Film
Frostbitten
A Swedish horror-comedy about a doctor and her daughter who move to a frozen small town where a vaccine experiment goes catastrophically wrong among the local teens. It's trashy, absurd, and gleefully unafraid to mix body horror with laughs—the kind of film that treats mayhem as entertainment and expects you to enjoy the mess.
If you liked this
Evil Dead II1987
A masterclass in tonal whiplash: grotesque practical effects married to slapstick comedy and genuine scares. Like Frostbitten, it trusts the audience to laugh and squirm simultaneously without apology.
But The humour is broad and the plot is thin; if you need a film to make narrative sense, this will frustrate you.
Tucker and Dale vs. Evil2010
A horror-comedy that subverts the genre's assumptions while maintaining real stakes and inventive kills. Sharp enough to be smart, silly enough to be fun, and never condescending to either mode.
But The premise is clever but the execution can feel a bit sitcom-like; some setups land harder than others.
Braindead1992
Peter Jackson at maximum restraint-free: a gorefest that knows exactly how funny extreme practical effects can be. Shares Frostbitten's commitment to the bit and its willingness to show you everything.
But It's relentlessly graphic and grotesque; the humour emerges entirely from the excess, which won't work if you're queasy.
Not sure tonight? Get a pick in a minute, starting from Frostbitten
The wildcard
Something you would not have found on your own.
Let the Right One In2008
Both Swedish horror films that use the frozen landscape and small-town claustrophobia as the true subject. One is trash, one is art, but they're asking the same question: what happens when a community turns on itself?
A Swedish vampire film that is deadly serious about its dread and its humanity. Shares Frostbitten's Nordic setting and its willingness to embed horror in isolation and winter, but inverts the tone entirely—glacial, quiet, devastatingly sad.
But It's slow and contemplative and contains real tragedy; it offers no catharsis or fun, only atmosphere and sadness.
More like this (8)
Teeth2008
Body horror played mostly straight but with a dark comic undercurrent. Uses its premise to explore real anxieties while never winking so hard it undercuts the dread.
But The tone is trickier than Frostbitten's—it's darker and more pointed, which some find more disturbing than fun.
The Cabin in the Woods2012
A horror film about horror films that deconstructs the genre while respecting it. Clever, violent, and genuinely entertaining without sneering at what it's parodying.
But If you haven't seen enough horror to get the references, the satire might sail past you.
Sightseers2012
Ben Wheatley and Alice Lowe's dark comedy about a couple whose caravan holiday turns into a murder spree. Funny and disturbing in equal measure, with no safe distance between them.
But The violence is casual and absurd rather than spectacular; some find that tone harder to enjoy than clear gore or clear comedy.
What We Do in the Shadows2014
A mockumentary about vampires in Wellington that finds humour in the mundane intersecting with the supernatural. Character-driven, warmly funny, and endlessly inventive without showing off.
But It's dialogue-heavy and the pacing is deliberately slack; if you need constant action or high energy, it meanders.
Scouts Guide to the Zombie Apocalypse2015
An unapologetic B-movie that commits fully to its premise: scouts vs. zombies, practical effects, and zero pretension. Messy fun that knows exactly what it is.
But The humour is juvenile and the plot is an afterthought; it's for people who want to watch dumb fun, not intelligent subversion.
The VelociPastor2018
A priest who transforms into a dinosaur fights ninjas and criminals. Pure unhinged nonsense executed with complete sincerity; you will never forget it.
But The effects are genuinely cheap and the storytelling is baffling; it's the kind of bad that becomes fascinating rather than fun.
The Celebration1998
Both pit ordinary Scandinavian family structures against sudden, terrible revelation. Frostbitten uses horror tropes; Festen uses realism. Same pressure cooker, different genre costume.
A Danish Dogme 95 film in which a family gathering explodes into chaos when dark secrets are revealed at a birthday dinner. Visceral, shocking, and anchored entirely in human consequence rather than spectacle.
But It's bleak and Scandinavian; there is no lightness, no escape, and the handheld camera can be nauseating.
Bad Biology2008
Both treat biological catastrophe as absurdist comedy. Both feature vaccines or medical disasters as plot engines. Both understand that the funniest horror is body horror that respects no boundaries.
Frank Henenlotter's deranged body-horror sex comedy about a woman with a mutant reproductive system. Absolutely unhinged, creatively inventive, and committed to making you uncomfortable while laughing. Pure indie excess.
But It's aggressively weird, deeply transgressive, and technically unpolished; it's a film made by and for people who actively enjoy being unsettled.
People
Cast
Petra NielsenAnnika- Carl-Åke ErikssonProfessor Gerhard Beckert
Grete HavnesköldSaga- Emma ÅbergVega (as Emma T. Åberg)
- Jonas LawesRobert
- Niklas GrönbergJohn
- Gustav JohanssonJoel
- Linnea JonssonCissi
Nour El RefaiCornelia- Jonas KarlströmSebastian
Måns NathanaelsonLukas
Mikael TornvingPolice
Directing
- Anders BankeDirector
Writing
- Daniel OjanlatvaAuthor
- Pidde AnderssonAuthor
Production
- Göran LindströmProducer
- Magnus PaulssonProducer