Film
Bill Bellamy's Ladies Night Out Comedy Tour
- Comedy
- Light-hearted
A filmed comedy tour starring Bill Bellamy and ensemble male comedians performing for female audiences. It's high-energy stand-up in a concert-film format: sharp jokes, riffing crowd banter, and the particular vibe of comedy written specifically for and with women in the room. For anyone who loves stand-up comedy and wants to discover newer voices.
If you liked this
The Original Kings of Comedy2000
Bernie Mac, Cedric the Entertainer, D.L. Hughley and Moe'Nique deliver virtuoso stand-up filmed during a sold-out tour. Raw, funny, generational—essential if you love comedy on screen.
But Concert films can feel static compared to live comedy. Some jokes land harder in person than they do on camera.

Chris Rock: Tamborine2018
Sharp, angry, brilliantly constructed—Rock performing at peak powers in an intimate setting. Some of the best stand-up comedy filmed in the last decade.
But His material is politically pointed and can feel heavy. It's not aiming to make you feel good; it's aiming to make you think.

Richard Pryor: Live in Concert1979
The gold standard—Pryor at his peak, fearless and inventive. Every stand-up comic you've ever seen has learned from this.
But Filmed in 1979; some cultural references have dated. His style is freeform and wild, which can feel unfocused if you want tight material.

Not sure tonight? Get a pick in a minute, starting from Bill Bellamy's Ladies Night Out Comedy Tour
The wildcard
Something you would not have found on your own.
The Bernie Mac Show2001
Like Bellamy's tour, it's about male comedians in front of an audience built on charisma and connection—but this goes deeper into legacy and what it means to earn respect as a performer.
A documentary that follows Bernie Mac back to his roots in Chicago, mixing stand-up footage with storytelling about his journey. It's as much portrait as performance—you come for the jokes, stay for the man.
But It's a documentary first, stand-up second. Long stretches have no jokes. If you want pure performance, you'll find the talking-head structure digressive.

More like this (5)
Maria Bamford: The Special Special Special!2012
A brilliant, disorienting comedy special performed three times simultaneously from different angles. Formally inventive and funny about mental health in a way that feels earned.
But The multimedia approach is deliberately confusing. If you want traditional stand-up, this will feel like work.

Dave Chappelle: Deep in the Heart of Texas2017
Chappelle in a smaller venue, riffing long and dark on contemporary America. Less polished than his Netflix specials, more alive.
But It's long and digressive. Some jokes don't land. The pacing can feel loose in a way that frustrates if you want every minute to count.

Gabriel Iglesias: Stadium Fluffy2022
High-energy, character-filled comedy filmed in a massive venue. Iglesias' physicality and voices are best appreciated in a crowd setting, and this captures that energy.
But His comedy relies on characters and impressions that some people find more silly than sharp. If you prefer observational or political material, it may feel light.

Andrew Schulz: Infamous2022
Charismatic, fast-paced, confident. Schulz has strong jokes and a good ear for misdirection. Entertaining if you want someone who's clearly honed their craft.
But He's still finding his voice; the material is solid but not distinctive. You might feel like you've seen the type of comedy before.

Tig Notaro: Boyish Girl Interrupted2015
Where Bellamy's tour celebrates high energy and crowd connection, Notaro proves a small crowd and a quiet comic can be equally compelling. It's about completely opposite energy achieving the same goal.
A filmed comedy special in a small club setting with the lights up, audience visible. Notaro's timing and deadpan delivery are perfect for this intimate format. Her comedy is a masterclass in restraint and precision.
But She's anti-performance—barely moves, speaks quietly, lets long silences hang. If you want energy and movement, she'll seem boring. Her humor is cerebral, not visceral.

People
Cast
Bill BellamyHimself
Larenz TateHimself- Chris GattlingHimself
- Ralph PorterHimself
Directing
- Scott L. MontoyaDirector
Production
- Neal MarshallExecutive Producer