Film

The Furious

The Furious is a bone-crunching pan-Asian action showcase built around one father's rampage to find his kidnapped daughter, teaming him with a grieving journalist against a trafficking ring. Expect wall-to-wall fight choreography from genuine martial artists — Indonesian silat, Thai muay thai, Chinese wushu — stitched into a lean, brutal revenge plot. It's for people who want fights, not feelings.

TMDb rating8.2

If you liked this

The Raid2012

Yayan Ruhian, one of this film's villains, helped invent this genre's grammar here — a SWAT team trapped in a tower block, corridor after corridor of pencak silat brutality that's still the blueprint for hallway fights.

But The plot is thinner than tissue paper and exists purely as scaffolding for the violence.

The Raid poster

Triple Threat2019

Same idea pushed to its logical extreme: Tony Jaa, Iko Uwais, JeeJa Yanin and Michael Jai White all thrown into one scrappy mercenary story. Pure fan-service action, unapologetically so.

But The script is an afterthought and the editing occasionally can't keep pace with its own ambition.

Triple Threat poster

The Night Comes For Us2018

Joe Taslim goes from ally to unstoppable force in this Timo Tjahjanto gorefest — arguably the most viscerally violent action film of the decade, and a proper showcase for what he can do.

But It's relentlessly, stomach-churningly gory — not a film to eat dinner during.

The Night Comes For Us poster

The wildcard

Something you would not have found on your own.

Lady Snowblood1973

The Furious runs on fury as inheritance — a parent's violence answered by a child's suffering. Lady Snowblood did this fifty years earlier: a daughter raised from birth as a living weapon of vengeance for crimes done to her mother. Same bloodline logic, told in painterly 1970s style instead of modern spectacle.

Gorgeous, stylised, and the direct ancestor of Kill Bill — Meiko Kaji's icy performance and the film's wintry visual sense make vengeance look like ceremony rather than chaos.

But It's slower and more theatrical than modern action fans might expect — this is revenge as ritual, not adrenaline.

Lady Snowblood poster
More like this (8)

Chocolate2008no page yet

JeeJa Yanin's breakout role: a savant whose photographic memory lets her mimic any fight she's ever seen, deployed in glass-shard brawls and rooftop chases with a surprisingly tender family story underneath.

But The tone swings between heartbreak and slapstick more than some viewers will be comfortable with.

SPL 2: A Time for Consequences2015no page yet

A prison-set crime thriller that turns into some of the most bone-real fight choreography in modern Hong Kong action, with Tony Jaa going full tragic-hero mode opposite a quietly great Wu Jing.

But The two storylines take a while to intersect, and patience is required before the action kicks in properly.

Ip Man2008no page yet

Donnie Yen's calm, disciplined martial arts hero — less rage, more restraint — makes a good contrast to Wei's fury, with some of the cleanest wing chun choreography ever filmed.

But It's more measured and historical-drama-paced than the wall-to-wall carnage you might be craving.

Man of Tai Chi2013no page yet

Keanu Reeves' directorial debut pits a young Tai Chi disciple against an underground fight ring, with genuinely gorgeous martial choreography and Reeves himself relishing the villain role.

But Reeves' dialogue scenes are stiffer than his action scenes, and the plot is fairly familiar.

The Villainess2017

Swap the father for a mother and the muay thai for a straight razor — this Korean revenge thriller opens with one of the great single-take corridor fights and barely lets up after.

But The plot jumps around in time in ways that can be genuinely disorienting on a first watch.

The Villainess poster

Taken2008

The Western cousin of this story — no martial arts pedigree, just Liam Neeson's very specific skillset — but the same engine: a parent, a kidnapping, zero patience for procedure.

But It's much more Hollywood-polished and comparatively tame next to the genre's harder-edged entries.

Taken poster

Top of the Lake2013

Same starting point — a missing girl, a desperate parent, police who won't or can't help — but stretched into six hours of slow-burn character study instead of a two-hour fight gauntlet. The detective does the digging Navin does with his fists.

Jane Campion directs a genuinely unsettling small-town mystery that treats a girl's disappearance as a wound in a whole community, not just a plot engine, with Elisabeth Moss quietly devastating throughout.

But There's no martial arts and barely any action at all — this is quiet dread, not spectacle, and demands real patience.

Top of the Lake poster

Ninja Assassin2009no page yet

Take the vengeance-driven insider-turned-hunted premise and strip out any pretense of restraint: this is the trashy, gleefully excessive cousin, where blood sprays like a broken hydrant and the plot exists purely to get from one massacre to the next.

Rain's assassin turning on his own clan delivers pure, unfiltered spectacle — a Wachowski-produced fever dream that never once pretends to be about anything but the violence, and is better for it.

But It has almost no interest in character or plausibility — if you wanted the pulpiest possible version of this story, this is it.

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