Film
Necessary Evil: Super-Villains of DC Comics
A 99-minute deep dive into DC's greatest villains—the Joker, Lex Luthor, Sinestro, Darkseid and beyond. Christopher Lee's narration anchors interviews with creators, filmmakers and artists exploring what makes these antagonists resonate. It's for anyone who's ever rooted for the villain or wondered why the best stories need the best enemies.
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The Death of "Superman Lives": What Happened?2015
Explores the DC cinematic universe that never was through Tim Burton's lost Superman film. A fascinating look at how creative vision collides with studio machinery and what gets lost in development hell.
But Requires some investment in early 2000s Hollywood politics and Superman lore to hit hardest.

Venom: Let There Be Carnage2021
Marvel's chaotic take on a beloved villain getting his own story. Fast, weird, genuinely entertaining in ways that don't take themselves seriously. Tom Hardy commits to the absurdity.
But Wildly uneven tonal shifts. The plot barely holds together and it knows it. Not everyone finds that charming.

Batman: Mask of the Phantasm1993
The animated series at peak form. Gothic, melancholic, unexpectedly moving. Proves animated superhero storytelling could rival live-action in emotional depth and visual sophistication.
But The mystery plot isn't particularly complex. Some find the ending sentimental rather than earned.

Not sure tonight? Get a pick in a minute, starting from Necessary Evil: Super-Villains of DC Comics
The wildcard
Something you would not have found on your own.
Watchmen2009
Both use DC/superhero material as a frame for deeper questions about power, morality, and what society needs from its monsters.
Snyder's adaptation asks what happens when you treat supervillains as philosophical positions rather than obstacles. The Comedian, Ozymandias—these are ideologies given flesh. Visually stunning and morally corrosive in the best way.
But Nearly three hours of dense, bleak material. Graphic violence and sexual content. Requires genuine intellectual engagement; not escapist fun.

More like this (7)
Wonder Woman 19842020
Maxwell Lord and Cheetah are given real psychological depth as antagonists. The film asks hard questions about desire and corruption. Visually sumptuous and genuinely ambitious in scope.
But Bloated runtime with a third act that collapses under its own mythology. Uneven execution of its best ideas.

Superman: Red Son2020
What if Superman landed in Soviet Russia instead? A brilliant philosophical reframing of power, ideology, and what it means to be a hero. Animated, adult, and densely packed with ideas.
But The animation style is stiff and sometimes awkward. Pacing is relentless; not much breathing room between concepts.

Arrow2012
Oliver Queen's rogues gallery rivals Batman's. Early seasons commit to dark, serialized storytelling where consequences stick and villains have genuine depth and motivation. Arrow forced the TV universe to take comics seriously.
But Quality nosedives after season five. Front-loaded with melodrama that can feel overwrought. Commitment to eight seasons tests patience.

The Suicide Squad2021
James Gunn reframes villains as sympathetic antiheroes. Wildly entertaining, gorgeously shot, and genuinely cares about the emotional lives of people society has discarded. Comic book chaos with a beating heart.
But Graphic violence and grotesque imagery throughout. Not everyone finds Gunn's specific brand of humor landing.

Batman Begins2005
Scarecrow and Ra's al Ghul are functional but the film explores the psychological architecture of what creates a villain. Nolan's grounded approach influenced every superhero film after.
But Heavy on exposition and brooding. The climax is less memorable than everything leading up to it.

The Invisible Man2020
Both explore how power corrupts and how the world enables those who exercise it without accountability. The villain wins by being overlooked.
A contemporary horror film about a man who becomes an abuser—invisible literally and socially. Uses the supervillain premise (invisibility, godlike power) to explore psychological terror and systemic failure. Urgent and genuinely frightening.
But Relentlessly tense and bleak with no comfort offered. The body horror and domestic violence are not softened. Some find the politics heavy-handed.

Drive2011
Both examine what the world looks like from the villain's perspective—not as justification, but as lived experience. The bad guy gets to be the protagonist.
A neo-noir where the protagonist is a criminal, a driver for hire who exists in moral greyness. Refn's visual precision, the synth soundtrack, the slow-burn violence—it's a villain's origin story told with strange beauty and no apology.
But Plotless and meditative. Long stretches of silence and driving. The violence is sudden and brutal. Not for anyone seeking narrative momentum or conventional character arcs.

People
Cast
Christopher LeeNarrator










Directing
- J.M. KennyDirector
- Scott DevineDirector
Writing
- J.M. KennyWriter
- Scott DevineWriter
Production
- Scott DevineProducer