Television series
Are We There Yet?
Other titles called Are We There Yet?: the 2005 film.
- Comedy
- Light-hearted
A blended-family sitcom where Terry Crews' relentless optimism meets the chaos of remarriage, stepkids, and in-laws. It's broad, warm, and silly—the kind of show that doesn't pretend to be smarter than it is. Built on chemistry between leads and genuine affection for its ensemble, it lands best when you settle in without overthinking.
If you liked this
Everybody Hates Chris2005
A similar blended-family sitcom with real heart and a lead (Chris Rock narrating) with enormous screen presence and impeccable timing. The show balances chaos and warmth in ways that feel earned rather than forced.
But It's a sketch-comedy descendant, so the tone lurches between sitcom sincerity and absurdist asides. Not everyone's rhythm.
The Neighborhood2018
Cedric the Entertainer in a lead role that gives him room to be both ridiculous and genuinely trying. Family-forward, ensemble-heavy, runs on chemistry between people who seem to actually like each other.
But Multi-camera sitcom tropes can feel stale. Doesn't reinvent the wheel, just turns it steadily.
black-ish2014
Blended-family dynamics with more bite, a sharper ensemble, and Anthony Anderson doing the exhausted-dad routine with actual wit. Balances heart, humor, and the real texture of modern Black family life.
But It swings for social commentary sometimes, which can feel didactic. More ambitious than Are We There Yet?, which some find tiresome.
Not sure tonight? Get a pick in a minute, starting from Are We There Yet?
The wildcard
Something you would not have found on your own.
Raising Hope2010
Both centered on family structures that don't fit the traditional mold, built on ensemble warmth and the idea that love holds chaos together. Both believe sincerely in their families.
A single guy inherits his infant daughter overnight and has to raise her with his chaotic extended family. It's a family comedy that somehow finds profound tenderness inside the mess—the writing is genuinely smart, and it locates real humanity in setup that could've been pure sitcom.
But It's darker and more layered than Are We There Yet?, which some find exhausting. Also, it was cancelled after four seasons, so you'll be left wanting more.
More like this (6)
Schitt's Creek2015
A wealthy family loses everything and has to rebuild together. Warm, genuinely funny, with an ensemble that grows into something unexpectedly moving. The chemistry between leads feels like actual affection.
But The early seasons lean on broad fish-out-of-water comedy. It takes a few episodes to find its footing.
Fresh Off the Boat2015
Another blended-cultural-context family sitcom that layers nostalgia, specificity, and genuine ensemble warmth. Randall Park brings the same kind of grounded energy that makes Are We There Yet? work.
But ABC network sitcom, so it's firmly conventional. If you need experimental or edgy, this won't deliver.
Living Single1993
A show where the ensemble is genuinely the point, not the setup. Queen Latifah, Khadijah James as center—joyful, well-written, full of life. The predecessor DNA for what works in Are We There Yet?.
But It's a '90s sitcom, so the references will feel dated and the pacing is slower. Takes patience to adjust to.
The Steve Harvey Show1996
Steve Harvey as a widowed teacher raising his son, living with his in-laws. Genuinely sweet, ensemble-driven, a mid-90s sitcom that found genuine warmth without being cloying about it.
But Network sitcom of its era. Format and pacing feel quaint now; nobody makes TV this way anymore.
Family Matters1989
An ensemble comedy centered on a blended household, with Jaleel White's Steve Urkel somehow becoming the emotional anchor. It's earnest, silly, and oddly moving when it wants to be.
But Heavy on broad physical comedy and catchphrase repetition. Some will find Urkel grating; others will find him essential.
One on One2001
Terry Crews plays against type here more than Are We There Yet? allows. Same DNA—blended families, parent trying harder than he needs to—but filtered through a different lens, more intimate and less ensemble-heavy.
A young single father raises his daughter while working as a sports journalist, supported by his family and best friend. It's a show about fatherhood as both comedy and responsibility, where the emotional stakes feel genuine even as the jokes land.
But UPN network sitcom with a narrower audience and less cultural footprint. Some pacing feels dated; it's less slick than contemporary comedy.
People
Cast
Writing
- Ali LeRoiCreator