Film
Angrezi Medium
- Family drama
- Light-hearted
A warm-hearted comedy about a Haryanvi businessman willing to upend his life so his daughter can study abroad. It's genuinely funny, deeply felt, and unafraid to be sentimental without becoming saccharine. For anyone who loves character-driven stories about parents and children navigating ambition, class, and belonging.
Should you watch it?
Watch it if you like warm, shaggy family comedies where the laughs come from embarrassing parents and a father's stubborn love, with a sincere heart under the jokes.
Skip it if you want a brisk, tightly plotted story, since at nearly two and a half hours this one wanders and leans on sentiment and broad jokes more than sharp writing.
What it asks of you: Settle in for a long, unhurried ride that moves between farce and quiet emotion, asking you to stay with its small domestic moments as much as its punchlines.
Not sure? Find tonight's pick in a minute.
If you liked this
Badhaai Ho2018
Another Hindi film that mines comedy and emotion from family dynamics and generational difference. Pankaj Tripathi is brilliant, the humor lands because the characters feel real, and it respects both tradition and progress.
But If you need constant plot momentum, the gentle pace and focus on small domestic moments might feel static.

Hindi Medium2017
The spiritual predecessor to Angrezi Medium, also starring Irrfan Khan as a parent consumed by his child's education. Same director, sharper satirical edge, and Irrfan at his most endearing and comedically awkward.
But The satire of Indian education obsession can feel one-note if you're not already familiar with the system it's mocking.

Dum Laga Ke Haisha2015
A romantic comedy that refuses to punch down at its characters or their bodies, instead building genuine warmth and humor from personality and situation. Proves Bollywood can do comedy about unconventional people with real affection.
But The body-positivity angle is important but somewhat dated in its framing by modern standards.

Not sure tonight? Get a pick in a minute, starting from Angrezi Medium
The wildcard
Something you would not have found on your own.
C'est la vie!2017
Both examine what we owe our parents and what they owe us, but one finds grace in the chaos and the other finds only the chaos.
A French film about an aging mother and her adult children squabbling over her end-of-life care. It's the dark mirror to Angrezi Medium's warmth—same family dynamics, same love underneath, but stripped of sentiment and laced with gallows humor about mortality.
But It's cynical, sometimes cruel, and there is no magical resolution. If you're watching Angrezi Medium for comfort, this will unsettle you.

More like this (8)
Piku2015
Deepika Padukone and Amitabh Bachchan sparring over his digestive issues sounds slight but becomes a perfect portrait of adult children and aging parents. Hilarious, tender, and surprisingly wise about love and obligation.
But The romantic subplot feels tacked on and derails the film's best relationship, which is between father and daughter.

Dangal2016
Aamir Khan as a father pushing his daughters into wrestling: brutal ambition softened by genuine love. The training sequences are thrilling, the emotional stakes are real, and it refuses easy answers about parental sacrifice.
But Nearly three and a half hours, and the second half loses some momentum as it becomes more conventional sports-film territory.

The Hunt for Red October1990
A quiet, aching film about friendship and love that moves like poetry. If you appreciated Angrezi Medium's willingness to sit with emotion, this goes deeper and stranger, with Varun Dhawan in his least decorated, most honest role.
But It's melancholic and slow. If you need levity or narrative thrust, this will feel like watching someone grieve in real time.

The Lunchbox2013
A Mumbai love story told through food and missed connections. Tender, funny, beautifully shot, and full of small perfect moments. It has the same warmth as Angrezi Medium but with an adult romance at its center instead of a parent-child bond.
But The pacing is deliberately leisurely and the plot is gossamer-thin. If you want drive and stakes, this might feel too gentle.

Lost Ladies2024
A recent ensemble comedy about two newlywed women on a train who swap places. Funny, sharp about gender and class, full of character actors doing their thing, and genuinely moving beneath the comedy.
But Ensemble comedies can feel scattered, and this one has so many subplots that some feel half-developed.

Shubh Mangal Zyada Saavdhan2020
A same-sex romance comedy that brings warmth, humor, and genuine heart to a topic Hindi cinema usually gets wrong. The families are real people, not punchlines, and the film loves its characters absolutely.
But If you're cynical about Bollywood's motives or want your queer content angrier, the film's earnest sweetness might feel soft.

Another Round2020
Both are about the gap between what parents hope their children will become and what their children actually want—and whether those things can ever align.
A Danish film about four middle-aged men testing a theory about alcohol and happiness. It sounds like a party movie but it's about purpose, ambition, and whether the life you've built is the one you actually wanted. Structured like a scientific experiment but emotionally precise.
But Mads Mikkelsen is not given an emotional arc so much as a steady decline. If you need a character to fix themselves, this won't provide it.

Minari2021
Both follow parents who want everything for their children and destroy some small part of their family in pursuit of it—but neither film pretends there's a clean answer to whether it was worth it.
A Korean-American family film about a father's dream of farming in Arkansas and what that dream costs his wife and children. Quietly devastating, structurally brave, shot like poetry. One of the finest films about immigration and family refusal ever made.
But It is genuinely sad underneath its warmth, and the father's dream is never validated. If you want the parent's ambition to be justified, this film disagrees.

People
Cast
Irrfan KhanChampak Goswami
Radhikka MadanAnanya Goswami
Kareena Kapoor KhanNaina Kohli
Dimple KapadiaMrs. Kohli
Pankaj TripathiTony
Deepak DobriyalKamal Goswami
Manu Rishi ChadhaBrijesh Goswami
Ranvir ShoreyBablu
Kiku ShardaGajju
Mark BenningtonOfficer Steve
Myrah DandekarAnjali- Poorvi JainRashi Goswami
Directing
- Arunima SharmaAssistant Director
- Homi AdajaniaDirector
- Paran BawaFirst Assistant Director
- Addy KhannaSecond Assistant Director
- Rishabh GhelaniSecond Assistant Director
- Annu KapilSecond Second Assistant Director
- Shubhank RishiThird Assistant Director
Writing
- Jigar SaraiyaLyricist
- Priya SaraiyaLyricist
- Tanishk BagchiLyricist
- Bhavesh MandaliaStory
- Gaurav ShuklaStory
- Sara BodinarStory
- Vinay ChhawalStory
Production
- Raj Vaibhav SanadhyaCasting Assistant
- Abhishek BanerjeeCasting Director
- Anmol AhujaCasting Director
- Himanshu GuptaCasting Director
- Sharada KarkiCo-Producer
- Vishal BajajExecutive Producer
- Kishor AthwalLine Producer
- Ranveer Singh RajputLocation Manager
- Dinesh VijanProducer
- Jyoti DeshpandeProducer
- Tara c LlewellynProduction Manager
- Jagdish NandiUnit Production Manager