Film
Sooryavansham
A Bhojpuri-language film featuring actor Pawan Singh in a leading role. Details about the production remain limited, but it appears to be in the early stages of development. Without confirmed plot information or additional cast and crew details, this represents an emerging project within the Bhojpuri cinema space.
Should you watch it?
Watch it if you come for a lead performer's presence and want to see Pawan Singh carry a whole film, happy to let star charisma do the heavy lifting.
Skip it if it is still in production, so there is no runtime, release detail or settled reception to weigh, and you would be paying for promise rather than proof.
What it asks of you: Nothing about its length, pace or weight is settled yet, so the commitment is a leap of faith in a star and an unfinished promise.
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If you liked this
Jai Veeru2009
A Bhojpuri action-comedy exploring friendship and loyalty with Singh in an ensemble cast. Combines regional humour with straightforward action that appeals to the core Bhojpuri audience.
But The narrative structure is loose and episodic. Technical aspects of the film reflect its limited budget and the comedy relies heavily on language-specific references.
Kabali2016
Rajinikanth in a Tamil gangster film that shares action-cinema DNA with Singh's work—stylish, over-the-top, deeply rooted in regional film convention and audience expectation.
But The plot is thin and exists primarily as scaffolding for style and spectacle. Tamil-language cinema operates on different narrative logic than Hindi or Bhojpuri film.
Phool Aur Kaante1991
Ajay Devgn's breakthrough action-romance that defined the Nineties Hindi action hero template. Singh's career follows a similar trajectory within the Bhojpuri sphere, making this foundational viewing.
But The film's attitudes toward women and romance feel dated. Plot holes are numerous and the action sequences, while memorable, don't hold up to modern scrutiny.
Not sure tonight? Get a pick in a minute, starting from Sooryavansham
The wildcard
Something you would not have found on your own.
Gangs of Wasseypur - Part 12012
Both operate in the space of regional North Indian identity and Bhojpuri language and culture, but Kashyap treats it as material for art cinema rather than entertainment. It's the inverse register—high seriousness instead of spectacle.
Anurag Kashyap's sprawling crime epic set in eastern India, featuring non-glamorous regional characters and authentic Bhojpuri dialect woven through a Scorsese-scale narrative. It's the serious version of the regional cinema energy Singh works in.
But The film is extremely violent, over four hours long, and deliberately ugly in its aesthetic. It demands patient, attentive viewing and refuses to make its characters likeable or its violence cathartic.
More like this (3)
Sadak1991
Sanjay Dutt and Pooja Bhatt in a gritty romantic thriller that influenced regional action cinema. Offers technical and narrative lessons that rippled through Hindi and Bhojpuri film traditions.
But The romance subplot overwhelms the thriller elements. The film's tonal confusion between romance and crime drama makes pacing uneven. Dialogue occasionally feels overwrought.
Ugly2013
Both work within Indian film tradition and masculine power fantasy, but Varma uses it to interrogate rather than celebrate. It's the anti-action film made by someone who understands action cinema completely.
Ram Gopal Varma's fractured thriller about masculine pride, family conflict, and moral compromise. Sparse, handheld, deeply uncomfortable—a technical masterclass in psychological tension that has nothing to do with Bhojpuri cinema but everything to do with how modern Indian regional cinema can operate.
But The film is deliberately alienating and refuses to provide emotional release or resolution. The camera work is meant to disturb rather than entertain. It will feel like work if you're expecting a story.
Raees2017
Both center charismatic male leads operating in criminal or morally grey spaces within their regional contexts. Raees shows what happens when that same character gets a larger budget and Bollywood's narrative conventions—sometimes better, sometimes worse.
Shah Rukh Khan in a gritty crime drama set in Gujarat, blending Bollywood glamour with street-level authenticity and regional detail. It's how mainstream Hindi cinema handles the same masculine, criminal-adjacent energy Singh explores in Bhojpuri film.
But The film tries to have it both ways—Bollywood romance and realism—and the tonal whiplash can feel contrived. The second half softens its edges for mainstream palatability, undercutting its own premise.
People
Cast
Directing
- Rajnish MishraDirector
Writing
- Rajnish MishraWriter
Recommended by
Dabangg, Dus, Main Khiladi Tu Anari, Gabbar Is Back, Jai Veeru, Singham Returns, Jai Chiranjeeva, Daud