Film
The Death of Robin Hood
Hugh Jackman plays Robin Hood at the end of the road: a killer trying to reckon with everything he's done before the body gives out. This isn't the swashbuckling version — it's slow, mournful, and interested in guilt more than glory, with Jodie Comer as the woman who might offer him something like grace. For anyone who wants their legends stripped of shine and left with the blood still on them.
If you liked this
Logan2017
Same actor, same trick — take the legendary hero on one last violent outing and make him carry every year of guilt with him. This is Jackman's emotional dry run for exactly what he's doing here.
But Claws and mutants instead of longbows and Sherwood Forest; the superhero furniture might feel like a mismatch.

Unforgiven1992
Eastwood retired his own gunfighter myth here, showing a killer who thought he'd escaped violence get dragged back and made to pay for it in full. The blueprint for every 'one last job' reckoning since.
But Deliberately slow and sparse — don't expect thrills, expect consequences paid out in silence.

The Green Knight2021
A hazy, hallucinatory reworking of Arthurian legend that treats chivalry as a burden rather than a badge, all doom and green fog. Perfect if you want medieval myth stripped of shine and soaked in dread.
But Deliberately opaque and slow; if you want plot momentum this will frustrate you.

The wildcard
Something you would not have found on your own.
Ran1985
Same engine as Jackman's Robin Hood: an aging figure of violence forced to confront the ruin his own legend has left behind, told as full-scale tragedy rather than heroics.
Kurosawa's late masterpiece turns an aging warlord's lifetime of conquest into apocalyptic tragedy, all fire and collapsing empire. If you want this exact idea — the old killer facing what his violence cost — done as pure cinema, start here.
But Subtitled, three hours long, and utterly merciless in its bleakness — not a film for comfort viewing.

More like this (8)
Robin Hood2010no page yet
Ridley Scott's grittier prequel to the legend, less arrows-through-apples and more disillusioned soldier questioning the crown he serves. The most direct comparison point for what this new version is doing.
But Overlong and self-serious for what's essentially an origin story nobody was clamouring for.
The Last Duel2021
Brutal, unglamorous medieval violence and a hard look at what men do and then tell themselves about it. Sharp on how legends get written by whoever survives to tell them.
But Structurally repetitive by design — the same events retold three times can test your patience.

Kingdom of Heaven2005
A soldier caught between duty, faith, and disillusionment, staged as vast, muddy, morally exhausted spectacle. Good for anyone who wants their crusades epic to feel like a hangover rather than a triumph.
But Bloated runtime and a hero who often feels more like a vessel for ideas than a person.

Braveheart1995
The other great 'man becomes legend, legend outlives man' story — full-throttle and unapologetically mythic where this film is quiet and ashamed. Fascinating to watch the same beats played completely differently.
But Historically dubious and emotionally manipulative in ways that haven't aged gracefully.

The Northman2022
Revenge myth played as full-blooded, near-mystical epic, brutal and strange and utterly committed to its own legend. For when you want the myth turned up rather than down.
But Deliberately alienating pacing and dense mythic dialogue won't land for everyone.

Excalibur1981
Old-school, unashamedly operatic Arthurian myth-making, all gleaming armour and doom-laden prophecy. A reminder of how earnest and strange these legends used to be told before the grit set in.
But Camp, dated effects, and a sincerity so total it occasionally tips into unintentional comedy.

The Adventures of Robin Hood1938
The other end of the same legend: same character, same forest, played as pure swashbuckling delight rather than elegy, which shows exactly what the new film is subverting.
Errol Flynn's Robin Hood in glorious three-strip Technicolor, all laughing bravado and effortless heroics — the joyful, guiltless version of the exact story this new film sets out to dismantle.
But Creaky by modern standards and morally uncomplicated — about as far from grit as a medieval adventure gets.

Robin of Sherwood1984no page yet
Proof that a darker, stranger Robin Hood has always been hiding under the popular one — this version leans into folk horror rather than grit, but shares the same instinct to make the legend uncomfortable.
A cult 1980s British series that swapped merry-men jollity for pagan mysticism, Herne the Hunter, and a genuinely eerie sense of old magic buried in the greenwood. Cheap, strange, and unexpectedly haunting.
But Very much of its era — synth score, wobbly effects, and a pace TV has long since moved past.
People
Cast
Hugh JackmanRobin Hood
Jodie ComerSister Brigid
Bill SkarsgårdLittle John
Murray BartlettThe Leper
Noah JupeArthur / Godwyn
Jade CrootWainwright
Faith DelaneyLittle Margaret
Tabitha SmythSarah
Alfie LawlessHendrie
Asher de SilvaMoshe
Elijah UngvaryHairy Kinsman
Directing
- Michael SarnoskiDirector
- Paul BarryFirst Assistant Director
- Jamie HegartySecond Assistant Director
- Sheena KellySecond Second Assistant Director
- Daniella TimperleyThird Assistant Director
Writing
- Michael SarnoskiWriter
Production
- Martin WareCasting
- Nina GoldCasting
- Janine ModderCo-Producer
- Paul BarryCo-Producer
- Arlen KonopakiExecutive Producer
- Charles MillerExecutive Producer
- Janine ModderExecutive Producer
- Jon RosenbergExecutive Producer
- Mark HuffamExecutive Producer
- Michael SarnoskiExecutive Producer
- Rama GottumukkalaExecutive Producer
- Aaron RyderProducer
- Alexander BlackProducer
- Andrew SwettProducer
- Hugh JackmanProducer
- Charles MillerUnit Production Manager