Film

Velaiyilla Pattathari 2

A Tamil action-comedy about an idealistic engineer taking on a ruthless corporate developer. Dhanush brings charm and physicality to a David-versus-Goliath workplace battle that mixes comedy, romance, and stunt-driven action. It's wish-fulfillment cinema: the little guy wins through wit and determination, with enough humor to keep things breezy.

TMDb rating2.8

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Soorarai Pottru2020

Dhanush anchors another underdog-versus-the-system story with genuine emotional weight. The film celebrates ingenuity and perseverance in the face of entrenched power, shot with real style and substance.

But It's considerably more serious and grounded than Velaiyilla Pattathari 2. The tone is inspirational rather than comedic, and the pacing is deliberate rather than brisk.

Soorarai Pottru poster

Kaavalan2011

Tamil action-comedy with a similar blend of humor, romance, and fight choreography. Siddharth plays a charming everyman hero who gets in over his head, and the film finds genuine laughs without sacrificing the action sequences.

But The plot is fairly straightforward and predictable. It relies on familiar beats from the genre, so if you know one Tamil romantic action film, you know the shape of this one.

Kaavalan poster

Thupparivaalan2017

Vishal plays a brilliant detective taking down criminals and corrupt officials. It's got sharp dialogue, inventive action sequences, and a protagonist who thinks his way out of problems as often as he fights his way out.

But The mystery plot gets convoluted in the second half. The film loses focus when it introduces too many subplots and villains competing for screen time.

Thupparivaalan poster

Not sure tonight? Get a pick in a minute, starting from Velaiyilla Pattathari 2

The wildcard

Something you would not have found on your own.

Newton2017

Both films are fundamentally about a good person trying to do the right thing within a rigged system, using intelligence and decency as weapons. Both believe the underdog's struggle is worth celebrating.

A Marathi-language comedy-drama about a naive young man trying to do his job ethically in a system designed to corrupt him. It's warm, funny, and deeply intelligent about power and principle, shot with real wit and humanity.

But It's not in Tamil or Telugu, and it's quieter and more character-driven than a traditional action film. The humor is based in irony and observation rather than slapstick or one-liners.

Newton poster
More like this (6)

Madras2014

Karthi and Catherine Tresa anchor a slum-set romance wrapped in gang violence and class conflict. It's visually striking, authentically acted, and balances rough-edged violence with genuine tenderness.

But The violence is brutal and unvarnished, without glamorization. If you're watching for comedy relief, you won't find much; this is drama first.

Madras poster

Polladhavan2007

Dhanush's earlier action-comedy has him playing a charming small-time crook. It established his gift for blending comedy physicality with credible action, all wrapped in a snappy, fun heist narrative.

But The print quality varies depending on where you watch it. It's an older film and feels dated in places, though that's part of its scrappy charm.

Polladhavan poster

Ko2011

Jiiva plays a journalist uncovering corruption, giving you the righteous-hero-versus-powerful-enemy dynamic with actual conspiracy-thriller plotting. The action is well-choreographed and the humor lands more often than it misses.

But It's a product of early-2010s Tamil cinema, which means the comedic timing and some plot elements feel dated. The romance subplot doesn't integrate smoothly with the political thriller.

Ko poster

Kutti Puli2013

Arulnidhi plays an upright young man standing up to local thugs. It's energetic, genuinely funny in places, and committed to its belief that the right person with determination can take on corrupt systems.

But The film is uneven in quality. Some sequences sing while others feel padded, and the tonal shifts between comedy and action aren't always graceful.

Kutti Puli poster

Jolly LLB2013

Both films are about underdogs using their brains rather than just their fists to take down the powerful. The hero wins through cleverness, persistence, and exposing hypocrisy, not just action heroics.

Arshad Warsi as a struggling lawyer taking on the system through wit, determination, and legal acumen. It's an Indian David-versus-Goliath story that's genuinely funny, surprisingly touching, and clever about how power actually works.

But It's a courtroom comedy, so it's dialogue-heavy and slower-paced than action cinema. The legal procedural aspects may feel dry if you're expecting constant momentum.

Jolly LLB poster

The Lair of the White Worm1988

Both are proudly artificial, theatrical films that prioritize personality and tone over narrative logic. Both believe the hero and his love interest can defeat entrenched opposition through sheer force of will and charm, even when the odds suggest otherwise.

Ken Russell's gloriously unhinged horror-comedy about a supernatural aristocrat terrorizing a small English village. It's campy, visually wild, sexually charged, and funny in ways that feel both intentional and accidental. Pure audacious weirdness.

But This is 1980s surrealist horror directed by a provocateur. The tone is inconsistent, the plot barely exists, and if you're watching for conventional genre satisfaction or coherence, you will be frustrated.

The Lair of the White Worm poster

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