Television series
The Fall and Rise of Reggie Dinkins
- Comedy
- Light-hearted
Tracy Morgan anchors this NBC comedy as a disgraced football star trying to rebuild his reputation and life. It's a half-hour ensemble piece that balances character moments with broad laughs, leaning on Morgan's charisma and the supporting cast's chemistry. For viewers who like their comedies warm-hearted but not saccharine, with real stakes underneath the jokes.
If you liked this
30 Rock2006
Rapid-fire comedy with a talented ensemble and a lead who commands every scene. If you're drawn to Morgan's energy, this show builds entire episodes around that kind of manic brilliance and heart.
But The humor is very New York and very 2000s—some jokes have aged poorly, and the pace can feel exhausting if you want something you can drift through.

Shrinking2023
A comedy about flawed people trying to do better, mixing genuine emotional weight with humor. The ensemble cast has real affection for each other, and it never punches down.
But It's more drama-leaning than straight comedy, and the therapy setting means some episodes prioritize emotional revelation over laughs.

Schitt's Creek2015
A fish-out-of-water story about a family rebuilding from nothing, with warmth and surprising depth. The character arcs are earned, and the comedy gets richer as the show goes on.
But The early seasons are broader and rougher—if you've never seen it before, the first few episodes don't hint at how good it becomes.

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The wildcard
Something you would not have found on your own.
Godfather of Harlem2019
Both are about a fallen figure trying to reclaim power and respect. Where Reggie uses humor and self-awareness, Bumpy navigates politics and violence—different tools, same trajectory of rehabilitation.
A prestige drama about a crime boss rebuilding his empire in 1960s Harlem. Forest Whitaker gives a master class in restraint, and the show treats its subject with the gravity of a Scorsese film.
But It's not a comedy—it's serious, violent, and sometimes bleak. If you came for laughs, this is a tonal jolt, and the crime-drama formula can feel familiar.

More like this (8)
Kim's Convenience2016
A family ensemble comedy about a Toronto convenience store that trades in observation and character rather than punchlines. Genuinely funny and genuinely moving in equal measure.
But If you want big broad comedy, this is quieter and more gentle. Some episodes are more slice-of-life than story.

Abbott Elementary2021
A workplace comedy with real stakes and a cast that seems to actually like each other. Funny but never cruel, and the humor builds from character and situation.
But It's aware of its own sweetness in a way that can feel calculated if you're in the mood for something edgier.

Young Sheldon2017
A prequel comedy about a child genius in Texas, balancing Sheldon's oddness against genuine family warmth. Iain Armitage is magnetic, and the show respects both the comedy and the heart.
But It's a spin-off of The Big Bang Theory, and if that show grated on you, this probably won't convert you—though it's notably gentler.

Community2009
A ragtag group comedy with unpredictable energy and a cast with genuine chemistry. It swings for the fences with its humor and mostly connects.
But It gets increasingly weird and self-referential as it goes, and some episodes prioritize concept over character—that's a feature to some, a bug to others.

Ghosts2021
A supernatural ensemble comedy that's surprisingly warm-hearted. The cast has great rhythm together, and it balances spooky and silly without ever feeling mean.
But The premise is inherently silly, and if you need grounded comedy, the ghost jokes might feel thin after a while.

Atypical2017
A family comedy with an autistic teenager as the lead, and the show actually respects him as a full person. Warm, funny, and genuinely interested in all its characters.
But It's very earnest, and some viewers find it too neat in how it resolves conflict. Also, it ends on a cliffhanger that won't resolve.

The Marvelous Mrs. Maisel2017
Both center on someone rebuilding their identity through performance and wit. Midge discovers who she is; Reggie recovers who he was. The comedy comes from the gap between public image and private self.
A comedy about a woman discovering she's a natural stand-up comic in 1950s Manhattan. Rapid-fire dialogue, gorgeous production, and a lead who lights up every scene—it's comedy as craft.
But The pace and density can be exhausting, and the show's love of its own cleverness sometimes overrides character. Also, it's very much a prestige comedy, which isn't everyone's speed.

Godless2017
Both deal with how communities form around charismatic figures and what happens when those figures stumble. Where Reggie is about personal redemption, Godless explores collective power and trust after betrayal—flipping the scale but asking the same question about second chances.
A Western miniseries built around a town run entirely by women. It's visually stunning, genuinely thrilling, and feels like nothing else on television. Four tight episodes, total commitment.
But It's a drama, not a comedy, and Westerns aren't for everyone. The gender politics are front-and-center, and some find the tone uneven between the action and character work.

People
Cast
Writing
- Robert CarlockCreator
- Sam MeansCreator
Production
- David MinerExecutive Producer
- Eric GurianExecutive Producer
- Rhys ThomasExecutive Producer
- Robert CarlockExecutive Producer
- Sam MeansExecutive Producer
- Tina FeyExecutive Producer
- Tracy MorganExecutive Producer
- Jerry KupferProducer
- Joe DinnenProducer