Film
Daria in 'Is It Fall Yet?'
A sharp-edged animated comedy about a brilliant, deadpan teenager navigating a summer camp for the emotionally wounded. Daria's wit and detachment clash beautifully against earnest misfits and well-meaning chaos. It's smart without being smug, funny without cruelty, and genuinely affectionate beneath its irony. For anyone who's ever felt too clever for their own good.
If you liked this
Beavis and Butt-Head Do America1996
MTV's anarchic duo get a feature-length road trip that's surprisingly inventive and hilarious. The dialogue is rapid-fire and the satirical targets are precise. Pure teenage chaos with genuine laughs.
But Relies heavily on crude humour and intentional stupidity that hasn't aged universally well. The low-rent animation can feel grating if you're not in the right mood.

Freaks and Geeks1999
A high-school ensemble that treats its misfits and burnouts with real warmth and respect. The writing captures teenage awkwardness with painful accuracy and unexpected tenderness. Every character feels fully human.
But Cancelled after one season, so it's a perfect but incomplete experience. The tone swings between comedy and genuine sadness, which won't suit everyone.

My So-Called Life1994
A sincere, beautifully shot teen drama about outsiders and belonging. Angela Chase's internal monologue is poetic and specific. It captures real adolescent emotion without condescension or saccharine easy answers.
But Deliberately paced and contemplative rather than plot-driven. Also cancelled after one season. The sincerity might feel slow if you want constant comedy.

Not sure tonight? Get a pick in a minute, starting from Daria in 'Is It Fall Yet?'
The wildcard
Something you would not have found on your own.
The Breakfast Club1985
Both are about the gap between how teenagers appear and who they actually are. Both find humour and tenderness in that gap without ever punching down. Both respect their characters.
John Hughes's masterpiece: five teenagers from different social tribes locked in Saturday detention. By the end, every stereotype has dissolved and you're watching real people. It's about how we perform identity and the loneliness underneath. Genuinely profound.
But The pacing is slow by modern standards. Some sexual politics feel dated. If you need constant action or comedy, it's a sit-in-your-feelings movie.

More like this (8)
Undeclared2001
Judd Apatow's college comedy ensemble about weird, genuine friendships. It's loose and improvisational, warm-hearted about its characters' mess. Sharp writing about identity and belonging without being precious about it.
But The improvisational style can feel rambling. Cancelled after two seasons. Some plots feel dated or uneven compared to the character work.

Wet Hot American Summer2001
Camp comedy ensemble with absurdist humour and real affection for its characters. The structure is chaotic, the jokes are weird and specific, the cast is game for anything. It's joyfully strange.
But The humour is deliberately unhinged and scattershot. If you need conventional narrative structure or consistent tone, this will frustrate you.

Clone High2002
Animated high-school comedy with genuine heart hiding under ridiculous premises. The historical-figure clones are window dressing for real emotional storytelling. Smart, weird, and oddly moving about belonging.
But The animation style is deliberately ugly and choppy. Some jokes rely on pop-culture references that have dated. One season plus movie, so incomplete.

Home Movies1999
Squigglevision animation hiding genuinely touching stories about childhood creativity and friendship. The dialogue is semi-improvised and feels lived-in. It's about making art with your friends, specifically.
But The animation is deliberately crude and can be hard on the eyes. The comedy is understated and character-driven, not punchline-heavy. Takes patience to find the rhythm.

The Critic1994
Animated satire about a movie critic navigating New York and family dysfunction. Fast-paced jokes and surprisingly sharp media criticism. Jay Sherman is abrasive but oddly sympathetic, the tone is cynical but not cruel.
But Cancelled twice and feels uneven across both runs. The humour dates faster than Daria's. Some episodes feel like they're trying too hard to be provocative.

Undergrads2001
Animated comedy about four college freshmen trying to figure out adulthood. The writing captures real friendship dynamics and awkwardness. It's irreverent without being mean, and genuinely funny about the actual business of growing up.
But Limited animation and a very short run. The college setting won't resonate if you didn't have that experience. Some humour is deliberately lowbrow.

Succession2018
Daria uses detachment and irony as protection; Succession explores what detachment costs and who we become when we stay armoured. Both show how intelligence can be a prison. Both find the human being in the performance.
A darkly comic drama about a dysfunctional family fighting for control and love. The dialogue is sharp and vicious, but every character is intelligently drawn and pitiable. It's about the armour people build and what's underneath. Brilliantly acted and endlessly rewatchable.
But The world is bleak and cynical. No one is redeemed or grows much. If you need moral clarity or likeable characters, this is poison. Also serious and slow when it needs to be.

Ghost in the Shell 2: Innocence2004
Both are about the gap between surface and substance, between what people seem to be and what's actually there. Both trust the audience's intelligence. Both use detachment as a formal strategy, not a cop-out.
Anime sci-fi meditation on consciousness and identity. Stunning hand-drawn animation and philosophical dialogue. It asks what makes you yourself when your body isn't yours. Contemplative, strange, visually gorgeous, and deeply weird.
But Absolutely requires patience and quiet attention. Almost no plot in the conventional sense. The dialogue is dense and philosophical. If you want action or clear answers, you will hate this.

People
Cast
Tracy GrandstaffDaria Morgendorffer (voice)
Wendy HoopesJane Lane / Quinn Morgendorffer / Helen Morgendorffer (voice)
Alvaro J. GonzalezTrent Lane (voice)
Russell HankinTom Sloane (voice)
Jessica Cydnee JacksonJodie Landon (voice)
Julián RebolledoJake Morgendorffer (voice)
Janie MertzSandi Griffin / Brittany Taylor (voice)
Carson DalyDavid (voice)
Bif NakedAlison (voice)
Dave GrohlDaniel (voice)
Directing
- Guy MooreDirector
- Karen DisherDirector
Writing
- Glenn EichlerWriter
- Peggy NicollWriter
Production
- Maria RodasAssociate Producer
- Lemon KrasnyCo-Producer
- Abby TerkuhleExecutive Producer
- Glenn EichlerExecutive Producer
- Gilat MeltzerPost Production Coordinator
- Karen KunkelPost Production Producer
- Amy PalmerProducer
- Cindy E. BrolsmaProducer
- Adam LiggioProduction Accountant
- Donna RankinProduction Accountant
- Terry ClarkProduction Accountant
- Angela PagoulatosProduction Assistant
- Bria GaulerProduction Assistant
- Rod HollidayProduction Assistant
- Felicia StevensProduction Coordinator
- Adam LiggioProduction Manager
- David TrexlerProduction Manager
- Donna RankinProduction Manager
- Terry ClarkProduction Manager