Film
Khaidi No. 150
Chiranjeevi's return vehicle pairs a prison-break thriller with a social conscience. A convict swaps places with a crusading farmer's advocate, setting up dual-role mayhem, elaborate action sequences, and the particular pleasure of watching a superstar prove he's still got it. For fans of Chiranjeevi and Telugu cinema's maximalism.
If you liked this
Magadheera2009
Chiranjeevi's previous comeback, equally ambitious in scale. Features stunning action choreography, time-spanning romance, and the same willingness to go big on spectacle and sentiment. Ram Charan also appears here.
But The film runs nearly three hours and indulges in melodrama that Western audiences often find overwrought or dated.

Eega2012
South Indian action cinema at its most inventive. A man reincarnated as a fly seeks revenge with creativity and dark humour. Director S.S. Rajamouli brings visual flair and an absurd premise executed with total commitment.
But The premise sounds silly, and the tonal shifts between revenge fantasy and broad comedy won't land for everyone.

Pushpa: The Rise2021
Modern Telugu action-thriller with a charismatic antihero and slick filmmaking. Allu Arjun gives a star turn in a smuggling narrative that balances style, tension, and character. Fresh energy in the genre.
But Nearly two and a half hours, and the sequel-baiting ending may frustrate those wanting closure. Subtitles required if you don't speak Telugu.

Not sure tonight? Get a pick in a minute, starting from Khaidi No. 150
The wildcard
Something you would not have found on your own.
Natrang2010
Both feature a protagonist who must inhabit a role not originally meant for him, discovering something true in the imposture. Both explore identity as performance.
A Marathi-language film about a rural theatre troupe and a man obsessed with playing a mythological role. It's a character study disguised as performance cinema—deeply moving, funny, and structurally bold. Entirely different texture.
But Subtitles required; the film is slow and introspective, built on intimate observation rather than action. It will feel like a completely different medium to Khakee No. 150.

More like this (6)
Singham2011
A Hindi-language action-thriller with Ajay Devgn as a relentless cop. High-octane set pieces, moral clarity, and a lead performance that channels righteous fury. Hugely entertaining and tightly paced.
But The plot is straightforward to the point of simplicity, and the film trades in absolutes—no moral grey area.

Dabangg2010
Salman Khan's iconic cop character—confident, charismatic, and action-ready. The film has swagger, memorable songs, and the swagger of a star entirely comfortable in his own skin. A genuine crowd-pleaser.
But The romantic subplot is underbaked and the second half loses momentum. Salman's persona can feel dated or off to viewers uncomfortable with the character's swagger.

Death Race2008
A stylish heist-thriller with Saif Ali Khan and Akshay Kumar. Multiple twists, glamorous locales, and the pleasure of watching actors clearly having fun. Fast-paced and never pretentious about what it is.
But The plot becomes convoluted in ways that don't fully resolve. The film plays fast and loose with logic in service of spectacle.

Singam2010
Suriya as a righteous police officer in a Tamil-language thriller. Strong action sequences, a committed performance, and the confidence of regional cinema at full throttle. Energetic throughout.
But The script is thin, the romance feels obligatory, and the English subtitles can be inconsistent. The dialogue is often heavy-handed.

The Bourne Identity2002
Both centre on a protagonist with a dual identity—one false, one real—forced to navigate both halves of himself simultaneously. Both use action as a language of self-discovery.
A thriller about a man with a hidden past discovering who he really is. Taut direction, genuine tension, and action sequences that prioritize clarity over excess. Matt Damon's performance is all contained energy.
But It's in English and American in sensibility—minimal music, minimal dialogue, minimal sentiment. It may feel austere after the melodic, emotional register of Khakee No. 150.

A Prophet2009
Both open with a protagonist in prison and follow his transformation through cunning and reinvention. Both explore how a man can survive by becoming someone else—but Khaathi No. 150 celebrates this, while A Prophet shows its cost.
A French-language prison drama following a young man's rise within prison society. Immensely gripping, morally complex, and featuring extraordinary character work. A masterclass in tension and earned transformation.
But It's grim, deliberately paced, and offers no catharsis or redemption. Prison here is hell, not a plot device. Subtitles required; nearly two and a half hours.

People
Cast
Chiranjeevi'Kaththi' Seenu & Konidela Shankar
Kajal AggarwalLakshmi
Tarun AroraAggarwal
AliMalli
Ram CharanSpecial Appearance
Raai LaxmiSpecial Appearance (Item Song)
BrahmanandamDoberman
Raghu BabuCook in Old Age Home
Raghu KarumanchiBorabanda Bujji's brother
Posani Krishna MuraliBorabanda Bujji
Devi Sri PrasadSpecial Appearance in "Ammadu Let's Do Kummudu" Song
Directing
- V. V. VinayakDirector
- Gopalakrishna ParuchuriScript Coordinator
Writing
- Sai Madhav BurraDialogue
- Vema ReddyDialogue
- A. R. MurugadossOriginal Story
- V. V. VinayakScreenplay
- Gopalakrishna ParuchuriScript Consultant
- P. Venkateswara RaoScript Consultant
Production
- Vakada Appa RaoExecutive Producer
- Vidya KoppineediLine Producer
- Ram CharanProducer