Television series

The Last O.G.

Name: The Last O.G.
Genre: Comedy
Released: 2018
Cast: Tracy Morgan, Taylor Mosby, Dante Hoagland, Ryan Gaul, Anna Maria Horsford

Comedy

Tracy Morgan plays a formerly incarcerated man navigating a radically changed Brooklyn and unexpected fatherhood. It's a comedy that balances humor with genuine warmth, mining comedy from culture shock and generational disconnect while treating its protagonist's redemption arc with real tenderness. For anyone who likes smart ensemble comedies about second chances and found family.

TVMaze rating

2.4

Should you watch it?

Watch it if you like sitcoms that find real warmth and bite in a fish-out-of-water premise, where a broke father's hustle and tender moments sit side by side with sharp social satire.

Skip it if you want your comedy deadpan and cynical, since its warmth and broad sitcom mugging can tip into sweetness.

What it asks of you: Half-hour episodes, forty of them over four seasons, so it's a light commitment that rewards steady viewing rather than a single binge.

Not sure? Find tonight's pick in a minute.

If you liked this

Schitt's Creek2015

A fish-out-of-water comedy about starting over with nothing, built on the same foundation of character growth and found family. By season three you'll be genuinely invested in everyone's arc.

But The first season is rough and leans harder on mean-spirited humor than the show later becomes. Patience required.

Kim's Convenience2016

Warm ensemble comedy centered on a Korean-Canadian family business and neighborhood. Balances genuine heart with humor about culture, generational gaps, and what home means.

But The five-season run ends abruptly and somewhat unsatisfyingly. Gets slightly repetitive in its later seasons.

Godfather of Harlem2019

Viola Davis and Forest Whitaker anchor this crime drama about reinvention and reclaiming your place in a changed world. Serious where The Last O.G. is comic, but shares the DNA of a man rebuilding against the odds.

But Significantly darker and grittier. If you want the comedy-first experience, this swings the other way.

Not sure tonight? Get a pick in a minute, starting from The Last O.G.

The wildcard

Something you would not have found on your own.

One Night in Miami...2020

Both are about men reckoning with who they've become and what they owe their communities—using humor and conversation rather than action to get there.

A conversation between Cassius Clay, Sam Cooke, Jim Brown, and Malcolm X on a single night. It's structured like a play, and it uses comedy and warmth to explore Black identity, legacy, and what it means to matter in your own story.

But Virtually no plot; it's purely dialogue and character. If you need external narrative momentum, you'll find this static.

Atypical2017

Funny ensemble about an autistic teenager and his family learning to connect across difference. Same warmth and genuine investment in how people grow together.

But Can feel overly earnest at moments. The protagonist's love life gets repetitive across seasons.

Insecure2016

Razor-sharp comedy about navigating adulthood, friendship, and who you become. Issa Rae and Prentiss Harris have chemistry and vulnerability that makes the humor land differently.

But The first season is more comedy; later seasons get dramatically heavier. Tonal whiplash if you came for laughs.

Living Single1993

The ancestor to a lot of ensemble comedies about community and chosen family. Queen Latifah and the cast have genuine warmth, and it doesn't talk down to its audience.

But 90s network sitcom pace and production values. Some jokes land safely rather than boldly.

The Neighborhood2018

Cedric the Entertainer as a man in a changing world, navigating relationships and community with humor. Similar premise of an older Black man meeting his neighborhood where it is, not where it was.

But Leans more heavily on broad sitcom dynamics. Less character depth than The Last O.G.

Reno 911!2003

Mockumentary comedy about incompetent cops getting by and staying human. The ensemble has real affection for the characters underneath the jokes.

But Humor is very broad and sketch-based. If you prefer narrative and character work, this prioritizes laughs over story.

Dear White People2017

Justin Simien's sharp comedy-drama about identity and belonging at a Black student organization. Genuinely funny while wrestling with what community means.

But Can feel overstuffed trying to say too much in short episodes. Some arcs get tangled.

Never Have I Ever2020

Both center on a young person's relationship with a parent figure who loves them but can't quite understand the world they're inheriting—and both find tenderness in that gap.

Mindy Kaling's series about a first-generation Indian-American teenager navigating family, identity, and grief. It balances comedy with real emotional weight and treats every character with respect, even the ones you're meant to dislike.

But The protagonist can be frustrating and immature; some people find that grating rather than realistic. Veers romantic-comedy-ish.