Film
Storm Boy
Other titles called Storm Boy: the 1977 film.
- Drama
- Slow-burning
A gentle Australian adventure about a solitary boy who befriends a pelican and discovers connection with the world. It's a film about loneliness and belonging, with real affection for its young protagonist and the natural world he inhabits. Quiet, beautifully shot, and deeply felt—a family film that doesn't condescend.
Should you watch it?
Watch it if you love quiet coming-of-age stories where a lonely boy finds friendship in an unlikely animal, told with patience and wide, windswept Australian scenery.
Skip it if you want brisk plotting or a lot of incident, since this moves at the unhurried pace of its coastline and leans on mood more than momentum.
What it asks of you: Settle in for about ninety-nine minutes of gentle, unforced scenes, with long stretches of quiet and sea air, and let its melancholy build slowly rather than arrive all at once.
Not sure? Find tonight's pick in a minute.
If you liked this
My Friend Flicka1943
A classic boy-and-animal bond story with the same emotional architecture: a lonely child finding purpose and self-worth through caring for a creature. Gorgeously composed and genuinely moving.
But In black and white, and the pacing is deliberately slow—it asks patience in ways modern audiences sometimes struggle with.

Raya and the Last Dragon2021
A visually stunning adventure centred on the gradual trust between an isolated protagonist and a fantastical companion. Themes of connection, family, and hope in a world that feels broken.
But Animated, and the world-building can feel dense; it rewards attention more than it spoon-feeds plot.

The Black Stallion1979
A boy stranded on an island bonds with a wild horse. The relationship unfolds in quiet, observational sequences. A masterclass in showing rather than telling emotional connection.
But Very little dialogue, and the pacing is contemplative rather than action-driven. Some viewers find it slow.

Not sure tonight? Get a pick in a minute, starting from Storm Boy
The wildcard
Something you would not have found on your own.
Penguin Town2021
Both are Australian stories about the human relationship with wildlife and coastal ecosystems. Both find profound meaning in the quiet observation of how a person and an animal can matter to each other.
A documentary series about African penguins living in an actual South African town, filmed with intimate, character-driven attention. It finds narrative and emotional depth in observing real animal behaviour and the human efforts to protect them.
But A nature documentary, not a narrative film—no plot arc or dramatic tension in the traditional sense. Requires patience and genuine interest in the animals themselves.

More like this (8)
Where the Wild Things Are2009
A melancholy adventure about a lonely boy finding solace in imagination and connection. Spike Jonze's direction gives it real depth and emotional honesty beneath the whimsy.
But Deliberately strange and dreamlike; it privileges mood over narrative clarity, which won't suit everyone.

Mud2013
Two boys discover an outlaw hiding in the marshlands. Jeff Nichols creates a lyrical coming-of-age story about loyalty, loss, and the natural world. Achingly beautiful.
But The pacing is meditative and circular rather than driving forward. The ending is bittersweet in ways that can feel unsatisfying.

Spirit: Stallion of the Cimarron2002
An animated film about a wild horse's resistance to captivity and his bond with a Native American boy. Gorgeously rendered landscapes and a genuine sense of freedom.
But Animated, and the story can feel slight beneath the visual ambition. Some plot elements are predictable.

Bridge to Terabithia2007
Two misfits create an imaginary kingdom to escape their circumstances. Thoughtful about grief, friendship, and the power of imagination in a child's life.
But The tonal shift in the final act is abrupt and can feel jarring. Some viewers find the magical elements inconsistent with the realism elsewhere.

Aquamarine2006
A mermaid befriends two teenage girls, sparking an adventure about loyalty and growing up. Light-hearted, visually colourful, and genuinely fun without being saccharine.
But Pitched at a younger audience, and the humour is broad. Adults watching alone might find it slight.

Nim's Island2008
A girl living alone on a remote island communicates with her favourite author, sparking an adventure. Whimsical and imaginative, with a strong sense of place and self-reliance.
But The plot mechanics rely on convenient coincidences. The tone wavers between realistic survival and magical thinking without fully committing to either.

Pan2015
Both are fantasy adventures about isolated boys discovering that flight and freedom are possible. Both centre the sublime beauty of escape and transformation, though Pan pursues it far more violently.
A visually audacious reimagining of Peter Pan's origin as a darker, more complex adventure. Hugh Jackman is electrifying, and the film swings for strange, ambitious ideas about power and flight and lost childhood.
But A commercial misfire that plays as chaotic and narratively muddled. The tonal whiplash between whimsy and darkness can feel uncontrolled rather than artful.

The Boy Who Harnessed the Wind2019
Both are films about solitary young protagonists—one fictional, one real—who transform their isolation into agency. Both locate hope in connection to the natural world and in the courage to act despite impossible circumstances.
Chiwetel Ejiofor directs and stars in this true story of a Malawian boy who builds a windmill to save his village from drought. Humanist, unsentimental, deeply moving. A film about resourcefulness and hope rooted in real place and real stakes.
But Set in rural Malawi during economic crisis; it deals with hunger and hardship without romanticising them. The pace is deliberately measured, and Western audiences may find the cultural context unfamiliar.

People
Cast
Geoffrey RushMike 'Storm Boy' Kingley
Jai CourtneyHideaway Tom
Finn LittleStorm Boy
Erik ThomsonMalcolm Downer- Bradley Trent WilliamsJasper Davies
Natasha WanganeenSusan Franklin
Nick LaunchburyReporter #1- Emma BargeryReporter #2
Trevor JamiesonFingerbone Bill
Morgan DaviesMadeline- Michelle NightingaleMrs. Marks
- Miraede Bhatia-WilliamsMildew
Directing
- Steph KempAssistant Director Trainee
- Shawn SeetDirector
- Chris WebbFirst Assistant Director
- Susie StruthScript Supervisor
- Joshua WatkinsSecond Assistant Director
- James DubayThird Assistant Director
Writing
- Colin ThieleNovel
- Justin MonjoScreenplay
Production
- Kylie MascordAssociate Producer
- Ann RobinsonCasting
- Jeremy SimCo-Executive Producer
- Terence KongCo-Executive Producer
- Paul RanfordCo-Producer
- Christopher FiggExecutive Producer
- Geoffrey RushExecutive Producer
- Justin DeimenExecutive Producer
- Robert SlavieroExecutive Producer
- Robert WhitehouseExecutive Producer
- Sherman NgExecutive Producer
- Paul RanfordLine Producer
- Matthew StreetProducer
- Michael BoughenProducer