Film
Marmaduke
- Comedy
- Light-hearted
A live-action/CGI hybrid about a lovable but clumsy Great Dane adjusting to California suburban life after moving from Kansas. It's broad, silly, and entirely aimed at kids who think dogs are the funniest thing alive. Harmless, forgettable, the kind of film that plays on cable at 3pm.
Should you watch it?
Watch it if you want a bright, slapstick family comedy told from a big, clumsy dog's point of view, with broad physical gags and the easy warmth of a Saturday-morning cartoon.
Skip it if you find talking-animal comedies wearing thin, or you expect sharp wit; its humor runs loud, repetitive and mostly physical, with little subtlety beneath the mess.
What it asks of you: Not much: it runs about ninety minutes, moves at a cheerful clip, and asks only that you go along with a dog's eye view of chaos.
Not sure? Find tonight's pick in a minute.
If you liked this
Beethoven1992
A dog comedy that actually has heart beneath the slapstick. A massive St. Bernard causes chaos, but the film earns its emotional beats and stays genuinely funny across multiple viewings.
But The special effects are dated and some of the humour relies heavily on bodily functions in ways that feel exhausting if you're not the target age.

Homeward Bound: The Incredible Journey1993
Two dogs and a cat journey across the wilderness. It's adventure without condescension, with real stakes and gorgeous scenery. A film that works for kids and adults in different ways.
But The survival plot takes it darker than Marmaduke ever ventures; it's also slower-paced and more contemplative than pure comedy.

One Hundred and One Dalmatians1961
The animated original captures anarchic dog energy far better than any live-action version. Cruella is a genuinely great villain. Pure delight that holds up because it's genuinely well-made.
But It's a Disney film from 1961, so some parenting attitudes and gender stuff feels period-locked. The adoption subplot is dated.

Not sure tonight? Get a pick in a minute, starting from Marmaduke
The wildcard
Something you would not have found on your own.
Isle of Dogs2018
Both are about dogs navigating unfamiliar territory, but Anderson's film uses that setup to explore belonging, loyalty, and what we owe each other—treating dogs as subjects rather than comic props.
Wes Anderson animates a story about dogs exiled to an island in a dystopian Japan. It's visually stunning stop-motion, quirky without being precious, and treats its dog characters with genuine dignity and complexity.
But It's deliberately mannered and slow. If you want plot momentum, you'll find Anderson's stylization frustrating rather than charming.

More like this (7)
Marley & Me2008
A dog comedy that grows into something unexpectedly moving. It captures the actual chaos of owning a large dog without losing affection for the animal or the people who love it.
But The tonal shift in the final act is genuinely sad. If you want comedy only, this pivot will feel like a betrayal.

Air Bud1997
A dog plays basketball. It's that simple and that ridiculous, executed with enough charm that it works as pure escapism for the under-ten crowd.
But The plot is thin, the acting variable, and it has almost no appeal if you're not watching through a child's eyes or feeling deliberately nostalgic.

Scooby-Doo2002
Bright, silly, faithful to the cartoon without taking itself seriously. The mystery plot is secondary to the vibe, which is exactly right for a Scooby adaptation.
But It's CGI-heavy in a very early-2000s way, the jokes are aggressively broad, and the story meanders without purpose.

The Secret Life of Pets2016
A zippy animated comedy about what dogs do when owners leave. It's short, fast, and built on a genuinely fun premise executed with solid voice work and bright animation.
But It trades character development for jokes-per-minute. Nothing lands hard because nothing gets space to breathe.

Bolt2008
A superhero action-comedy that's actually a story about a dog learning he's not special—and that's okay. Surprisingly clever about fame and the gap between appearance and reality.
But The middle stretch in Las Vegas drags, and the villain twist is underbaked. It's pleasant but slight, which some find unsatisfying.

Lady and the Tramp1955
The animated classic holds up as pure animation craft. The romantic dinner scene is iconic. It's genuinely beautiful to watch, even if you're aware it's from another era.
But The racial stereotypes in the Siamese cat sequence are startling and uncomfortable. The pacing is glacial by modern standards.

Watership Down1978
Both feature animals as protagonists in a world that mirrors human society, but Watership Down uses that framework to tell a story about survival and community that refuses to soften its edges.
An animated film about rabbits fleeing danger. It's dark, genuinely thrilling, with stunning animation and a score that elevates it into something mythic. A kids' film that doesn't patronize.
But It has violence, predation, and a real tone of dread. It will disturb young children and feels nothing like Marmaduke's comfort-food comedy.

People
Cast
Owen WilsonMarmaduke (voice)
Emma StoneMazie (voice)
George LópezCarlos (voice)
Caroline SunshineBarbara Winslow
Finley JacobsenBrian Winslow
Steve CooganRaisin (voice)
Christopher Mintz-PlasseGiuseppe (voice)
FergieJezebel (voice)
Kiefer SutherlandBosco (voice)
Lee PacePhil Winslow
Judy GreerDebbie Winslow
Damon Wayans Jr.Thunder (voice)
Directing
- Tom DeyDirector
- Jody SpilkomanSecond Assistant Director
- Greg MichaelSecond Unit Director
Writing
- Brad AndersonCharacters
- Tim RasmussenWriter
- Vince Di MeglioWriter
Production
- Christian KaplanCasting
- Arnon MilchanExecutive Producer
- Derek DauchyExecutive Producer
- Jeffrey StottExecutive Producer
- Tariq JalilExecutive Producer
- John DavisProducer