Film
Lord of War
Nicolas Cage narrates his own moral collapse with a smirk, playing a Ukrainian-American gunrunner who arms half the world's conflicts while dodging an Interpol agent and his own conscience. Andrew Niccol's satire is glossy, funny, and quietly furious — a globe-trotting business thriller that never lets you off the hook for enjoying the ride. For anyone who likes their crime stories smart, cynical, and a little sick with themselves.
If you liked this
War Dogs2016
Two amateurs stumble into the international arms trade and get in way over their heads — same black-market cynicism as Yuri's story, but played looser, younger, and funnier.
But It's a broader comedy with real stakes it doesn't always earn; less bite than you might want.

The Wolf of Wall Street2013
Another charismatic narrator seducing you into rooting for his own corruption. Scorsese and Cage's Yuri are cousins — both know exactly how good they look doing something terrible.
But Three hours of excess can feel like punishment as much as satire; not everyone finds it as funny as it wants to be.

American Made2017
Tom Cruise as a real-life pilot running guns and drugs for the CIA — same globe-trotting, morally elastic charm, same sense of history's dirtiest business dressed up as adventure.
But Lighter and glossier than Lord of War; it flirts with consequence more than it commits to it.

The wildcard
Something you would not have found on your own.
The Third Man1949
Both films ask you to like a man selling misery for profit, and both trust a magnetic performance to do the moral heavy lifting decades apart.
Postwar Vienna, a black-market racketeer, and one of cinema's most seductive villains — the original charming profiteer you can't quite bring yourself to hate.
But Black-and-white, slow by modern pacing, and its politics are of their moment — this is patience-testing for some.

More like this (7)
Blow Out1981
A cocaine trafficker's rise and fall, narrated with the same doomed swagger — ambition, family wreckage, and a slow-motion reckoning with everything you've built.
But It's a more conventional biopic arc; less interested in systemic critique, more in one man's tragedy.

GoodFellas1990
The template for the charming criminal narrator who makes atrocity look like fun until it isn't. Essential viewing for how voiceover can implicate an audience.
But It's mob violence, not war profiteering — the connection is structural, not thematic, if that's what you're after.

The Big Short2015
A different kind of catastrophe capitalism, told with the same sardonic, fourth-wall-breaking energy — people getting rich off the world's misery and knowing it.
But Financial jargon-heavy in places; the anger is intellectual rather than visceral.

Charlie Wilson's War2007
Covert arms funneling dressed as political comedy — same uneasy laughter at how casually powerful men decide who gets weapons and why.
But Tonally softer and more forgiving of its protagonist than Lord of War ever is of Yuri.

Blood Diamond2006no page yet
Trades guns for gems but keeps the same African conflict backdrop and the same slow moral awakening of a man who's profited from other people's wars.
But More earnest and less satirical — it wants you to feel bad rather than laugh uneasily first.
Casino1995
Scorsese again, narrating empire-building and its inevitable rot in gorgeous, garish detail. A lesser-loved cousin to Goodfellas, worth it for the operatic collapse alone.
But Long, and the plot sprawls; some find it repeats beats from Scorsese's other crime epics.

Wag the Dog1997
Where Lord of War plays its cynicism straight-faced and glossy, this takes the identical thesis — war is manufactured for someone's benefit — and turns it into outright comedy.
A spin doctor and a Hollywood producer fabricate a war to bury a scandal — the same cynicism about conflict-as-business, but pitched as a screwball farce instead of a globe-trotting drama.
But Broader and sillier than Lord of War's slick menace; some will find the satire too cartoonish to land.

People
Cast
Nicolas CageYuri Orlov
Bridget MoynahanAva Fontaine Orlov
Jared LetoVitaly Orlov
Ethan HawkeJack Valentine
Eamonn WalkerAndre Baptiste Sr.
Ian HolmSimeon Weisz
Sammi RotibiAndre Baptiste Jr.
Tanit PhoenixCandy
Shake TukhmanyanIrina Orlov
Jared BurkeUkrainian Mobster
David ShumbrisUkrainian Mobster
Weston CageVladimir
Directing
- Andrew NiccolDirector
- Matthew Penry-DaveyFirst Assistant Director
- Michael T. MeadorFirst Assistant Director
- Morag CameronScript Supervisor
- Fiona GosdenSecond Assistant Director
- Maya CholdinSecond Assistant Director
- Robert Dickerson Jr.Second Second Assistant Director
- Justin van der MerweThird Assistant Director
Writing
- Andrew NiccolScreenplay
Production
- Jesse Fox ChaneyAdditional Production Assistant
- Barbara HarrisADR Voice Casting
- Kat DonahueAssistant Location Manager
- Amy DempseyAssistant Production Coordinator
- Jim VidalAssociate Producer
- Mindy MarinCasting
- Belinda BradfordCasting Assistant
- Cathy WeinerCasting Associate
- Douglas HansenCo-Producer
- Rolly LeeExecutive Assistant
- Kia JamExecutive In Charge Of Production
- Andreas SchmidExecutive Producer
- Bradley CrampExecutive Producer
- Christopher EbertsExecutive Producer
- Fabrice GianfermiExecutive Producer
- Gary HamiltonExecutive Producer
- James D. SternExecutive Producer
- Michael MendelsohnExecutive Producer
- Ronaldo VasconcellosExecutive Producer
- Riana AlfredsExtras Casting Assistant
- Jean-Claude BoketsuExtras Casting Coordinator
- Rachel PloseFinance
- Tim CookFirst Assistant Accountant
- Lance VenterKey Production Assistant
- Greg GilmanKey Set Production Assistant
- Artemio BenkiLine Producer
- Darren GoldbergLine Producer
- Greig BuckleLine Producer
- Patrick HuberLocation Assistant
- Chris MarshLocation Manager
- Jennifer Hunt PedevillaPayroll Accountant
- Ronald J. MyersPost Production Accountant
- Andreas GroschProducer
- Andrew NiccolProducer
- Christopher RobertsProducer
- Nicolas CageProducer
- Norman GolightlyProducer
- Philippe RousseletProducer
- Teri-Lin RobertsonProducer
- Shawn HamiltonProduction Accountant
- Daniel WagnerProduction Coordinator
- Jan SeidlProduction Coordinator
- Ivan FilusProduction Manager
- Roberto GeroldiProduction Secretary
- Arie BohrerProduction Supervisor
- Alison van BiljonSecond Assistant Accountant
- Pavel MullerUnit Manager
- Natascha TillmannsUnit Production Manager