Film
Ernest Goes to Camp
- Slapstick
- Light-hearted
Ernest Goes to Camp is a gleefully silly 1987 family comedy where Jim Varney's Ernest P. Worrell—all rubber-faced pratfalls and well-meaning chaos—becomes a summer camp hero. It's broad slapstick directed at kids, with genuine heart underneath the jokes. Perfect for anyone who loves committed physical comedy and doesn't mind a little earnestness with their laughs.
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Troop Beverly Hills1989
Shelley Long leads a scrappy troop of Girl Scouts against snobs and circumstance with the same underdog warmth and cheerful chaos that fuels Ernest's camp adventure.
But The 80s fashion and sitcom-style plotting feel dated now, and the humour is often genteel rather than anarchic.

Meatballs1979
Bill Murray's summer camp comedy has the same lovable-loser-saves-the-day structure and anarchic spirit, with a counselor trying to unite misfits through sheer force of personality.
But It's dated in a different way—grainier, moodier, less interested in family audiences than pure comedy anarchy.

The Bad News Bears1976
Walter Matthau coaches a terrible little-league team. Scrappy kids, a well-meaning adult, genuine heart, and the conviction that underdogs deserve their shot. Same DNA as Ernest.
But It's grounded and gruff in a way that feels less fantastical; some jokes land harder on cynicism than kindness.

Not sure tonight? Get a pick in a minute, starting from Ernest Goes to Camp
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Pee-wee's Big Adventure1985
Both are vehicles for comic performers who built careers on a single unshakeable character—childlike, unironic, willing to be ridiculous without self-awareness. Both films trust that commitment completely.
Tim Burton directs Paul Reubens as a man-child on a quixotic cross-country journey to recover his bike. Same rubber-faced physicality, same commitment to sustained silliness, infinitely more visual invention.
But It's surreal and occasionally dark in ways that feel alien to Ernest's sunny earnestness; some viewers find Pee-wee's voice unbearable.

More like this (7)
Heavyweights1995
Ben Stiller's fat-camp comedy has the same summer-camp setting, misfits-unite energy, and commitment to silliness without losing sight of real stakes and character warmth.
But Dated body-image humour will make you uncomfortable, even if the film means well and the performances are solid.

Camp Nowhere1994
A ragtag group of kids and a sympathetic adult create a fake camp. The chaotic energy, the trust-building subplot, and the genuine affection for misfits echo Ernest's earnest anarchy.
But Less polished than you might expect, with uneven pacing and jokes that occasionally disappear into 90s TV-movie territory.

Problem Child1990
John Ritter and a mischievous adopted kid navigate redemption and family through chaos and slapstick. Similar beat-you-over-the-head sincerity mixed with committed physical comedy.
But The 'problem child' premise hasn't aged gracefully, and the humour often feels strained around a thin plot.

National Lampoon's Vacation1983
Chevy Chase's everyman bumbles through disaster while remaining optimistic and well-meaning. The same commitment to slapstick and the underdog's stubborn hope.
But The pacing drags in places, and some gags rely on cruelty rather than Ernest's kinder chaos.

3 Ninjas1992
Young martial-arts enthusiasts learn discipline and teamwork from a wise adult mentor while fighting real bad guys. Earnest kid-hero action with genuine warmth underneath.
But The action is obviously scaled for children, and the plot is paper-thin even by 90s family-film standards.

Daylight1996
Stallone as a subway-rescue hero gathering misfits to survive a tunnel disaster—it has that underdog-team vibe and the same faith in ordinary people doing extraordinary things.
But It's a disaster film that takes itself seriously in a way that can feel overwrought, and it lacks Ernest's lightness entirely.

The Water Horse2007
Both are about inspiring troubled young people through an unconventional mentor's refusal to accept systems that don't serve human flourishing. Both trust sentiment without irony.
A boy and his elderly mentor nurture a mysterious water creature on a Scottish estate during wartime. It has Ernest's core belief: that kindness and imagination matter more than rules, and that outsiders can fix broken institutions.
But It's a completely sincere fantasy adventure with no jokes, which means it requires faith in earnestness rather than comedy to carry you through.

People
Cast
Jim VarneyErnest P. Worrell
Victoria RacimoNurse St. Cloud
John VernonSherman Krader
Lyle AlzadoBronk Stinson (Foreman)
Gailard SartainJake
Daniel ButlerEddy
Iron Eyes CodyOld Indian Chief
Patrick DayBobby Wayne
Scott MenvilleCrutchfield
Jacob VargasBubba Vargas- Danny CapriDanny
- Hakeem Abdul-SamadMoustafa-Hakeem Jones
Directing
- John CherryDirector
Writing
- Coke SamsScreenplay
- John CherryScreenplay
Production
- Hank McCannCasting Director
- Elmo WilliamsExecutive Producer
- Martin ErlichmanExecutive Producer
- Stacy WilliamsProducer
- Loolee De LeonProduction Coordinator
- Carol Sue ByronUnit Manager
- Tara SadUnit Production Manager