Film
Hotel Transylvania
Hotel Transylvania turns the classic movie monsters into overprotective parents and rebellious teens, running a five-star resort where Dracula frets over his daughter's first brush with the human world. It's fast, colourful, broadly slapstick family fare — jokes land safe rather than sharp, the animation bounces rather than dazzles, and the emotional core is simple dad-daughter anxiety dressed up in fangs and fur.
If you liked this
Monsters, Inc.2001
Pixar's take on monsters-as-working-class-parents is warmer and funnier, with a friendship at its centre that earns its ending instead of just piling on gags.
But It's gentler and slower-paced — don't expect the same rapid-fire slapstick or celebrity-voice mugging.

Shrek2001
Also flips fairy-tale monsters into sympathetic homebodies, but with sharper jokes hiding inside the kids' movie and a genuinely odd romance at its core.
But The pop-culture gags have aged unevenly, and the humour skews more cynical than Hotel Transylvania's cheerful goofiness.

The Addams Family1991
A family of monsters who love being monsters, played completely straight — the joke is that they're the healthiest household in the film, not the weirdest.
But It's live-action and drier in tone; no animation bounce, no musical numbers, just deadpan gothic wit.

The wildcard
Something you would not have found on your own.
Young Frankenstein1974
Hotel Transylvania borrows its whole cast list — Dracula, Frankenstein, the Wolf Man — straight from the Universal monster movies this film is spoofing, decades earlier and with sharper teeth.
Mel Brooks' black-and-white parody is the funniest possible answer to 'what if the classic monsters were people with hang-ups,' and it's aged better than almost any comedy from its decade.
But It's an adult comedy with adult jokes, made for grown-ups who grew up on the original Universal horror films — no kids' movie polish here.

More like this (8)
ParaNorman2012
Stop-motion instead of CGI, and a lot spookier — zombies and witches sit alongside the comedy, aimed at kids who want their monsters to actually unsettle them.
But Genuinely creepier in places; younger viewers who found Dracula's hotel cosy might find this one too much.

Monster House2006
A haunted-house adventure with the same knack for making monsters sympathetic underneath the scares, and a tighter, scarier story for slightly older kids.
But Less comedy, more suspense — if you wanted wall-to-wall gags, this earns its laughs more sparingly.

Corpse Bride2005
Tim Burton's stop-motion romance treats the monstrous and the macabre as beautiful rather than punchline material, with musical numbers and real melancholy underneath the whimsy.
But Slower, sadder, and more visually gothic — it's a mood piece more than a comedy romp.

The Boxtrolls2014no page yet
Another stop-motion tale of misunderstood creatures building a strange, loving family underground, with a similarly big streak of gross-out humour for kids.
But The pacing is stranger and the humour weirder — it's less polished, more handmade and eccentric than Sony's slick CGI.
Despicable Me2010
Swaps monsters for a supervillain, but the engine is identical: a gruff outsider softened by an unexpected family, plus gags built for repeat viewing with kids.
But No classic-monster mythology here — if that's what you loved, this trades it for gadgets and minions.

Wreck-It Ralph2012
Same year, same spirit — a big lovable outsider trying to find where he belongs, stuffed with cameo characters and a candy-bright visual style kids devour.
But Videogame-world logic instead of monster mythology, so the jokes land differently if you wanted more Dracula-flavoured silliness.

What We Do in the Shadows2014
Same premise as Dracula running a hotel full of monsters keeping up appearances — except here the monsters are flatmates failing spectacularly at ordinary domestic life.
A mockumentary about vampires sharing a flat in Wellington, and it's one of the funniest things ever made about monsters just trying to get through a Tuesday.
But It's deadpan, R-rated, and often gross — nothing here is built for a family audience.

Ernest & Celestine2012
Released the same year, it's the quiet, hand-drawn cousin to Hotel Transylvania's premise: a bear and a mouse building an unlikely family across a divide everyone insists is permanent.
Gorgeous French watercolour animation and a genuinely tender friendship story, gentle enough for small children but with real feeling adults will notice too.
But Subtitled, slow, and soft-spoken — nobody here is doing pratfalls or impressions; it asks for patience Hotel Transylvania never does.

People
Cast
Selena GomezMavis Dracula (voice)
Adam SandlerCount Dracula (voice)
Andy SambergJonathan Loughran (voice)
Kevin JamesFrankenstein (voice)
Fran DrescherEunice (voice)
Steve BuscemiWayne (voice)
Molly ShannonWanda (voice)
David SpadeGriffin (voice)
Cee Lo GreenMurray the Mummy (voice)
Jon LovitzQuasimodo Wilson (voice)
Brian GeorgeSuit of Animated Armor (voice)
LuenellShrunken Head (voice)
Directing
- Genndy TartakovskyDirector
- Daniel EricksonLayout
Writing
- Peter BaynhamScreenplay
- Robert SmigelScreenplay
- Dan HagemanStory
- Kevin HagemanStory
- Todd DurhamStory
Production
- Mary HidalgoCasting
- Lydia BottegoniCo-Producer
- Adam SandlerExecutive Producer
- Allen CovertExecutive Producer
- Robert SmigelExecutive Producer
- Jessica E. SmialekPost Production Coordinator
- Michelle MurdoccaProducer
- Mary Ellen BauderProduction Manager
Recommended by
ParaNorman, Monster House, Count Duckula, Minions & Monsters, Despicable Me, Megamind, Shrek 2