Film
Rim of the World
Four misfits trapped at summer camp when aliens invade Earth have to work together to save humanity. It's a zippy, earnest adventure that treats its teenage heroes seriously, mixes genuine stakes with candy-colored comedy, and never forgets that watching kids figure out how to be brave is the whole point.
Should you watch it?
Watch it if you enjoy goofy, affectionate 80s-style teen adventures where the banter and the cheerful outsider energy matter as much as the alien-blasting, much like Stranger Things' lighter cousins.
Skip it if you want a sleek, serious sci-fi film; this one leans into jokes and broad sincerity, and the effects and plotting often feel modest for a space-invasion story.
What it asks of you: It runs a brisk ninety-nine minutes and asks you to go along with its earnest, playful tone without much build-up, so settle in for something light rather than immersive.
Not sure? Find tonight's pick in a minute.
If you liked this
The Goonies1985
Kids on a desperate mission, real danger mixed with genuine laughs, a found-family vibe that endures. Every character gets their moment and their quirk actually matters to the story.
But The pacing sags in places and some of the humour depends on attitudes that haven't aged brilliantly. It's also genuinely violent for what looks like a kids' film.

Stranger Things2016
Teenagers fighting supernatural threats while actually earning character growth. It nails the tone—sci-fi horror balanced with genuine heart and seventies/eighties nostalgia that feels earned rather than imposed.
But By season three it was running on fumes and vibes. Some viewers find the references suffocating rather than charming.

Summer Camp Island2018
A summer camp as the setting for adventure and genuine emotional stakes. Colorful, weird, funny, and surprisingly moving—it trusts its audience while keeping the energy high and the characters' voices distinct.
But It's an animated series, which some dismiss reflexively. The tone can whip between silly and dark in ways that don't quite land every time.

Not sure tonight? Get a pick in a minute, starting from Rim of the World
The wildcard
Something you would not have found on your own.
Attack the Block2011
Both are about young people discovering they're capable of more than they thought when the stakes actually matter. Both refuse to patronize their heroes or soften the reality of their circumstances.
South London teens defend their neighborhood from alien invaders using wit, friendship, and whatever's at hand. It's thrilling, genuinely funny, and treats its working-class kids as heroes without apology or sentimentality.
But The South London accent is thick and subtitles help; some viewers find the teenage argot dated or impenetrable. It's a British teen film with real edge, which means some violence and language.

More like this (8)
Sky High2005
Teen superheroes at a flying school, all awkwardness and heart. It's earnest about its misfit kids and never punches down at them; the action sequences are inventive and the ensemble actually clicks.
But It looks like a TV movie from the mid-2000s because it is. The plot is thin and the dialogue occasionally creaks with trying too hard.

Adventureland2009
Summer setting, misfits finding friendship and purpose while the world feels like it's ending. Melancholic and funny in equal measure, with real stakes beneath the carnival setting.
But It's slow and mostly internal. If you want action beats, this is contemplative to a fault.

The Adam Project2022
An adult and a kid on an urgent mission where actual emotional bonds matter more than the plot machinery. Sharp dialogue, real affection between the leads, and it genuinely tries to be about something.
But The action sequences are forgettable and the sci-fi concepts feel borrowed. It leans hard on charm and doesn't always have enough charm to cover the gaps.

Zombieland2009
Mismatched survivors on a cross-country mission learning to trust each other. It's funny and zippy without insulting the audience, and the emotional core—found family—is genuine beneath the gore.
But It's aggressively quippy and some jokes land harder than others. Zombie violence is relentless; comedy gore is still gore.

Night of the Comet1984
Two teenage girls inherit an alien-ravaged Earth and have to figure out survival together. Scrappy, funny, and genuinely interested in its characters' competence and friendship.
But The budget shows and the pacing is uneven. It's a cult film for a reason—it doesn't quite work, but not in boring ways.

The Vast of Night2019
Two teens uncovering a mysterious signal during a 1950s summer night. Atmospheric, clever, and genuinely suspenseful with a real sense of period and character.
But It's slow-burn and dialogue-heavy. If you need constant action or visual spectacle, the restraint will feel like stalling.

Hunt for the Wilderpeople2016
Both understand that the real story is mismatched people learning to trust and protect each other. Both let comedy and heart share the same scene without one canceling the other out.
An old man and a foster kid on the run in the New Zealand bush, hunted by authorities. It's funny, moving, and structured around the emotional intimacy between two people who start as strangers and become family.
But It's a character piece disguised as an adventure; if you want spectacle or action beats, you'll be disappointed. The tone shifts between comedy and genuine darkness.

The Mitchells vs. the Machines2021
Both climax with kids saving the world, but the real victory is internal—proving to themselves and each other that they matter. Both use comedy and sci-fi as permission to talk about family and belonging seriously.
A deeply dysfunctional family fights a robot apocalypse together and actually becomes a family in the process. Wildly animated, genuinely hilarious, and sincere about connection without ever becoming maudlin.
But The animation is intentionally chaotic and detailed—some find it exhausting rather than charming. It's very much a modern family comedy, which means references and sensibilities some will find dated in five years.

People
Cast
Jack GoreAlex
MiyakoZhenZhen
Benjamin Flores Jr.Dariush
Alessio ScalzottoGabriel
Andrew BachelorLogan
Annabeth GishGrace
Scott MacArthurLou Gates
Dean S. JaggerCaptain Hawking
Michael BeachGeneral Khoury
Lynn CollinsMajor Collins
David TheuneHead Counselor
Tony CavaleroConrad
Directing
- McGDirector
- Mark CotoneFirst Assistant Director
- Suzanne C. SwindleScript Supervisor
- Tim TrellaSecond Unit Director
Writing
- Zack StentzScreenplay
Production
- Mark CotoneAssociate Producer
- Rich DeliaCasting
- Adolfo Martínez PérezCo-Producer
- Max KingCo-Producer
- Brad MendelsohnExecutive Producer
- Corey L. MarshExecutive Producer
- Steven BelloExecutive Producer
- Zack StentzExecutive Producer
- Bruce Wayne GilliesLine Producer
- Mary ViolaProducer
- Matt SmithProducer
- McGProducer
- Susan Solomon-ShapiroProducer
- Jennifer M. ByrneProduction Accountant
- Bruce Wayne GilliesUnit Production Manager