Film
Kill Dil
Kill Dil is a stylish actioner about two orphaned assassins raised by a crime boss who find their carefully ordered lives upended when a free-spirited woman enters the picture. It's a Bollywood film that swings for romance and violence with slick energy, mixing hitman thrills with emotional vulnerability. For viewers who want their action wrapped in melodrama and moral complexity.
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Gangs of Wasseypur - Part 12012
A sprawling, brutal saga of crime and blood in Hindi cinema with real dramatic weight. Features explosive action sequences, complex antiheroes, and the kind of unflinching storytelling that elevates the gangster genre.
But Two films, both long and relentlessly dark. The violence and moral degradation are genuinely upsetting rather than thrilling, and there's no romantic relief to soften the blow.
Raees2017
Shah Rukh Khan plays a charming criminal with divided loyalties, balancing crime bosses and conscience. Slick direction, strong action, and that tension between a protagonist's two worlds that makes you complicit in his choices.
But The plot follows familiar underworld beats, and the climax can feel rushed. The love interest exists more as an idea than a fully realized character.
Johnny Gaddaar2007
A Hindi thriller that treats crime and betrayal with serious craft—no heroics, just survival and cunning. Multiple perspectives and a plot that rewards attention, with strong ensemble work throughout.
But It's deliberately understated and slow-burn. If you're after spectacle and music numbers, this plays like a noir, which many Bollywood fans find austere.
Not sure tonight? Get a pick in a minute, starting from Kill Dil
The wildcard
Something you would not have found on your own.
Bandit Queen1994
Both films examine how people shaped by violence and abandonment navigate love and loyalty, but where Kill Dil offers thrills, Bandit Queen offers no comfort—it's the antidote that shows what happens when there's no escape.
Seema Biswas as Phoolan Devi—a woman from a criminal underworld who becomes a legend. Confrontational, brutal, and absolutely unglamorous about violence and gender. Shot with documentary intensity and moral unflinching that transforms the genre entirely.
But The sexual violence is graphic and neither stylized nor escapist. It's difficult to watch and demands something from viewers that entertainment doesn't usually ask for. Some find it exploitative despite its intentions.
More like this (8)
Drishyam2015
A father uses his knowledge of cinema to cover up a crime. Incredibly taut, clever screenwriting with genuine suspense and a protagonist you root for even as he's clearly doing wrong. Mohanlal is magnificent.
But The pacing occasionally stutters in the middle act, and it's a locked-room puzzle that asks a lot of viewer patience to pay off.
Rang De Basanti2006
Young idealists become radicals and then something darker. Aamir Khan and a strong ensemble carry a story about activism, anger, and the line between heroism and violence with real moral weight and excellent action set pieces.
But It's long and occasionally melodramatic. The political messaging can feel heavy-handed, and the ending divides audiences sharply on whether it earns its stakes.
Kabali2016
Rajinikanth as an aging crime lord with unexpected vulnerability. Visually striking, deliberately stylized, and interested in both the aesthetics of violence and the loneliness of a life in crime.
But It's arthouse in structure and some sequences are deliberately obtuse. Tamil cinema rhythms may alienate viewers used to Bollywood pacing, and Rajini's whispered dialogue is hard to follow.
Natrang2010
A Marathi film about a theater director who becomes entangled with a gangster. Character-driven, unexpectedly funny, with a great central performance and genuine moments of tenderness amid the criminality.
But It's in Marathi and uses regional references. The tone shifts between comedy and darkness unpredictably, which some find brilliant and others find muddled.
Shootout at Wadala2013
Based on true events, it follows the first recorded encounter killing with style and tension. John Abraham commands the screen, and the film has real energy and cinematic ambition in its action sequences.
But The script is uneven and the characterization thin. It sometimes confuses activity with drama, and the historical embellishment undercuts the real tragedy at its heart.
Bhaag Milkha Bhaag2013
Farhan Akhtar as an athlete overcoming trauma and poverty to find redemption through sport. Inspiring without being saccharine, with excellent training montages and a protagonist who has genuine psychological depth.
But It's a biopic that follows familiar beats of the genre, and the romantic subplot feels obligatory. Some sequences are indulgently long for what they accomplish.
Rang Rasiya2014
Same lead actor, but stripped of all armor—this is what Ranveer Singh can do when a film asks him to be soft, uncertain, and desperate rather than slick. It's the emotional bone structure under the action hero.
A period romance about the painter Raja Ravi Varma and his muse, filmed like a moving painting itself. Utterly committed to beauty and sensuality, with Ranveer Singh giving a vulnerable, passionate performance that reveals layers you don't see in action roles.
But The pacing is glacial and the plot is minimal. It's more visual tone poem than narrative drive, and if you need plot momentum, you'll find it frustratingly static.
Raman Raghav 2.02016
Both are about men shaped into killers, but Kill Dil mythologizes them while Raman Raghav anatomizes them—same engine, opposite registers. One is romantic tragedy, the other is existential horror.
A serial killer film made as psychological horror rather than thriller. Anurag Kashyap directs with complete control—it's about violence as a spiritual and mental condition, not a plot device. Deeply unsettling and unforgettable.
But It's genuinely disturbing rather than entertaining. The killer's point of view is invited into your head without judgment, which many find deeply uncomfortable. It offers no catharsis or moral clarity.
People
Cast
Ali ZafarTutu
GovindaBhaiyaji
Parineeti ChopraDisha
Brijendra KalaJeweller
Alok NathJeewan Sambandh Insurance Owner
Rocky VermaSnake Ladder Player
Maanvi GagrooJenny
Directing
- Shaad AliDirector
Writing
- GulzarLyricist
- Nikhil MehrotraScreenplay
- Nitesh TiwariScreenplay
- Shreyas JainScreenplay
Production
- Aditya ChopraProducer