Film
Mistaken for Strangers
A documentary following The National's tour that becomes a film about two brothers—one a meticulous rock star, one a chaos agent with a camera—and what it means to make art when you're not sure who you are yet. Funny, tender, and genuinely awkward in the best way. For anyone who's ever felt like the weirdo in a driven family.
Should you watch it?
Watch it if you enjoy sibling friction filtered through a camcorder, where the documentary's own clumsiness becomes part of the joke and the affection underneath stays visible.
Skip it if you want a straight concert film of the band's music, since the camera keeps drifting toward its own maker and the making-of gets more attention than the songs.
What it asks of you: A loose, brisk ride of about seventy-five minutes that shifts between backstage larks and quieter moments, asking you to keep up with a camera that never sits still.
Not sure? Find tonight's pick in a minute.
If you liked this
Dig!2004
Ondi Timoner's documentary about the Dandy Warhols and The Brian Jonestown Massacre captures the creative rivalry and volatile friendship between two bands imploding in real time. Raw, messy, sometimes painful.
But It's grimy, aggressively 2000s, and the bands aren't for everyone. Some stretches drag. Both principal characters are infuriating.

Searching for Sugar Man2012
Directors Malik Bendjelloul finds a forgotten 1970s folk-rock musician and uncovers an improbable true story of influence, obscurity, and redemption. A detective story that doubles as a meditation on legacy.
But The mystery structure can feel slightly engineered. It's more uplift than edge. Some find it sentimental.

Sound City2013
Dave Grohl's love letter to the studio that recorded Fleetwood Mac, Tom Petty, and Rage Against the Machine. Acoustic, nostalgic, full of musicians just talking about why they love making music together.
But It's more reverent than critical. If you want pushback or innovation, it's not here. Some of the interview segments meander.

Not sure tonight? Get a pick in a minute, starting from Mistaken for Strangers
The wildcard
Something you would not have found on your own.
Hearts Beat Loud2018
Both are about what happens when art collides with family dynamics, and whether success matters more than staying close to the people you made it with.
A father and daughter write and record a song together and it catches fire online. It's small—just them in a house—but it captures the exact feeling of making something you love with someone you love, and the terror of exposure.
But It's quiet. Nick Offerman owns the emotional weight. If you want stakes or conflict, there's very little. Some will find it slight.

More like this (4)
20 Feet from Stardom2013
Morgan Neville's Oscar-winning film about backup singers—the women whose voices defined generations of music but remained invisible. Moving, gorgeously shot, with incredible archival footage and performances.
But The film's thesis about recognition and inequality can feel incomplete. Some interviews are brief. It's earnest in a way that doesn't account for complexity.

Our Brand Is Crisis2015
Rachel Boynton's documentary follows an American political consultant navigating a Bolivian presidential campaign. Fascinating and uncomfortable in equal measure, raising questions about who gets to shape narratives.
But It's partisan and morally messy. If you want clear heroes and villains, you won't find them. The politics are dense and the pacing deliberate.

Anvil! The Story of Anvil2008
Sacha Gervais follows an obscure Canadian heavy metal band trying for one last shot at the big time. Affectionate, funny, genuinely touching about failure and perseverance.
But You have to sit with a lot of secondhand embarrassment. The band aren't particularly skilled. If metal bores you, nothing here will change that.

My Name Is Khan2010
Like Mistaken for Strangers, it's about two people with fundamentally different ways of seeing the world, and whether love can bridge that gap. Also about being perceived as 'the stranger' when you're actually just trying to belong.
Shah Rukh Khan in a dramatic Bollywood film (not a musical) about identity, belonging, and what it means to be misunderstood. Serious and sweeping, with real emotional intelligence about displacement.
But It's broad in register—melodrama by Western standards. The second half loses focus. Some of the messaging feels didactic. Three hours. If you're unfamiliar with Bollywood, the tonal shifts might jolt you.

People
Cast
Matt BerningerSelf- Tom BerningerSelf
Aaron DessnerSelf
Bryce DessnerSelf
Bryan DevendorfSelf
Scott DevendorfSelf- Brandon ReidSelf
- Carin BesserSelf
- Kyle ResnickSelf
- Ben LanzSelf
- Padma NewsomeSelf
Barack ObamaSelf
Directing
- Tom BerningerDirector
Writing
- Tom BerningerWriter
Production
- Marshall CurryExecutive Producer
- Carin BesserProducer
- Craig CharlandProducer
- Matt BerningerProducer