Film

Masterminds

A '90s action-comedy where Patrick Stewart and Vincent Kartheiser's cat-and-mouse game unfolds in a private school under siege. It's earnest silliness—hostage negotiation meets hacker pranks—with the theatrical energy of a film made when studios still believed in mixing genres wildly. For anyone who misses the era when action films didn't take themselves so seriously.

TMDb rating2.7

If you liked this

The Sixth Sense1999

A tense, twisty thriller with genuine atmosphere that proves late-90s genre cinema could be clever without sacrificing entertainment or emotional weight. Haley Joel Osment is extraordinary.

But It's been discussed to death. If you've heard the ending, the film's careful layering loses impact on repeat viewings.

The Sixth Sense poster

Sneakers1992

A heist film where the weapon is brains and misdirection instead of guns. Witty, intricate, stuffed with character actors having obvious fun. The plot crackles with genuine intelligence.

But It moves quickly and trusts you to keep up. Some pacing may feel dated if you're used to modern exposition-heavy thrillers.

Sneakers poster

Ferris Bueller's Day Off1986

A sympathetic rule-breaker outwitting authority figures for an afternoon. It has that same spirit of clever defiance and the same faith that watching smart people improvise is inherently entertaining.

But It's almost aggressively earnest about its teenage protagonist. If you resent films rooting for their charming troublemakers, this won't change your mind.

Ferris Bueller's Day Off poster

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The wildcard

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Johnny Mnemonic1995

Both are '90s action films that treat computers and hacking as magical solutions to physical problems. Both believe style and momentum matter more than realism.

Keanu Reeves in a cyberpunk action film where a man's brain is a hard drive. It's visually audacious and operates on dream logic—the technology is all gloss and style, no substance, which is entirely the point.

But It's bewilderingly convoluted. The plot barely holds together, and you may spend the runtime lost rather than entertained.

Johnny Mnemonic poster
More like this (8)

Air Force One1997

Harrison Ford and Gary Oldman in the same year, same dumb-fun energy. Hostages, action, a protagonist who refuses to surrender. It knows exactly what it is and commits fully.

But The plotting is paper-thin and the dialogue can clang. It's spectacular nonsense, which is either a feature or a bug.

Air Force One poster

Demolition Man1993

A future-cop thriller that's also wryly funny about authority and control, with Stallone and Snipes playing versions of their own action-hero personae. Weird, ambitious, genuinely smart about its satire.

But The satirical elements don't always mesh cleanly with the action plotting. Some scenes feel awkwardly toned.

Demolition Man poster

Executive Decision1996

Kurt Russell, Halle Berry, Steven Seagal, and a terrorist-filled plane. Tense, breakneck, and it does something genuinely unexpected with its casting that most thrillers wouldn't risk.

But The logic sometimes buckles under scrutiny. If you need airtight plotting, the climax will frustrate you.

Executive Decision poster

3 Ninjas1992

Kids using martial arts and ingenuity against criminals. It's silly and quick-moving, with genuine action sequences and none of the cynicism that crept into action films a decade later.

But It's transparently a kids' film. Adults without nostalgia for it may find the tone patronizing.

3 Ninjas poster

Judge Dredd1995

Stallone in a dystopia, action and comedy colliding spectacularly. Herman's Bank was called to testify to the wackiness. It's committed to its own absurdity in a way modern blockbusters rarely are.

But The production design occasionally overwhelms the story. It can feel more concerned with looking cool than making sense.

Judge Dredd poster

The Long Kiss Goodnight1996

Geena Davis as an amnesiac assassin rediscovering her deadliness. Energetic, violent, and funnier than it needs to be. Samuel L. Jackson elevates every scene he's in.

But The emotional beats can feel tacked-on between action sequences. If you need character to anchor spectacle, this prioritizes spectacle.

The Long Kiss Goodnight poster

Rushmore1998

Both are films about smart troublemakers in prep schools using unconventional tactics against authority. One's a thriller, one's a comedy, but the DNA is identical.

A comedy about a brilliant, defiant student at an elite private school outmaneuvering the adults around him. Wes Anderson's formal control makes chaos beautiful. Jason Schwartzman is hypnotic.

But The symmetry and stillness may feel affected or cold. Anderson's style overshadows sentiment for some viewers.

Rushmore poster

Matlock1986

Both are fundamentally about a clever protagonist using their wits to outmaneuver adversaries. Masterminds does it with pranks and hacking; Matlock does it with courtroom tactics. The pleasures are identical.

Andy Griffith as a folksy Southern lawyer who outthinks everyone in the room. Low-tech, dialogue-driven, deeply satisfying. Each episode is a puzzle he solves through character reading and misdirection, not violence.

But It's episodic and formulaic. The pacing is gentle and the stakes feel small. Modern viewers may find it slow.

Matlock poster

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