Film
The Ballad of Buster Scruggs
- Western
- Strange
- Dip in and out
A Netflix film of six interlocking Western stories set in the Civil War's aftermath, directed by the Coen Brothers. It's a showcase of oddball character work and tonal range—funny and brutal by turns, built from vignettes that accumulate into something larger about survival, greed, and the frontier's thin line between showmanship and violence. For lovers of strange Americana and actors going gloriously weird.
Should you watch it?
Watch it if you love anthologies of sly, sudden cruelty and gallows humor, where each short tale turns a familiar frontier myth on its head and lingers on its odd characters.
Skip it if you want a single through-line or a patient build, since these are self-contained chapters of uneven length and mood, and some sit with real violence.
What it asks of you: Settle in for just over two hours of six separate chapters, each with its own pace and mood, moving from broad jokes to quiet melancholy.
Not sure? Find tonight's pick in a minute.
If you liked this
Deadwood2004
A densely written study of how civilization gets built from nothing, with dialogue that crackles and characters who are scheming, dreaming, and compromising at every turn. The language is Shakespearean in its power. Anchored by Timothy Olyphant and Ian McShane at their absolute best.
But It's brutal and cynical about human nature, and the first season is intentionally paced to feel like slogging through mud. Not a show that will cheer you up.

The Power of the Dog2021
A New Zealand Western that operates at the speed of a threat. Every gesture matters. Benedict Cumberbatch plays a man whose cruelty and intelligence are inseparable, and the film circles him with precision, revealing layers you won't see on the first pass.
But It is slow and deliberately opaque. The ending will divide you, and some viewers resent that entirely. Not for those who want clarity.

O Brother, Where Art Thou?2000
The Coen Brothers' Depression-era comedy, built on Homer and folk music and the sheer pleasure of language. It has the same antic energy and weird Americana DNA as Buster Scruggs, with George Clooney being gloriously ridiculous.
But It's deliberately silly and plotwise goes in circles. If you need plot momentum, it will exhaust you.

Not sure tonight? Get a pick in a minute, starting from The Ballad of Buster Scruggs
The wildcard
Something you would not have found on your own.
Fargo1996
Both are Coen Brothers films about ordinary people in extraordinary circumstances, where humor and violence live side by side. Both use regional Americana to explore greed and morality.
The Coen Brothers' previous masterpiece of strangers, criminals, and schemes colliding in the Midwest. Like Buster Scruggs, it builds a world from tonal shifts and character peculiarity, finding both tragedy and absurdity in the same moment. Essential.
But It's a dark comedy about murder and kidnapping. The tonal whiplash between funny and violent unsettles some viewers.

More like this (6)
Godless2017
A Netflix limited series about a town run by women, with Jeff Daniels as the villain and Michelle Dockery as the anchor. It has spectacle, genuine darkness, and a visual language that makes every frame count. Wildly entertaining.
But It's uneven in its tone and character focus, and some of the plotting strains credibility. Hits harder in spots than others.

Lonesome Dove
A six-hour miniseries that is basically the best Western ever made. Robert Duvall and Tommy Lee Jones as retired Rangers undertaking one last cattle drive. It has scope, humor, horror, and sentiment without ever becoming maudlin.
But It requires patience and commitment. You have to sit with it across six hours, and not every moment sparkles.
Justified2010
Timothy Olyphant returns to the frontier as a U.S. Marshal in modern Kentucky, where every encounter is a negotiation between violence and wit. Brilliantly written over six seasons, with antagonists who are never just evil.
But The final season contracts and loses momentum. The show's greatest gift—characters who are endlessly clever—doesn't always serve a strong ending.

News of the World2020
Tom Hanks as a man traveling the frontier reading news aloud to small crowds, tasked with returning a girl to her people. Quiet, moral, visually extraordinary. Director Paul Greengrass finds the elegance in simplicity.
But It is extremely restrained and offers no excitement in the conventional sense. Some will find it sentimental; others, glacial.

Bonanza: Ride the Wind1966
An underknown Western about a Comanche-raised boy caught between two worlds, with James Caan and Cliff Robertson. It has genuine strangeness and moral complexity, treating its subject matter with real respect.
But It's a B-picture in pacing and doesn't have the visual polish of prestige Westerns. Harder to track down than others on this list.

The Ballad of Little Jo1993
Both use the Western form to explore identity and performance—characters playing versions of themselves to survive. Both have an outsider's eye on American mythology.
An obscure feminist Western about a woman who lives as a man on the frontier. It's deadpan, melancholic, and absolutely real in its details about survival and deception. Maggie Sinclair's performance is a masterclass in understatement.
But It's quiet, bleak, and offers no romantic consolation. Some viewers find it punitive in its refusal to reward its protagonist.

People
Cast
Tim Blake NelsonBuster Scruggs (segment "The Ballad of Buster Scruggs")
Willie WatsonThe Kid (segment "The Ballad of Buster Scruggs")
Clancy BrownCurly Joe (segment "The Ballad of Buster Scruggs")
Danny McCarthyCurly Joe's Brother (segment "The Ballad of Buster Scruggs")
David KrumholtzFrenchman (segment "The Ballad of Buster Scruggs")
Thomas WingateGun Check Man (segment "The Ballad of Buster Scruggs")
Tim DeZarnMean-Eyed Card Player (segment "The Ballad of Buster Scruggs")
E.E. BellPiano Player (segment "The Ballad of Buster Scruggs")
Alejandro PatiñoCantina Bartender (segment "The Ballad of Buster Scruggs")
Tom ProctorCantina Bad Man (segment "The Ballad of Buster Scruggs")- Clinton RobertsCantina Scum (segment "The Ballad of Buster Scruggs")
Matthew WilligCantina Scum (segment "The Ballad of Buster Scruggs")
Directing
- David Tierney LernerAdditional Second Assistant Director
- Zack Earl EdwardsAdditional Second Assistant Director
- Ethan CoenDirector
- Joel CoenDirector
- Betsy MagruderFirst Assistant Director
- Kevin LumleySecond Assistant Director
- Paul SchmitzSecond Assistant Director
- Jeremy ReisigSecond Second Assistant Director
- Zack SmithSecond Second Assistant Director
Writing
- Jack LondonAuthor
- Stewart Edward WhiteAuthor
- Ethan CoenWriter
- Joel CoenWriter
Production
- Ellen ChenowethCasting
- Susanne ScheelCasting Associate
- Ethan CoenProducer
- Joel CoenProducer
- Megan EllisonProducer
- Sue NaegleProducer
- Karen Ruth GetchellProduction Manager
Recommended by
Seven Psychopaths, The Postman, The Art of Racing in the Rain, Waterhole #3, Mutual Appreciation, The Lone Ranger, The Ridiculous 6, Grim Prairie Tales, Bandidas