Film
Teenage Sex and Death at Camp Miasma
A meta-slasher with its wig askew: a hungry young director resurrects a dead franchise by tracking down its original scream queen, now a recluse nobody's seen in decades, and the reunion curdles into something erotic, bloody, and a little unhinged. It's camp in both senses — summer-camp gore and high-camp performance — anchored by two performances that take the absurdity dead seriously. For horror fans who like their kills served with subtext.
If you liked this
Scream1996
The original meta-slasher, endlessly self-aware about its own rules while still delivering real dread and a genuinely nasty final act. It taught every horror-comedy since how to wink without going soft.
But You've probably seen it. The commentary-on-slashers trick has been imitated so often it can feel less startling now than it did in 1996.

The Final Girls2015no page yet
Grieving kids get sucked into the 1980s slasher their dead mother starred in — sweet, funny, and surprisingly moving about watching a lost person perform a role forever on a loop.
But The emotional stuff is gentler and more PG than the gore-and-desire tone you're coming from; it plays much nicer than it sounds.
Fresh2022
Dating-app horror-romance that keeps its tongue in its cheek right up until it doesn't. Sharp, funny, and genuinely queasy about desire turning predatory.
But It's a two-hander thriller more than an ensemble slasher — less camp chaos, more claustrophobic dread.

The wildcard
Something you would not have found on your own.
Sunset Boulevard1950
Same engine as Camp Miasma's core relationship — an ambitious young creative drawn into the orbit of a legendary, isolated actress who may not be entirely sane about her own legacy — just filed as tragedy instead of splatter comedy.
A faded silent-era star, shut away in her decaying mansion, seduces a young writer into helping resurrect her career — gothic, sardonic, and quietly monstrous. The template for every 'reclusive actress' story since.
But No literal blood, no camp counsellors — this is black-and-white Hollywood noir, sharp-tongued rather than gory.

More like this (8)
Jennifer's Body2009
Teen horror-comedy with a furious, funny script and a central female friendship that's more unsettling than any of the actual demon stuff. Cult reappraisal was deserved.
But Diablo Cody's dialogue is an acquired taste — very stylised, very quippy, occasionally more clever than scary.

Ready or Not2019
A bride hunted through a mansion by her new in-laws, played entirely for chaotic, blood-splattered comedy. Samara Weaving is a magnificent final girl with a sense of humour.
But It's leaner and pulpier — less interested in the psychology of fame or legacy, more interested in crossbows.

The Cabin in the Woods2012
Takes the entire architecture of horror-franchise-making apart and turns it into the plot itself. If you like the industry-satire half of Camp Miasma, this is that idea taken to its logical, gleeful extreme.
But It's more sci-fi-conspiracy than romance-horror — the desire and intimacy angle you're getting here is largely absent.

Bodies Bodies Bodies2022no page yet
Gen Z horror-satire where a party game turns lethal and everyone's worst instincts come out under strobe light. Vicious, very funny, and pointed about performance and image.
But No older-generation contrast — it's all one age group, so you lose the intergenerational tension that drives Camp Miasma.
Yellowjackets2021
Teen girls stranded after a plane crash, cut against their damaged adult selves decades later — trauma, desire, and something feral simmering under a survival mystery.
But It's a slow-burn ensemble drama across seasons, not a single blood-soaked night. Big commitment for a very different pace.

Scream Queens2015no page yet
A campus slasher played as full soap-opera camp, with a killer stalking a sorority and everyone treating murder as mildly annoying. Broad, silly, unapologetically trashy fun.
But It's much broader and less character-driven — pure spectacle over the slow-burn intimacy this film is built on.
Scream, Queen! My Nightmare on Elm Street2019no page yet
The literal true story behind the fictional premise: an actor from a horror franchise's history returning, decades later, to reckon publicly with what that role actually cost and meant, queerness included.
Documentary following Mark Patton, star of A Nightmare on Elm Street 2, as he confronts decades of being closeted by a studio that used his queerness as horror-movie subtext without ever naming it.
But It's a real, painful reckoning with homophobia in the industry, not a romp — sombre where Camp Miasma is playful.
Sleepaway Camp1983no page yet
This is the exact strain of shlocky summer-camp slasher the new film is resurrecting and satirising — same setting, same body-horror-meets-sexuality DNA, just decades earlier and entirely unironic.
The gloriously trashy, low-budget slasher that Camp Miasma is essentially in conversation with — cheap gore, camp counsellors, and a twist ending that's been shocking and dividing audiences for forty years.
But Genuinely rough filmmaking, dated in ways that are sometimes uncomfortable rather than charming — this is the unpolished ancestor, not the affectionate remix.
People
Cast
Hannah EinbinderKris
Gillian AndersonBilly
Amanda FixYoung Billy
Arthur ContiAlex
Eva VictorDJ Ella Giastic
Zach CherryWill
Sarah ShermanKris' Agent
Patrick FischlerRudolph
Dylan BakerJeffrey
Kevin McDonaldAnthony / County Sheriff
Quintessa SwindellJulie
Directing
- Dylan CastroAssistant Director Trainee
- Jane SchoenbrunDirector
- Robin K. FlynnFirst Assistant Director
- Sepi MashiahofScript Coordinator
- Jecca HrechkaScript Supervisor
- Jüs PercySecond Assistant Director
- Calogero ScarpullaThird Assistant Director
- Michelle GrovesThird Assistant Director
- Tamara MalczewskaThird Assistant Director
Writing
- Jane SchoenbrunWriter
Production
- Jacqui KaeseBackground Casting Director
- Annalese TillingCasting
- Courtney BrightCasting
- Errin LallyCasting
- Nicole DanielsCasting
- Jennifer BrooksCasting Associate
- Paige HurrellCasting Associate
- Christina WoodCo-Producer
- Jeffrey PenmanCo-Producer
- Neil MathiesonCo-Producer
- Willy McGeeCo-Producer
- Brad PittExecutive Producer
- Caddy VanasirikulExecutive Producer
- Daniel BekermanExecutive Producer
- Efe ÇakarelExecutive Producer
- Jason RopellExecutive Producer
- Zane MeyerExecutive Producer
- Amanda DrakeLine Producer
- David S. FullertonLocation Manager
- Dede GardnerProducer
- Jeremy KleinerProducer
- Yale KussinProduction Coordinator
- Jacqueline NguyenProduction Manager
- Matthew SantoroProduction Manager
- R. Aiden MarsdenTravel Coordinator