Film
Holes
A wrongfully convicted boy is sent to a brutal desert detention camp where digging holes becomes the key to uncovering a generations-old mystery. Holes balances genuine stakes and cruelty with humour and heart, told through interlocking timelines that reveal why this camp exists. It's adventure, mystery, and found-family drama woven tight.
Should you watch it?
Watch it if you enjoy a story where a loose, funny premise gradually tightens into a web of old debts and buried history, and you like a film that rewards you for paying attention to the small details.
Skip it if you want a quick, straightforward plot; this one loops back on itself, jumps between two timelines, and asks you to stay with its slow setup before the threads start knotting together.
What it asks of you: Patience for a deliberate opening stretch, then a steady build across its roughly two hours; it moves between sun-baked punishment and playful lightness without much warning.
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If you liked this
The Shawshank Redemption1994
An innocent man in an unjust system discovers that patience, ingenuity, and friendship are the real escape routes. Shares Holes' belief that hope survives in brutal places and that the system's logic is often insane.
But At 142 minutes it demands sustained attention, and the prison brutality hits harder than Holes does—it's not comfort viewing.

My Brother, My Brother and Me2017
A chaotic family road trip becomes a mystery that slowly reveals why things fell apart years ago. Same DNA: humor masking genuine stakes, a scrappy found family, and the satisfaction of retroactive logic clicking into place.
But It's a limited series that wraps quickly, and if the tone doesn't land for you on episode one, the short run means no time to warm up to it.

The Outsiders1983
Teenagers marked as criminals by class and circumstance find loyalty in each other while running from an unfair world. Coppola's film has that same mix of youthful energy, loyalty, and the crushing weight of being written off by society.
But It's a period piece about angst that can feel dated, and some of the performances are very of-their-era in ways that don't always land.

Not sure tonight? Get a pick in a minute, starting from Holes
The wildcard
Something you would not have found on your own.
Cold Mountain2003
Both use dual timelines to ask whether love and loyalty can survive when the systems around you are designed to break them.
Two timelines—a soldier's journey home and the woman waiting for him—weave toward each other with tragic inevitability. Like Holes, it trusts the audience to see how past and present are braided together, and that the real story is underneath what looks like a simple plot.
But It's a Civil War romance with genuinely bleak moments. If you're expecting adventure, you'll get grief instead. The pacing is deliberate and the ending punishes patience.

More like this (6)
O Brother, Where Art Thou?2000
Three convicts on the run during the Depression stumble through a picaresque landscape where everything connects in ways they don't see coming. Like Holes, it's a tall tale with a country soul, using humour and Americana to explore fate and redemption.
But The Coen Brothers' whimsy isn't for everyone, and the plot is deliberately loose and wandering—some find it charming, others aimless.

The Goonies1985
Kids on an adventure uncover an old mystery with real stakes and a treasure. Shares Holes' earnest belief that young people can be clever and brave, that found families matter, and that adventure has weight.
But The pacing is chaotic and it veers wildly between tones. The 1980s humour, especially around disability, hasn't aged gracefully.

Hatchet2006
A boy survives alone in the Canadian wilderness and must think his way to survival. Like Holes, it's a story about resilience and ingenuity against a hostile environment, with genuine danger underneath the adventure.
But It's a survival slog with minimal plot—repetitive by design. If you want narrative momentum, this prioritizes endurance over story.

Bridge to Terabithia2007
Two outcasts build an imaginary kingdom in the woods as refuge from a cruel world. The same emotional core: friendship as salvation, imagination as resistance, and how magic can exist inside grief.
But It's more sentimental than Holes, and some viewers find the fantasy elements saccharine. The death of a child is the plot's turn, which derails some people.

Fried Green Tomatoes1991
Two intertwined stories—one in the present, one in the past—slowly reveal why a friendship was so important and what secrets it held. Like Holes, it trusts you to see the pattern before anyone explains it.
But It's a slow-burn ensemble drama, not an adventure. The contemporary framing story is gentler and less gripping than the historical one.

The Sisterhood of the Traveling Pants2005
Four best friends separated for summer stay connected through a pair of magical jeans; their separate stories interweave and slowly reveal what holds them together. Young ensemble cast, found family, and the power of loyalty.
But It's explicitly a girls' ensemble drama about friendship and first crushes, which means it's playing a different emotional register than Holes entirely.

People
Cast
Shia LaBeoufStanley
Sigourney WeaverWarden
Jon VoightMr. Sir
Patricia ArquetteKissin' Kate Barlow
Tim Blake NelsonDr. Pendanski
Dulé HillSam
Henry WinklerStanley's Father
Nathan DavisGrandfather
Rick FoxClyde 'Sweetfeet' Livingston
Scott PlankTrout Walker
Roma MaffiaCarla Morengo
Eartha KittMadame Zeroni
Directing
- James A. Dennett IIAdditional Second Assistant Director
- Andrew DavisDirector
- Vincent LascoumesFirst Assistant Director
- Dru Anne CarlsonScript Supervisor
- Trisha BurtonScript Supervisor
- David TicotinSecond Assistant Director
- Christophe Le ChanuSecond Second Assistant Director
- William MesaSecond Unit Director
- Carolyn EspositoThird Assistant Director
Writing
- Louis SacharNovel
- Louis SacharScreenplay
- Brent HanleyScript Editor
- Dan KopelmanScript Editor
Production
- Gerald A. Vitatoe Jr.Accounting Clerk Assistant
- Sandy HoltADR Voice Casting
- Terrence MartinArt Department Production Assistant
- Drew AvelingAssistant Accountant
- Sharon GardnerAssistant Accountant
- Alasdair BoydAssistant Location Manager
- Catherine KaganAssistant Location Manager
- Anthea StrangisAssistant Production Coordinator
- Clark HendersonAssociate Producer
- Amanda MackeyCasting
- Cathy Sandrich GelfondCasting
- Sig De MiguelCasting Associate
- Wendy WeidmanCasting Associate
- Louis PhillipsExecutive Producer
- Marty P. EwingExecutive Producer
- Marshall PeckExtras Casting
- Jennifer MadeloffExtras Casting Assistant
- Brandon HollyerFirst Assistant Accountant
- Daniel VeluzatLocation Assistant
- Marshall PeckLocation Casting
- Kenny HayesLocation Coordinator
- Mark B. JohnsonLocation Manager
- Jeffrey GladuPayroll Accountant
- Alex SchwartzPost Production Coordinator
- Michael SammacicciaPost Production Coordinator
- Andrew DavisProducer
- Lowell D. BlankProducer
- Mike MedavoyProducer
- Teresa Tucker-DaviesProducer
- April A. JanowProduction Accountant
- Author QueriesProduction Assistant
- Eddie BregaProduction Assistant
- Frederick ShearProduction Assistant
- Lisa ZambriProduction Assistant
- Mark NethProduction Assistant
- Thomas M. SeberProduction Assistant
- Aaron MerrellProduction Coordinator
- Rhonda DeVictorProduction Coordinator
- Micheal FlahertyProduction Executive
- Walter JostenProduction Executive
- Carrie A. TysonProduction Secretary
- Corinne FixmerSecond Assistant Accountant
- David SiegelUnit Production Manager