inside out with absolute commitment to stupidity. Fast, absurd, and genuinely inventive about how many ways people can fail at a job.
But The humor is very broad and occasionally relies on shock value rather than wit. Not every joke lands, and it gets repetitive if you watch too much at once.

The Morning Show2019
Workplace sabotage, trust destroyed, people vying for control at a major network. It knows its own stakes and takes them seriously while never losing sight of the human comedy underneath.
But It can veer into melodrama and takes itself very seriously at times. If you want comedy first, this tips toward drama with comedic moments.

Parks and Recreation2009
A government office full of people who genuinely like each other trying to do impossible jobs. It's warm and silly and finds humor in competence and care, not just failure.
But The first season is rough and doesn't capture what the show becomes. It also requires you to care about characters before the jokes hit hardest—slow burn for some.

Veep2012
Vicious, relentless workplace comedy where everyone is competent at being awful. Sharp writing that respects the audience's intelligence and hits with precision.
But The humor is cruel and the characters rarely grow. If you need someone to root for or like, this will exhaust you.

Glengarry Glen Ross1992
A masterclass in workplace pressure: salesmen fighting for survival in a cutthroat office. The writing is sharp enough to cut glass and the performances are lethal.
But It's a play adapted to film—static at times, talky throughout. The worldview is bleak and misogynistic in ways the script doesn't critique.

The Killing of a Chinese Bookie1976
An indie gem about a strip club owner tangled up with dangerous people. It's loose and character-driven, funny in an offhand way that sneaks up on you.
But It's deliberately paced and won't hold your hand. The print quality varies and the plot takes unexpected turns that might frustrate rather than delight.

Gomorrah2008
Like 'The Good Guys,' it finds comedy and humanity inside systems designed to destroy people. Both ask: when the institution is broken, who do you blame?
A Naples crime organization viewed from the inside: money, power, betrayal, and the people grinding through a system they can't escape. Visceral, funny in dark moments, utterly gripping.
But It's in Italian with subtitles and the violence is neither stylized nor merciful. The worldview is grim and the ending offers no comfort.

The Lobster2015
Both compress complex workplace dynamics into a brief runtime and find genuine stakes in absurd situations. The humor comes from watching people navigate illogical systems with total commitment.
A man has forty-five days to find a romantic partner or be turned into an animal. Deadpan performances, absurd logic, and a world that never explains itself. Darkly hilarious and oddly moving.
But It's deliberately strange and refuses to clarify its own rules. If you need narrative coherence or conventional pacing, this will baffle rather than entertain you.

People
Cast
Noah BlakeFreddy Marzano
Hannah DevlinMaribel
Amy MottaJane
John StoreyMurphy- Dana Kelly, Jr.Milton
Garrett GallegoChase
Directing
- Lisa BrennerDirector
Writing
- Lisa BrennerWriter
Production
- Amy MottaProducer
- Lisa BrennerProducer