Film
On the Record: Sam Smith - The Thrill of It All
A behind-the-scenes documentary following Sam Smith's creation of *The Thrill of It All*, his second album. Forty-six minutes of studio sessions, producer conversations, and creative decision-making with Timbaland and other collaborators. For anyone curious about how pop records actually get made, or who wants to see vulnerability and perfectionism in real time.
Should you watch it?
Watch it if you like studio documentaries where you hear a song being argued into existence, and you enjoy watching a pop singer doubt themselves in real time without much gloss.
Skip it if you want a full career retrospective or a deep dive into Sam Smith's life, since this stays narrow on one album and runs under an hour.
What it asks of you: A patient sit of about forty-six minutes, mostly interviews and studio time, with the pace following the work rather than any dramatic arc.
Not sure? Find tonight's pick in a minute.
If you liked this
Amy2015
Asif Kapadia's portrait of Amy Winehouse captures raw creative genius alongside self-destruction. Like Smith's film, it finds humanity in the recording process and the pressure of fame, but with devastating emotional stakes.
But It's relentlessly sad. This isn't a celebration—it's a tragedy, and the intimate footage makes that weight inescapable.

Killing Bono2011
Neil Jordan's film tracks the making of a U2-adjacent band with humour and heart, showing how ambitious musicians navigate ego, compromise, and the gap between ambition and reality.
But It's a comedy-drama that sometimes leans too hard on the laughs, which can undercut the genuine creative struggle it's also documenting.

Sound City2013
Dave Grohl's love letter to a legendary recording studio and the artists who made albums there. Studio craft, producer wisdom, and musicians talking honestly about their process.
But It's ninety minutes of reverential studio talk. If you want conflict or narrative shape, you won't find much.

Not sure tonight? Get a pick in a minute, starting from On the Record: Sam Smith - The Thrill of It All
The wildcard
Something you would not have found on your own.
Searching for Sugar Man2012
Both films find unexpected emotion in the gap between artist intention and audience reception. Smith's studio sessions are in service of connection; *Sugar Man* is about the power of that connection in absence.
A detective story masquerading as a music documentary. Two filmmakers hunt for a disappeared musician whose records shaped a generation in South Africa. The creative work is secondary to the mystery, but both sing.
But It's deliberately oblique about the music itself—you're meant to search alongside the filmmakers, not to understand his influence upfront.

More like this (8)
The Defiant Ones2017
Jimmy Iovine and Dr. Dre discuss the building of Beats and the making of several albums. Candid, generous, focused on how great records come together and how creative partnerships survive.
But It's portrait-of-success filmmaking. There's not much interrogation of the cost or the failures, just excellence being explained.

20 Feet from Stardom2013
Nonfiction about backup singers with glimpses into recording sessions, the collaborative magic, and the invisible work behind the vocals you love. Gorgeous filmmaking and real emotion.
But It's more about the singers' lives than the technical craft, so if you want studio detail, look elsewhere.

Muscle Shoals2013
A documentary about a legendary Alabama recording studio and the musicians, producers, and session players who made classics there. Rich in creative history and genuine respect for the work.
But Relies on archive footage and retrospective interviews, which can feel less immediate than fly-on-the-wall recording sessions.

Beats Rhymes & Life: The Travels of A Tribe Called Quest2011
Michael Rapaport follows the hip-hop group through reunion and creative process. Generosity toward the band alongside sharp observation of egos, legacy, and what it costs to make art together.
But Hip-hop centric, so if that world isn't familiar to you, some context will be lost. Also, group tension occasionally overshadows the music-making.

Roadrunner: A Film About Anthony Bourdain2021
Maggie Gyllenhaal's documentary uses archive footage and creative editing to explore how Bourdain made his show. A masterclass in how personality and craft intersect; deeply human without being sentimental.
But It pivots into tragedy at the end, which is necessary but heavy. Also, it's more about a persona than a singular creative project.

It Might Get Loud2008
Three legendary guitarists sit down and talk process: edge, Jack White, and Jimmy Page discussing technique, philosophy, and how they approach their craft. Pure creative conversation.
But It's guitar talk for guitar people. If you're not interested in the mechanics of the instrument, the film stays quite narrow.

Lean on Pete2018
Both explore what it means to invest everything in your art or your passion, and the isolation that can come with that seriousness, even when surrounded by collaborators.
Andrew Haigh's quietly devastating film about a boy and a failing racehorse. It has nothing to do with music. What it shares is the way devotion to a craft or a being can be the only thing that holds a life together.
But It's melancholic and sparse. There's no triumph here, just the small dignity of showing up for something you love. That might feel too quiet after the energy of Smith's studio.

The Toys That Made Us2017
Both documents are recent films about how albums come together and how they matter. This one approaches it sideways, through merchandise, which sounds gimmicky until you realize it's actually asking: what does a record become in the world?
A Netflix episode that pivots on how the Beatles' albums shaped toys and culture, but spends its time on archival footage of them recording. Different medium—toys as the entry point—but genuinely insightful about their creative moment.
But It's much shorter than Smith's film and uses toys as a frame, so it feels like a half-hour lark rather than a committed dive into process. Also, Beatles hagiography can get saccharine.

People
Cast
Sam SmithSelf
Ben JonesSelf- Earl HarvinSelf
TimbalandSelf
Jason BoydSelf- Jimmy NapesSelf
- Simon HaleSelf
- Vula MalingaSelf
- Patrick LintonSelf
Lucita JulesSelf- Kristin BrooksSelf
Directing
- James BarberDirector
Production
- Dylan MooreProducer
- Heather GreenwoodProducer
- Olivia de CoursonProducer