Film
Fun with Dick and Jane
Other titles called Fun with Dick and Jane: the 1977 film.
A slick comedy about a couple who turn to petty crime after losing everything in a corporate scandal. Jim Carrey and Téa Leoni have genuine chemistry as they stumble through robberies with increasing confidence and absurdity. It's funny without being mean, energetic without exhausting you, and genuinely satisfying when they finally get even. Perfect if you want to laugh at the rich getting their comeuppance.
If you liked this
Office Space1999
The definitive corporate satire about people pushed to their limit by meaningless work and incompetent management. Hilarious, quotable, and every joke lands. Mike Judge nails the particular humiliation of working life.
But It's very much of its moment—late-90s aesthetics and office politics that might feel dated, though the frustration never does. Some characters are annoying by design.

Horrible Bosses2011
Three good guys planning to murder their terrible bosses. It has the same energy as Dick and Jane—competent people doing increasingly ridiculous things—with a sharper edge and a stellar cast making every scene sing.
But Gets a bit mean-spirited in places. Some jokes don't land, and it relies on a few tired tropes about women and sexuality.

Catch Me If You Can2002
Con artists outsmarting the system with charm and quick thinking. Spielberg and DiCaprio make it exhilarating to watch clever people operate, and there's real warmth between the lead and his pursuer. Endlessly entertaining.
But The pacing slackens in the middle. It's less about consequence than Dick and Jane, so the moral weight is lighter.

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The wildcard
Something you would not have found on your own.
Clockwatchers1997
Both centre on people betrayed by their employers discovering the system is rigged, but where Dick and Jane becomes a romp, Clockwatchers stays grounded in the specific despair of corporate invisibility.
Four women office workers become friends and slowly realize their company doesn't value them. It's funny and deeply unsettling in equal measure—like Dick and Jane but from inside the system, shot like a indie drama with a documentary eye. You won't expect how it hits.
But It's deliberately unglamorous and quiet in ways that might feel slow. There's no cathartic revenge; it's about complicity and small humiliations. Bleaker than you want it to be.

More like this (7)
The In-Laws1979
Peter Falk and Alan Arkin as ordinary men caught in an extraordinary CIA adventure. Frenetic, absurdist, and genuinely unpredictable. It proves comedy can be hilarious and chaotic at the same time.
But The 70s aesthetic is strong and intentional—might feel slow if you expect modern pacing. The plot doesn't always make sense, and that's sort of the point.

Due Date2010
Zach Galifianakis and Robert Downey Jr. on a road trip where everything goes wrong in creative ways. Character chemistry in chaos—funny lines land, the situations escalate believably, and there's actual heart underneath.
But Can be mean-spirited toward its characters. Some jokes miss badly, and the premise wears thin before the ending.

I Love You, Man2009
A genuinely warm comedy about friendship and masculinity that never sacrifices laughs for sentiment. Paul Rudd and Jason Segel have real rapport, and it finds humour in both vulnerability and absurdity.
But It's not particularly edgy or surprising. The plot beats are predictable, and it won't challenge you if you're looking for something darker.

Trading Places1983
Eddie Murphy and Dan Aykroyd swap lives in this brilliant Shakespearean farce about class and wealth. It's smart, funny, has genuine stakes, and moves with perfect comic timing. One of the best comedies ever made.
But Some cultural assumptions have not aged gracefully. It's an 80s film in a 80s world, which affects everything from pacing to what counts as funny.

The Wolf of Wall Street2013
DiCaprio and Scorsese on excess, crime, and systems that reward it. It's darkly funny about greed and corruption. The energy is infectious, the cast committed, and it's visually stunning while being morally queasy.
But It's three hours long, sometimes glorifies the behaviour it's supposedly critiquing, and the women exist mainly as decoration. Heavy subject matter for what is partly a comedy.

American Hustle2013
Con artists and the FBI play a high-stakes game of deception. Stylish, funny, with fantastic ensemble chemistry. Amy Adams and Christian Bale are magnetic, and the twists are genuinely clever.
But Plot gets convoluted and some threads don't resolve satisfyingly. Style sometimes overwhelms substance, and it can feel like it's trying too hard to be cool.

A Perfect World1993
Both involve protagonists committing crimes and finding unexpected joy and companionship in it, but Eastwood's film uses that same structure to ask what it costs them. Opposite emotional register, same story engine.
Kevin Costner as a fugitive and Clint Eastwood's best film as a director. It's a road movie about two people on the run, but it's actually about connection, redemption, and whether people can change. Funny in moments, devastating overall, and absolutely alive.
But It's a Clint Eastwood film about men and consequences from 1993—slower and more elegiac than Dick and Jane. The tone is nothing like a comedy, even when it's being funny. It ends with real weight.

People
Cast
Jim CarreyDick Harper
Téa LeoniJane Harper
Alec BaldwinJack McCallister
Richard JenkinsFrank Bascombe
John Michael HigginsGarth
Angie HarmonVeronica Cleeman
Richard BurgiJoe Cleeman
Carlos JacottOz Peterson- Aaron Michael DrozinBilly Harper
Gloria GarayuaBlanca
Michelle ArthurDick's Secretary
Stacey TravisJack's Receptionist
Directing
- Cecilia SweatmanAdditional Second Assistant Director
- Dean ParisotDirector
- Richard GravesFirst Assistant Director
- Wilma Garscadden-GahretScript Supervisor
- Richard OswaldSecond Assistant Director
- Andrew WardSecond Second Assistant Director
Writing
- Judd ApatowScreenplay
- Nicholas StollerScreenplay
- Gerald GaiserStory
- Judd ApatowStory
- Nicholas StollerStory
- Timothy BurgardStoryboard
Production
- Anzhey BarantsevichAccountant
- Shawn GillespieAssistant Accountant
- Carlos A. AragonAssistant Location Manager
- Carrie OyerAssistant Production Coordinator
- Ashley FardysAssociate Producer
- Linda Fields HillAssociate Producer
- Debra ZaneCasting
- Melanie RenfroeCasting Assistant
- Tannis VallelyCasting Associate
- Kim RothCo-Producer
- Stephanie DeTiegeExecutive Assistant
- Jane BartelmeExecutive Producer
- Max PalevskyExecutive Producer
- Peter BartExecutive Producer
- Mandi DillinLocation Assistant
- Molly AllenLocation Manager
- Mady Manson BurzaPost Production Accountant
- Marisa ClaytonPost Production Coordinator
- Brian GrazerProducer
- Jim CarreyProducer
- April A. JanowProduction Accountant
- Laura AngottiProduction Assistant
- Alyssa EvansProduction Coordinator
- Jonathan KadinProduction Executive
- Natalie Bae LauzonProduction Office Coordinator
- Jamie RobinsonProduction Secretary
- Flax GlorPublicist
- Kristine BochumSecond Assistant Accountant
- Mary KaneUnit Production Manager