Film
Deadly Infidelity
A woman wakes from a car accident with amnesia, only to have a charming stranger convince her they're lovers. As her memory fragments return, his story crumbles and the truth becomes dangerous. It's a brisk, paranoid thriller that banks on the unreliability of perception—fun if you enjoy watching someone gaslight themselves into peril.
Should you watch it?
Watch it if you like a memory-loss puzzle played straight, where the real question is whether the man claiming to be your lover is telling the truth, and a modest romance curdles slowly into suspicion.
Skip it if you want the stylish, twisty sweep of a big-budget thriller; this is a TV-movie with modest ambitions, and its suspense leans on a familiar setup more than surprise.
What it asks of you: Settle in for a brisk 85 minutes, staying close to Grace's confusion and asking you to track who is lying as the pieces return.
Not sure? Find tonight's pick in a minute.
If you liked this
The Invisible Man2020
A woman escapes an abusive relationship, only to be hunted by her ex in invisible form. It's tense, modern, and uses its premise to make the unseen threat feel visceral and terrifying.
But The social commentary can feel heavy-handed, and if jump-scares aren't your style, the pacing occasionally relies on them.

Gone Girl2014
A wife vanishes on her anniversary, and everything her husband thought he knew becomes suspect. Twisty, darkly funny, and built on the same machinery of deception and misdirection that drives Deadly Infidelity.
But It's nearly two and a half hours, and the characters are so loathsome that rooting for anyone feels impossible—which is rather the point.

Shutter Island2010
A detective arrives at an island asylum to investigate a disappearance, only to question his own sanity. Moody, layered, and devoted to the idea that your mind can be your worst enemy.
But The twist is guessable, and the film hinges on accepting some melodramatic emotional beats that don't always land.

Not sure tonight? Get a pick in a minute, starting from Deadly Infidelity
The wildcard
Something you would not have found on your own.
Goodnight Mommy2015
Both pivot on the question of whether you can ever truly know someone intimate to you. Here, identity itself becomes the threat.
Two boys become convinced their mother isn't really their mother after she returns from facial surgery bandaged and altered. An Austrian horror film that weaponizes the uncanny—the idea that someone you know has become a stranger. Genuinely unsettling.
But It's methodically paced and extremely bleak, with a final act that's deeply disturbing rather than cathartic. Not for those who need moral comfort.

More like this (8)
The Gift2015
A couple's quiet life fractures when an old acquaintance resurfaces with unsettling gifts and motives. Nasty, claustrophobic, and expertly controlled—it knows exactly how to make you doubt everyone.
But Nothing truly shocking happens; it's all psychological, so if you want spectacle, you'll be disappointed.

Gaslight1944
The original template: a husband systematically convinces his wife she's losing her mind to cover his crimes. Bergman is magnetic, and watching psychological manipulation this deliberate is darkly fascinating.
But It's black-and-white and slower-paced than modern thrillers; patience required, and the gender dynamics feel dated.

Betrayal2012
A woman's devoted boyfriend is revealed to have a secret life that unravels her sense of reality. Low-budget but taut, it mines paranoia from the ordinary and doesn't overstay its welcome.
But The production values are modest, and the final act relies on plot mechanics that feel a bit convenient.

Hush2016
A deaf writer is stalked in her home by an intruder who knows her vulnerabilities. Stripped-down and claustrophobic, it's a masterclass in suspense using silence as a weapon.
But The home-invasion setup is familiar, and some may find the violence harder to watch than the premise suggests.

Rebecca2020
A newlywed arrives at her husband's grand estate where the memory of his first wife haunts every room. Gothic, gorgeous, and deeply unsettling—reality versus illusion in a crumbling mansion.
But It's deliberately slow and atmospheric; if you want plot momentum, the pacing will frustrate you.

Derailed2005
A man begins an affair with a woman on his commute, only to be blackmailed by her accomplice. Lean, efficient, and utterly cynical about human nature—no one in this film is who they pretend to be.
But It's forgettable fluff that doesn't linger, and the twists feel mechanical rather than earned.

Before Sunrise1995
Both films are obsessed with the gap between what we think we know and what's actually true. Here, it's romantic; there, it's sinister. Same engine, opposite destinations.
Two strangers meet on a train and spend one magical night walking Vienna, talking. The opposite of a thriller—it's entirely built on conversation and whether two people can trust what they're feeling. Richard Linklater's meditation on connection and uncertainty.
But Nothing happens. No plot. If you need external conflict or conventional narrative payoff, this will bore you to fury.

The Machinist2004
Like Deadly Infidelity, it's built on the unreliability of perception—but here, we're trapped inside a deteriorating mind rather than victimized by someone else's deception. The paranoia is self-inflicted.
A skeletal Christian Bale plays an insomniac factory worker whose grip on reality deteriorates as strange accidents accumulate around him. Nightmare logic applied to the mundane. Visually poisoned and psychologically unmoored.
But It's grim and offers no relief; the body horror of Bale's transformation is difficult to watch, and the plot explanation feels thin against the mood it builds.

People
Cast
Kate WatsonGrace
Houston RhinesPaul
Emary SimonTaylor
Jacob TaylorKyle
Annika FosterStacy
Jesus RuizDetective Wallace
Roberta HanlenMargaret
Nick MiloneThad
Nikole HowellYvonne
Nicholas DownsDr. Leopardi
Dana KippelTattoo Artist
Directing
- Gigi GastonDirector
- Josh BrownFirst Assistant Director
- Dora HopkinsScript Supervisor
- Jeremy GerkeSecond Assistant Director
Writing
- Mark GanttWriter
- Sandra BaileyWriter
Production
- Paul RuddyCasting
- Carla WoodsExecutive Producer
- Kami NortonLine Producer
- Jessa GordonPost Production Coordinator
- Melinda Wells McCabePost Production Producer
- Eric Scott WoodsProducer
- Stan SpryProducer
- Catherine NeimanProduction Accountant