Film
Scythe
Scythe adapts Neal Shusterman's YA sci-fi novel about a future where death has been conquered and a select few called Scythes must cull the population to prevent stagnation. It's a philosophical thriller dressed in dystopian robes, exploring mortality, power, and what it means to be human when immortality becomes mundane. For readers of dark speculative fiction who want their ideas served with genuine emotional stakes.
If you liked this
The Hunger Games2012
A YA adaptation that takes its premise seriously and refuses to shy away from the moral cost of its world. Strong world-building, intelligent central character, and action sequences that actually matter.
But The love triangle can feel obligatory, and some of the political commentary gets heavy-handed. Also, if you've moved past YA entirely, the tone might feel slightly young for you.

Gattaca1997
A quietly devastating sci-fi film about a rigidly stratified future society and one man's determination to transcend his biological destiny. Philosophical without being preachy, with impeccable production design and genuine suspense.
But It's deliberately slow and contemplative. There's no action spectacle, and the ending may feel anticlimactic if you're looking for conventional triumph.

Never Let Me Go2010
An adaptation of a Kazuo Ishiguro novel about young people grappling with the inescapability of their fate. Haunting, quietly tragic, and genuinely moving without manipulating you into tears.
But It's a chamber piece that builds dread through stillness rather than incident. The deliberate pacing won't appeal to anyone wanting plot momentum.

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The Giver2014
Both explore worlds where the elimination of suffering has created a deeper kind of harm. Both ask: what do we lose when we're saved from mortality or pain?
Another YA adaptation of a utopian society where pain and choice have been eliminated—the inverse of Scythe's problem. It shares the same moral engine: a world that has chosen comfort over freedom, and the cost of that choice.
But It's earnest and occasionally feels didactic. The film version softens the book's bleakness, and the casting of Jeff Bridges might distract you from the actual story.

More like this (7)
The 5th Wave2016
YA sci-fi with genuine world-building and an interesting premise about alien invasion told through multiple perspectives. Fast-moving and engaging, with stakes that feel real within its framework.
But It's formulaic and doesn't break new ground. The romance subplot feels obligatory, and the third act relies on reveals that are somewhat predictable.

V for Vendetta2006
A stylish political thriller about resistance and the cost of fighting oppressive systems. Visually striking with a strong philosophical core about sacrifice and systemic change.
But It's aggressively theatrical and wears its ideology very openly. Some viewers find it heavy-handed, and the pacing stumbles in the second act.

Equals2015
A dystopian romance set in a colorless future where emotion is suppressed and forbidden. Beautifully shot, deeply quiet, with real emotional depth beneath its stark surface.
But It's extremely slow and elliptical. If you need your narrative spelled out or explicit character motivation, this will feel frustratingly opaque.

Elysium2013
A rich-versus-poor sci-fi action film with genuine rage beneath the spectacle. Matt Damon in an unglamorous role, sharp social commentary, and genuinely inventive set pieces.
But The supporting characters are thin and the social critique is sometimes blunt. It prioritizes action over subtlety, which can undercut its own themes.

Altered Carbon2018
A cyberpunk mystery series where consciousness can be transferred between bodies, forcing constant questions about identity and value. Visually stunning, dark, and genuinely clever about its premise's implications.
But It's violent and sexually explicit. The first season is stronger than what follows, and the mythology sometimes collapses under its own complexity.

A Wrinkle in Time2018
Ava DuVernay's adaptation of the classic sci-fi novel about children fighting cosmic evil across dimensions. Visually ambitious, thematically rich, and genuinely odd in the best way.
But The tone swings wildly between whimsy and darkness. The dialogue can feel clunky, and the finale relies on ideas over action in ways some viewers find unsatisfying.

Children of Men2006
Where Scythe asks 'what does killing for the greater good look like,' Children of Men asks 'why do we choose life when there's no future to live for.' Both are about the weight of choosing existence.
A masterpiece about a future where humanity has become infertile. It's not speculative hand-waving—it's a visceral film about meaning, hope, and why we bother existing at all in a dying world.
But It's bleak and offers no easy answers. The violence is graphic and the final act is deliberately ambiguous. If you need catharsis, don't watch this.

People
Writing
- Neal ShustermanNovel
- Sera GambleScreenplay
Production
- Dylan ClarkProducer
- Holly BarioProducer
- Josh Turner McGuireProducer
- Mia ManiscalcoProducer
- Sarah Scott-FarberProducer