Film

Mulan

Disney's late-90s high point: a war story dressed as a kids' cartoon, complete with disguise, honour, and one very loud dragon. Ming-Na Wen gives Mulan real steel, Eddie Murphy's Mushu supplies the comic relief, and the training-montage song still slaps. Family-friendly but with genuine stakes — people die, armies get buried in avalanches. For anyone who wants an adventure film that respects both its heroine and its audience.

TMDb rating7.9

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Kung Fu Panda2008

Same DNA — an unlikely hero forged through brutal training in a lushly imagined China, with jokes that land for adults too. Jack Black's enthusiasm is infectious and the action choreography is gorgeous.

But It's broader and sillier throughout — less interested in genuine peril, more committed to slapstick and one-liners.

Kung Fu Panda poster

How to Train Your Dragon2010

A misfit who doesn't fit the warrior mould, a secret that could get them killed if discovered, and a training sequence as thrilling as anything in Mulan's montage. Gorgeous flight animation, real emotional weight.

But The Norse-Viking setting and Toothless's puppy-dog charm make it feel gentler and less martial overall.

How to Train Your Dragon poster

Brave2012

A princess who'd rather shoot arrows than marry, defying her mother and her kingdom's expectations. Pixar's animation of the Scottish highlands is staggering, and the mother-daughter reconciliation hits harder than you'd expect.

But The plot swerves into a bear-based fairytale midway that some find tonally jarring compared to its setup.

Brave poster

The wildcard

Something you would not have found on your own.

Mulan: Rise of a Warrior2009no page yet

Same source legend, same disguise-and-duty structure, but stripped of music and comedy to show what the story looks like as unsentimental history rather than fable.

The same legend told as a full-blown live-action war epic in Mandarin — mud, blood, and real strategic battles instead of songs. Zhao Wei's Mulan is exhausted, calculating, and utterly human.

But It's a slow, subtitled historical drama with none of Disney's warmth, humour, or dragon sidekick.

More like this (8)

The Prince of Egypt1998

DreamWorks' answer to Disney, released the same year: a biblical epic with similarly stirring songs and a hero torn between duty and identity. The Red Sea sequence remains one of animation's great set-pieces.

But It's heavier and more explicitly religious, with less humour to balance out the weight.

The Prince of Egypt poster

Moana2016

Another young woman who defies her elders, leaves everything familiar behind, and finds out what she's actually capable of. Lin-Manuel Miranda's songs are relentlessly catchy, and the ocean becomes a character in its own right.

But It's warmer and sunnier throughout — nobody here is facing execution for being found out.

Moana poster

Hercules1997

Disney's other underdog-becomes-a-hero story from the same era, with its own training montage and a wickedly funny script. Zero-to-hero energy, gospel-inflected muses, and a genuinely good villain in Hades.

But It plays its mythology for laughs almost throughout — don't expect Mulan's weightier moments of loss.

Hercules poster

The Hunchback of Notre Dame1996

Proof Disney could go dark in the 90s: outsider status, genuine menace, and a villain far more disturbing than Shan Yu. Gorgeous animation of medieval Paris and a soundtrack that still gives me chills.

But It's considerably grimmer and more adult in its undertones — surprising if you're expecting standard family fare.

The Hunchback of Notre Dame poster

Anastasia1997

A young woman fighting to reclaim her true identity against impossible odds, with a wisecracking sidekick doing Mushu's exact job. Sweeping, romantic, and surprisingly dark for a 90s cartoon.

But It leans harder into romance and fantasy horror than into war or training, drifting further from Mulan's tone.

Anastasia poster

Pocahontas1995

Another Disney heroine caught between duty to her people and her own conscience, set against a real historical collision. The animation of the natural world is some of the studio's most beautiful work.

But Its handling of history and culture has aged poorly, and the pacing sags noticeably in the middle.

Pocahontas poster

G.I. Jane1997no page yet

Both are about a woman infiltrating an all-male military structure through sheer will, and the specific terror of being discovered and expelled for who she is.

Demi Moore as a Navy SEAL candidate enduring brutal training designed to break her, in a system built to keep women out. Ridley Scott shoots the physical punishment with unflinching intensity.

But It's a gritty, R-rated 90s military drama with none of the fantasy or warmth — Mulan's premise with the safety net removed.

Yentl1983

The same core act — a woman assuming a male identity to claim purpose or education denied to her — played as intimate drama instead of action-adventure.

Barbra Streisand directs and stars as a woman who disguises herself as a man to study Talmud in 19th-century Poland — soulful, funny, and quietly devastating, with songs sung only to us.

But It's a slow, introspective musical with a very different rhythm — no battles, no dragon, mostly rooms and study halls.

Yentl poster

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