Film
Tom Segura: Completely Normal
- Comedy
- Light-hearted
Tom Segura's 2014 stand-up special finds him in his conversational sweet spot: observational comedy about modern life that lands somewhere between bemused and exasperated. It's loose and lived-in, the kind of set that feels like a very funny friend riffing at a bar. For anyone who likes comedians who actually seem to like people, even when describing their worst behavior.
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John Mulaney: Kid Gorgeous at Radio City2018
Mulaney shares Segura's gift for finding absurdity in mundane moments and spinning them into perfectly constructed premises. His timing and warmth make him an obvious next step if you loved Segura's delivery.
But It's more polished and less raw than Segura—some of that loose, conversational energy gets traded for tighter jokes, which won't be everyone's preference.
Nate Bargatze: The Greatest Average American2021
Bargatze does what Segura does brilliantly: finds the funny in regular life without meanness. Southern, conversational, genuinely kind-hearted comedy that builds through stories rather than one-liners.
But Some will find it too gentle or slow-building; it rewards patience more than it rewards quick laughs, and that's not for everyone.
Kevin Hart: Irresponsible2019
Hart's boundless energy and physical comedy create a different texture, but the structural DNA is similar—observational premises exploded through relatable scenarios that spiral into chaos.
But Hart's much louder and more aggressive. If you came for Segura's quieter moments of finding something weird and sitting with it, this is the opposite temperature.
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The wildcard
Something you would not have found on your own.
Dave Attell: Road Work2014
Both Segura and Attell build comedy from close observation of how regular people actually live, but where Segura stays in one place, Attell's on the move—same eye, different pace.
Attell filmed this while traveling, which gives it a wandering, improvised quality that feels more like hanging out than watching a special. He finds the comedy in small-town America with genuine affection for the weird people he meets.
But It's structurally loose and sometimes meandering; if you want tight, focused comedy, this is the opposite—it sprawls in ways that some will find undisciplined.
More like this (6)
Maria Bamford: The Special Special Special!2012
Like Segura, Bamford pulls comedy from her actual life, but without filter or vanity. It's raw vulnerability wrapped in genuine humor—less observation, more excavation.
But It's heavier emotionally than Segura's set; depression and mental health aren't punchlines here, and some people need their comedy to stay lighter.
Jim Gaffigan: Quality Time2019
Gaffigan builds jokes the way Segura does—through escalation and unexpected turns on simple premises. His self-aware, slightly self-deprecating angle has similar warmth.
But The running gag of him hating on himself gets repetitive; once you've seen his formula, it can feel like watching the same trick twice.
Hannibal Buress: Comedy Camisado2016
Buress shares Segura's deadpan sensibility and his ability to let jokes breathe. Weird observations delivered flat, which creates a very specific kind of funny that rewards close listening.
But It's sparse and doesn't always land; some bits feel incomplete, which is bold but means you won't laugh every thirty seconds like with safer sets.
Kyle Kinane: Trampoline In A Ditch2022
Kinane's a genuinely strange comedian with an outsider's perspective on ordinary things. If you like Segura but want something weirder and more left-field, this scratches that itch.
But His comedy is aggressively niche—if you don't vibe with his sensibility immediately, it's not going to grow on you, and it's a long set to sit through.
Norm Macdonald: Hitler's Dog, Gossip & Trickery2017
Both comedians trust their material and their audience enough to let things breathe, but MacDonald takes that to a radical extreme—same foundation, completely different building.
This is a master class in comedic delivery and construction by a comedian who seems to operate by entirely different rules. Every joke feels like it emerges organically, even when it's laser-precise. Comedy made by someone who genuinely doesn't care if you're laughing.
But MacDonald's openly hostile to conventional punchlines; long setups go nowhere, asides derail everything, and some sets feel like pranks on the audience. It requires active participation.
Louis C.K.: Shameless2007
Both find comedy in the gap between how we're supposed to feel about normal things and how we actually feel—but C.K. leans into revulsion where Segura leans into confusion.
Early C.K. doing observational comedy without the darker edges he'd later lean on—messy, physical, genuinely strange observations about kids and sex and everyday horror. It's got the same 'wait, why is that funny?' energy as Segura's best bits.
But C.K. hasn't aged well as a person, which complicates pleasure; some people can't separate the art from the artist, and that's legitimate. Also, it's intentionally crude in ways beyond just the language.
People
Cast
Tom SeguraHimself
Directing
- Jay ChapmanDirector
Writing
- Tom SeguraWriter
Production
- Brian Volk-WeissExecutive Producer
- Josh LiebermanExecutive Producer